The Last Married Couple in America

Jeff (George Segal) and Mari (Natalie Wood) Thompson are a happily married couple...but all the other married couples they know are divorced or separated and seem happy being single. It leads them to start questioning their own marriage and if they really are happy.

I only caught this for Natalie Wood. This film was not a success (I remember it bombed badly back in 1980) and it was Wood's second to last theatrical film. It's not as bad as I've heard but no great movie either. It has a LOT of sex talk and jokes and bed hopping (this was pre-AIDS) but surprisingly no nudity till the very end. In fact, it plays a lot like an R rated sitcom. The script actually isn't bad--it perfectly captures the late 1970s styles, language and attitude towards sex and marriage. But, it cops out at the end and becomes VERY conventional. Pretty typical for a Hollywood sex comedy. The cast is very attractive--Segal overacts but in an endearing way, Wood is just great and looks fantastic (it's surprising to hear her swear!} and Valerie Harper is excellent as a sexually liberated woman. The biggest problem here is that it's never really funny. It's only mildly amusing at best. Still if you're interested in the 1970s and their view of sex you'll probably like this. I give it a 5.

George Segal and Natalie Wood portray an upper-class married couple in Los Angeles who find they are the last of a dying breed: all the men and women within their circle of friends are separated from their spouses, divorced, or on the make. Occasionally smart and amusing screenplay by John Herman Shaner doesn't take a righteous stand on the sexy goings-on, though Shaner is quick to point out the pitfalls of the swinging middle-ager (impotency, venereal disease, unfulfilled coupling). Gilbert Cates directs it like an R-rated TV show, though some of the intended bite (laced with grown-up, witty humor) manages to come through, and the cast is good--however less of hammy Dom DeLuise would have been an improvement. Wood, in particular, shows a great deal of growth since her not-dissimilar dalliance with sexual inhibitions in 1969's "Bob & Carol & Ted & Alice"; she's surprisingly loose and physical here, and works comfortably with Segal, though George himself is rather wrung-out. With the sexual revolution of the 1970s fading fast upon its release, the film didn't stand a chance at the box-office, but parts of it are very funny and trenchant and have held up well. ** from ****

"The Last Married Couple In America" is a misfire, and a waste of a perfectly good cast. In fact, the great chemistry between George Segal and Natalie Wood is the only thing that forces me to give this movie a ** rating, instead of the more appropriate *1/2. But to be a movie exclusively about marriage and not to be able to present even one meaningful insight into the subject in more than 100 minutes is quite a feat, indeed!

When I was watching "The Last Married Couple in America" recently, I made note of the uninhibited anything-goes attitudes that it exhibited, so typical of the late 1970s. There were open relationships, bawdy parties, rampant divorce, and all manner of outrageous behaviors that typified that era.

Mari (Natalie Wood) and Jeff (George Segal) are a happy married California couple that stays together despite all of their friends going through divorces and various personal crises. When Jeff cheats on Mari with a mutual acquaintance (Valerie Harper), the couple separates and tries the single life. Naturally, they reunite after discovering that being single isn't so great after all, and all is happy with their family and the world.

This movie certainly has a great cast (including Richard Benjamin, Priscilla Barnes, Bob Dishy, and Dom DeLuise) but its story line is almost like a TV show transplanted into an R-rated movie. There are plenty of laughs and some pretty good scenes (including a crazy party scene toward the end), but I was left feeling that I had just watched a 1970s sitcom with some salty language and sex scenes thrown in. The supporting cast is very good, with Richard Benjamin outrageously funny as one of Segal's divorcing friends, and a very young and attractive Priscilla Barnes. Watching the film was a pleasant experience and it was nice to re-live early 1980, but in the end it wasn't anything really special.

One of the most underrated movies of late seventies.Good direction by Gilbert Cates in a witty screenplay the players are excellent.The chemistry between Wood and Segal are a gift from heaven.The scenes between the main characters are touching.The supporting players are nice too specially Dom DeLuise and Marilyn Sokol.A movie to be discover.