Apprentice to Murder

This is quite weird… "Apprentice to Murder" combines three major elements that I always deliberately seek for in horror/cult movies, but rarely ever find together. And yet, in spite of featuring this rather unique potpourri, the film sadly left me Siberian cold. For starters (1) the film is obscure and incredibly hard to find. Usually there's a good reason for this, but personally I still hope to stumble upon some genuine undiscovered gems from time to time. Then (2) the story is based, or at least loosely inspired, by true events. More than often, facts are far more astounding than fiction could ever be. And finally but foremost (3), "Apprentice to Murder" takes place in the 1920's and I personally think this is the most suitable time to narrate a tale of the macabre. The ambiance that comes with this decade is like automatically melancholic and downbeat. The people were poor, vulnerable to all sort of illnesses and petrified of God. Why there aren't any more horror movies timed in the 1920's is completely beyond me.

"Apprentice to Murder" has all this, except that… well … the story, inspired by true events as they supposedly took place in Pennsylvania in 1927, honestly isn't worth telling. It's fairly dull and commonplace. Definitely not something to consider as thought-provoking or recognize as one of the darkest pages in recent history. Donald Sutherland, who couldn't look less interested in starring in this film, depicts a so- called Powwow Doctor practicing in a rural Pennsylvanian county, a few days of traveling away from Philadelphia. After his "cures" the father of a young illiterate adolescent with a drawing talent, he takes the boy under his wing as an apprentice. Dr. Reese teaches Billy to read and write and also gradually becomes convinced that he can also become a blessed healer, much against the will of Billy's girlfriend Alice. But Dr. Reese and especially his methods are unorthodox and often abased as witchery by the superstitious and deeply religious communion. When some of his cases don't end well, Billy is dragged along in a downwards spiral of accusations, curses and punishments.

Director R.L. Thomas obviously treasured the best of intentions, but sadly doesn't manage to make full use of the contemporary folklore mysticism and small-town paranoia. For way too long, the screenplay exclusively focuses on the bonding sessions between the Dr. and his young acolyte. I swear, the undertones even get homosexual at certain moments, whereas the really interesting aspects of the story remain untouched. The actually disturbing ordeal our Powwow has to face (a creepy local hermit who may or not be the Devil himself) is incomprehensibly pushed to the background, like it's some kind of insignificant sub plot. The filming locations and set pieces are terrific, but apparently R.L Thomas and his crew had to travel to the beautiful region of Hordaland in Norway in order to recreate the rural Pennsylvania of 1927. "Apprentice to Murder" definitely remains a curious 80's feature, well worth checking out if you cherish cheap but ambitious cult cinema, but overall it's a missed opportunity.

"Apprentice to Murder" carries an interesting theme with its narrative about a young man (Chad Lowe) who befriends a medicine man (Donald Sutherland) who can feel the presence of demon in other people and decides to commit murders in the name of God. Sounds something you seen before in other movies but this time we have a real life story that took place in the late 1920's. However the movie fails to deliver an interesting story and also fails to make viewers curious or deeply interested in the story thanks to a slow oriented presentation that takes ages to reach its summit and present the horrific elements behind the final murder.

Here's a regular and weak movie with some fine performances. Too bad those don't match with such a film that wastes the use of good actors (Eddie Jones is amazing as the boy's drunken father, and Donald plays the usual sinister type). The more it progresses the more the film gets stuck with repetition and a really progression of events that waste everybody's time. Don't waste yours, not even out of curiosity in seeing how the performances and settings go. 5/10.

A very fine movie, totally underrated. Despite a bad box for the DVD edition, this is NOT a "horror flick", but a greatly interesting and subtle approach of a strange and complex relationship between an influenced young man (Lowe) and a disturbed pow-wow-preacher, tortured by his secret fears -- and desires... Homosexual implications, wonderful camera work, and great musical score by Charles Gross. There is a magic in this movie, which places it somewhere between "The Night of the hunter" and "The Reflecting skin". Felicitations to R.L. Thomas. Oh !... and Donald Sutherland is memorable !... His performance is suave, well balanced, and constantly precise.

I love this movie and have recommended it to my students in folk-magic because it is closely based on a true story of murder, mysticism, and (possible) madness concerning a Pennsylvania Dutch Pow Wow doctor in the mid-1920s. Donald Sutherland is superb as John Reese, the highly eccentric conjure and herbalist. Chad Lowe is quite good as his young apprentice. The location shots, filmed in Norway, are spectacular -- not Pennsylvania Dutch country, exactly, but a wonderful rural landscape, with great old 19th century buildings. There is also a very good look at contemporaneous hoodoo practices, as the Pow Wow doctor seeks an outside consultation to cure his ills. If you're a prop and set decoration fan and knowledgeable about magic, look for the couple of Pennsylvania Dutch hex signs (inexplicably called "hexagrams" -- the movie's one false step) that contain Norse bind-runes thrown in on them -- obviously that was the Norwegian prop-maker's little in-joke. This is a great little underrated classic, and the perfect vehicle for Donald Sutherland.

An interestingly odd, if not too successful little folktale curio set in Pennsylvania (although it was shot in Norway) in the 1920s as a teenage boy Billy comes under the influence of a backwoods faith healer Dr. Reese who begins to educate him as he becomes drawn to his mystical charms. But Billy finds himself dragged into strange events which end in terrifying results as they believe the local hermit has the motive and power to cause the devastating blight affecting the small village.

Sometimes being unique and incredibly offbeat just doesn't cut it, if it doesn't entirely deliver the goods. I wanted to like "Apprentice to Murder" a lot more than I did, but I felt like it came up short by not completely coming to life with its dangerous predicament. It never really balances its sensationalised mystic concepts, tending to rely on its character relationships (especially the complicated connection between the boy and the faith healer), humdrum dramatic weight and slow- winding story build-up (some episodic filler) where it can have its flat spells. The most fascinating façade I thought was that of the hermit, which comes across very secondary to everything else, but is the main piece that holds everything together. Still its premise is innovative with a lyrical script that for most part engages with its busy themes.

It's low-key in its approach, which is not a problem but it never really delves into the strange happenings and vivid special effects that seem to torture the faith healer. We get the usual supernatural occurrences, that in the end all of this magic might just be that of a disillusion. But this is supposedly inspired by true events involving a pow-pow preacher and his faith in George Hohmann's "Long Lost Friend" that eventually led to murder. The performances stand up very well with Chad Lowe's responsible turn holding his own alongside a charismatically believable Donald Sutherland as the unorthodox faith healer. He does command the screen in a subtle manner emitting somewhat a creepy undertone. The gorgeous Mia Sara doesn't get all that much to do and Eddie Jones also shows up.

Director R. L Thomas does a sensational job presenting strikingly authentic period details, but also the moody score along with the elegant cinematography are instrumental in crafting enticingly symbolic imagery and an effective atmosphere of a god fearing time engulfing rural communities.