...All the Marbles

This film will be dismissed by most viewers much like I dismiss hip hop music. With the recent revival of pro wrestling, it is a shame that this film stays buried in the MGM/UA film library. All the Marbles, is the story of the California Dolls, 2 very attractive lady wrestlers seeking wrestling work and fame in seedy blue collar cities and towns of Mid America. Their manager is Peter Falk. They hope to leverage their good looks and athletic talents into the major league of pro wrestling. This film had a first rate director, capable cast, and was well written. It was a shame that it failed at the box office. While lady wrestling is not currently mainstream, things are changing, women can be stronger and better trained and more and more people are watching wrestling. Weekly pro wrestling attracts more TV viewers than weekly baseball. Hey MGM, how 'bout putting All the Marbles back on TV.

This is a film about a girl wrestling team and their manager (played by Vicki Frederick, Laureen Landon and Peter Falk) on a tour across the middle west of America. It was the last film directed by Robert Aldrich and was an independent production that he is said to have financed himself. Released through MGM, it had a disappointing run but is still quite highly regarded by many viewers, probably because the direction, camera work and acting were all significantly above average. Its limited success probably resulted chiefly from the very limited interest most potential viewers have in female wrestling as either entertainment or sport. This was compounded by a serious dichotomy between the actual wrestling sequences and those showing the team on the road. Watching it is like simultaneously watching two very different films cut up into sizeable chunks that have been mixed together almost indiscriminately. Films of this type are often released in several different versions, each designed to have greater appeal to one specific group of potential viewers. This makes them difficult to comment on, as comments written for one version may not be applicable to another. This appears to be the case here The original release "......all the Marbles" was renamed "The California Dolls" for release in the U.K., and a second release in the U.S.A. also used this alternative title. I saw the U.K. version, and so my comments may not be applicable to either of those released in North America. Where does one go from here? Clearly such a film can be reviewed at several different levels depending upon the viewers interests. Equally clearly this has already been brought out in the comments already submitted about this film. Potential backers of films of this type have great difficulty deciding whether there will be an adequate market, even when the film-script under consideration is of exceptional quality; and it may be even more difficult to decide to which market group the films should be primarily directed. In reviewing it, rather than limiting my comments to one such group, I would prefer to look briefly at how it might be expected to appeal to several different groups of viewers.

I am among the viewers for whom the greatest appeal was the remarkably convincing performance of Peter Falk (whose work has mainly been for TV, and who is probably best known for playing the detective Columbo) as the manager of the small touring team. He was perfect as an experienced and wily, but very seedy, small scale business manager who has seen it all. Once could sense that life had continually been knocking him down, but that he had long ago mastered the art of picking himself up again and carrying on exactly as before. Top marks for this.

Another group of viewers would be more attracted by the realistic portrayal of the life style experienced by any independent group operating on the fringes of the entertainment industry, and continually on the move between a series of one night stands. This is an interesting lifestyle with which most of us are not familiar, and it was very convincingly portrayed here.

A third group will be those who rate female wrestling as a significant spectator sport and who want to watch this film primarily for the ring sequences. I believe these individuals should be very happy with what this film provides. However, after watching even one of the brutal wrestling sequences, other viewers will be left wondering why such attractive girls did not try to get Uncle Hef to picture them in his magazine wearing nothing but a pair of rabbit's ears, so that they could sign up with a Hollywood model agency and earn a few bucks by modelling (acting?) in films for Andy Sidaris, instead of through a life in the wrestling ring.

This brings us to the final group of viewers I will consider - those who enjoy a T&A film for its own sake. Both 'ccthemovieman-1' (in comments already on this database) and other non-IMDb sources refer to copious nudity in the original release of this film. I cannot comment on this as the version I saw was stripped of every vestige of toplessness (presumably because of concerns that such sequences might antagonise some viewers). Even during the mud wrestling sequences none of the contestants became topless for an instant (something I have always understood to be contrary to the whole 'philosophy' of mud wrestling). This confirms my earlier point that there are often several different versions of a film of this type put together in the editing room. If a DVD release is being considered MGM would have to decide which of them is most likely to be a commercial success.

My suggestion is therefore that MGM should consider issuing a double sided DVD, one side with a copy of ".... all the marbles" edited to maximise its appeal to both the latter groups above, and the other side with the alternate version "The California Dolls" edited to maximise its appeal to the first two groups above. This would also help to minimise the problem of the mixture of two different stories. The first version would concentrate on all the ring sequences, plus any others which showed the girls topless, and would include minimal linking sequences. I believe this version could have a wide appeal. It takes more than a few topless scenes to sell a T&A DVD today; but we have here two very attractive cast members who, quite unusually, are also very competent actresses. Those primarily interested in the topless sequences would probably also enjoy the wrestling (or cat-fighting as some of the comments have called it), so on balance this version should have a strong appeal. In the second version the fight scenes would be substantially cut in duration to allow the disk's many other purchasers a greater appreciation of the fascinating character studies provided by this movie.

For a movie about lady wrestlers, this was fairly realistic. Aside from treating pro wrestling as real competition, the movie captures the life of wrestlers on the road quite well. Women's wrestling never had it's own territory, so the performers were always traveling to their next match. The promoters controlled the payoff and moving up the card often meant getting in good with the promoter. Performers worked through injuries and had no health benefits. It was a tough life, but most loved it.

The actors are great and the story has a good framework. Peter Falk is the definite standout, but the two ladies acquit themselves quite well. The wrestling sequences are well staged and blow away anything booked by the WWE. The most far-fetched idea is women's wrestling headlining a big card in Las Vegas, with tv coverage. Well, it is a movie. It's also the best movie ever made about pro wrestling, all though that's not saying much.

It's been said that this movie inspired the GLOW (Gorgeous Ladies of Wrestling) promotion and tv show. If true, they should have watched the movie more closely, as it was better than anything they presented.

The movie has its flaws, but it's still entertaining, and the final match will have you on the edge of your seat.

Three dots following a sentence usually means... there's more to come... And when the opposite occurs, and the dots proceed the sentence or title, that's pretty much that...

Which sums up the 1981 Peter Falk road movie ...ALL THE MARBLES in which the quirky COLUMBO actor plays Harry, the lowlife manager of a female tag-team wrestling troupe going city to city...

And from the very beginning it feels like we're heading towards a concussion since the ladies are already at the end of their professional ropes: So those dots represent all the work we didn't see, and they really want those marbles, already...

They referring to sexy and voluptuous jocks Iris and Molly, played by brunette Vicki Frederick and blond Laurene Landon, both sick and tired of the nowhere grungy gigs that Harry, in debt with several bookies, keeps tossing them into. Dive arenas (and one mud wrestling carnival) hardly provide enough bread to keep the trio active, stopping at cheap motels with nothing left over for a fancy dinner, which Harry keeps promising...

Other than being a lightweight exploitation replacing the popular roller derby genre with wrestling, ALL THE MARBLES is a showcase for the two Amazon beauties yet also highlights the legitimate acting skills of the more prominent Iris.

In this semi love interest role, much of the plot evolves around Vicki Frederick's character reluctantly staying on board while, deep down, she's madly in love with her endearingly seedy manager. In that particular aspect, Peter Falk, despite being a fantastic actor, is miscast in a role more suited for a younger Henry Winkler or John Ritter type.

Directed by DIRTY DOZEN and KISS ME DEADLY veteran Robert Aldrich, MARBLES is a fairly decent road picture. A number of scenes are shot through a dilapidated car's murky windshield, passing through a melancholy industrial landscape as the trio discuss their next gig, ultimately pitted against a pair of equally talented wrestlers, backed by a mafia wreck played by Burt Young and his bulky henchman Lenny Montana, best known as Luca Brasi from THE GODFATHER.

Meanwhile, Aldrich seems more comfortable with Falk's road-roaming monologues than the pivotal wrestling matches, filmed mostly in benign wide shots. Feeling like part of the live audience or a television viewer, it's difficult to get fully into the struggle of the both women, who not only pay their bruised dues but is why ALL THE MARBLES is worth checking out.

A strange underrated film. brilliant acting and wonderful fight sequences. The film lives in a curious world of endless motel rooms, dislocation and transit (Harry's grubby car/opera soundtrack ...) A curious feature is also that we are asked to believe that pro tag wrestling is "for real." the photography throughout is excellent and the performances are very strong (Falk is superb!)another wonderful, tantalising element is the scant detail we are given of the central characters. Molly = "junkie" ex secretary, Iris = ex lover of Harry, and Harry himself = opera loving ex teacher. the tone of the film is of these (and other) exploited girls, literally fighting for a better life, on the "eternal road" both strong, but a million miles from "independent". occasional comic moments, and moments which bring enormous sympathy and empathy. a classic film. and sadly, I believe, Aldrich's last.

P Hancock. Kent, UK