Norma Rae

Great to watch a young and beautiful Sally Field. She carries this entire movie without really exerting herself. This demonstrates enormous talent and charisma. It is very engaging film with some really touching moments. Its subject matter sounds quite dry but it is not an overly wordy or heavy film, it strikes a nice tone. Nothing is overblown it is just a simply story about a brave lady and people who stood up for themselves and others against harsh working conditions and corporate greed. But without being political or finger-pointing, it is a positive and ultimately uplifting film.

Typical under-dog story that is so well-made that its success makes for a very memorable cinematic experience. The titled character (Sally Field in a super Oscar-winning part) tries to get her fellow textile workers to unionize in her small town, but there are consequences abound. A good supporting cast which includes Ron Leibman, Pat Hingle and Beau Bridges all add to Field's show-stopping performance. Field proved that she could handle delicate material and carry a film to cinematic history. 4.5 out of 5 stars.

One of those rousing films in which a blue-collar normal Joe (or in this case perhaps we should say normal Joan) stands up against the big boys in the corporate office for what is right and just. Movies like "Erin Brockovich" wouldn't exist today if movies like "Norma Rae" hadn't existed first.

And "Norma Rae" is a lot easier to swallow, because it's done without all the Hollywood ritz and glamour. Director Martin Ritt specialized in making movies about blue-collar folks that looked like blue collar movies, and Sally Field, playing the factory worker who's sympathetic to an invading union organizer from the north and becomes his ace card in rallying the other workers, is a much better actress than Julia Roberts, and we're actually able to believe her in the role.

The image of Field standing up on a table silently holding up a placard that says "Union" has become indelible.

Grade: B+

Sally Field's first Oscar came way via "Norma Rae."

The factory where she and her dad work does not know or want to know about unions. Workers are routinely abused and there is no way out for these hard-working laborers.

Along comes Jewish Ron Leibman, from the north, with the idea of forming a union. He meets up with much hostility. We see the southern hatred of unions in general and there is an underlining feeling of anti-Jewishness here as Jews have always been in the forefront of labor issues in America.

Pat Hingle's fatal coronary spurs daughter Norma to action. Her stopping work and turning around with the sign union is memorable.

This picture is timely due to the rash attacks on the labor movement from the federal government on down to management. Made at a time when President Reagan destroyed the Air Traffic Controller's Union, the film is most appropriate.

It's the summer of 1978. Norma Rae (Sally Field) works in a textile mill with her whole family. Her mother is going deaf from the noisy factory. Her father Vernon (Pat Hingle) threatens union organizer Reuben Warshowsky (Ron Leibman) who comes knocking on their door. She's a single mom and she ends her affair with a married man. She marries fellow worker Sonny (Beau Bridges). She starts helping Reuben causing tension in her relationships.

Sally Field is brilliant as an ordinary woman. She is eminently likable. The movie is a straight forward union story. It has a good sense of realism. It helps to have the noisy mill going. It's a great movie.