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4.1/10
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Mata Hari es una bella bailarina de origen holandés que trabaja en París. Es agosto de 1914 y la guerra entre Francia y Alemania parece inminente. Sin embargo, acepta una invitación para via... Leer todoMata Hari es una bella bailarina de origen holandés que trabaja en París. Es agosto de 1914 y la guerra entre Francia y Alemania parece inminente. Sin embargo, acepta una invitación para viajar a Berlín como parte de un espectáculo.Mata Hari es una bella bailarina de origen holandés que trabaja en París. Es agosto de 1914 y la guerra entre Francia y Alemania parece inminente. Sin embargo, acepta una invitación para viajar a Berlín como parte de un espectáculo.
Toby Rolt
- Jean Prevost
- (as Tobias Rolt)
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Opiniones destacadas
Ridiculous film about suppossed German spy Mata Hari who weaves a wicked spell and leaves behind broken hearts and lifeless bodies. Speaking of lifeless bodies, the film stars Sylvia Kristel as the title character.
This is a soft-porn version of the life of the real Mata Hari, supposed spy for the Germans, executed by the French in 1917. This movie tries to sanctify MH, but only makes her ridiculous. Her real life and fate was far more interesting than this movie.
Did some idiot actually give this pile of garbage a 10?
This movie represents further proof, as if we needed it, that Hollywood is better at promoting movies than at actually making them. The idea of casting one of the sex symbols of the 70s, Sylvia Kristel, as one of the most notorious women in history, Mata Hari, a women whose mere name implies seduction, betrayal and intrigue, would seem like a winning combination, but that's about as far as anybody thought it through.
Mata Hari herself comes off as uninteresting and not particularly sexy, and her exploits, far from impacting the fortunes of nations in the high stakes game of WWI espionage, seem trite and trivial. Perhaps this was the point - to demonstrate that the myth of Mata Hari far surpassed the actuality - and if so the creators succeeded. Somehow, I doubt this was the intent. I think we just got another example of incompetent film- making. The subject matter SHOULD have been fascinating, even if the myth went far beyond the real history and the story should have been interesting and instructive however it evolved. In this case, we just got painfully dull cinema, unerotic and even unglamorous to the point of seeming rather tawdry looking. Mata Hari's famous stage act is recreated without sufficient verve or visual style to really give the viewer a sense as to how she become an international sensation, and Kristel herself seemed to be sleepwalking her way through the role, not that the script ever gave her anything much of interest to do. As the picture (and Mata Hari herself) reached its end, I found myself wondering, Is this it? Was this all she did? And if so, how did she become a household name? Such questions should not remain unanswered at the end of a biopic. I wouldn't have minded an inaccurate or sensationalized biopic either, as that might at least have been passably entertaining. Yet, I was not convinced that this version did Mata Hari's story justice either. Maybe a remake is in order.
This movie represents further proof, as if we needed it, that Hollywood is better at promoting movies than at actually making them. The idea of casting one of the sex symbols of the 70s, Sylvia Kristel, as one of the most notorious women in history, Mata Hari, a women whose mere name implies seduction, betrayal and intrigue, would seem like a winning combination, but that's about as far as anybody thought it through.
Mata Hari herself comes off as uninteresting and not particularly sexy, and her exploits, far from impacting the fortunes of nations in the high stakes game of WWI espionage, seem trite and trivial. Perhaps this was the point - to demonstrate that the myth of Mata Hari far surpassed the actuality - and if so the creators succeeded. Somehow, I doubt this was the intent. I think we just got another example of incompetent film- making. The subject matter SHOULD have been fascinating, even if the myth went far beyond the real history and the story should have been interesting and instructive however it evolved. In this case, we just got painfully dull cinema, unerotic and even unglamorous to the point of seeming rather tawdry looking. Mata Hari's famous stage act is recreated without sufficient verve or visual style to really give the viewer a sense as to how she become an international sensation, and Kristel herself seemed to be sleepwalking her way through the role, not that the script ever gave her anything much of interest to do. As the picture (and Mata Hari herself) reached its end, I found myself wondering, Is this it? Was this all she did? And if so, how did she become a household name? Such questions should not remain unanswered at the end of a biopic. I wouldn't have minded an inaccurate or sensationalized biopic either, as that might at least have been passably entertaining. Yet, I was not convinced that this version did Mata Hari's story justice either. Maybe a remake is in order.
Mata Hari is a beautiful Dutch-born dancer, working in Paris. It is August 1914 and war between France and Germany seems imminent. However, she accepts an invitation to travel to Berlin as part of a show. On the train she meets a young German army officer but any thoughts of romance are cut short when a French agent is murdered on the train, while in her company. She is arrested in Germany but freed when the German officer intervenes. While in Germany war breaks out and she is recruited by German Intelligence to spy on France.
I was under no illusions regarding this film, figuring it was mostly made as a skin flick (it stars Sylvia Kristel) but hoping that it was at least historically accurate, thus making it sensual depiction of the life of Mata Hari. Despite my low expectations, however, it is still disappointing.
About the only historically accurate things about this movie are the facts that she was Dutch, lived in the Dutch East Indies for a while, was a dancer, was a German spy and was captured by the French and executed. Everything else is pretty much fiction, created for dramatic effect, and poor effect at that.
Her whole story gets turned into one of her being blackmailed into being a spy, doing it for all love and actually doing her best to undermine the Germans. The idea is to make this into a love-during- wartime drama, but it fails as a romantic drama too - quite unengaging.
It even fails at it primary purpose - as a skin flick. Quite tame in that regard, what there is. The topless female fencing duel was unintentionally quite hilarious though...
It's essentially a B-grade (at best) skin flick with pretensions of being a romantic biopic, but by trying to encompass so many genres and audiences it fails in all of them.
I was under no illusions regarding this film, figuring it was mostly made as a skin flick (it stars Sylvia Kristel) but hoping that it was at least historically accurate, thus making it sensual depiction of the life of Mata Hari. Despite my low expectations, however, it is still disappointing.
About the only historically accurate things about this movie are the facts that she was Dutch, lived in the Dutch East Indies for a while, was a dancer, was a German spy and was captured by the French and executed. Everything else is pretty much fiction, created for dramatic effect, and poor effect at that.
Her whole story gets turned into one of her being blackmailed into being a spy, doing it for all love and actually doing her best to undermine the Germans. The idea is to make this into a love-during- wartime drama, but it fails as a romantic drama too - quite unengaging.
It even fails at it primary purpose - as a skin flick. Quite tame in that regard, what there is. The topless female fencing duel was unintentionally quite hilarious though...
It's essentially a B-grade (at best) skin flick with pretensions of being a romantic biopic, but by trying to encompass so many genres and audiences it fails in all of them.
10Jimbo52
So what if some say this was "Awful"! The supporting cast under Miss Kristal is actually very good. Both the French and the Germans are believable. (What is it with lesbian German "fraulein doktors"?) :-) While the WWI battle scenes were rather poor for their lack of hundreds of extras, the details of what WAS shown is very commendable! Miss Kristal's best scene is where she stands at the edge of a trench and her coat drops to reveal for the first time her nurse's uniform (her costume for her spy duties). It doesn't sound dramatic, but the shot IS! The rest of the movie is just GORGEOUS with the European locations, set decoration and authentic props (including a steam locomotive!). It is a beautifully shot movie! You think you are back in 1916! If you enjoyed the location photography in THE BLUE MAX, you will also like MATA HARI! It may not be CITIZEN KANE but very watchable... many times, even!
¿Sabías que…?
- TriviaThe genealogy of the Mata Hari character was half-Dutch and half-Javanese. Actress Sylvia Kristel playing her was actually in real-life of Dutch lineage herself having come from Holland. Kristel was born in Utrecht in the Netherlands whereas the real-life Mata Hari was born in Leeuwarden, Holland.
- ErroresMata Hari (Sylvia Kristel) is shown dancing bare-breasted several times in the movie. In real life, Mata Hari never danced bare-breasted as she was self-conscious about having small breasts.
- Versiones alternativasUS DVD version is heavily cut. In the original international versions love scenes are much longer and much more graphic.
- ConexionesFeatured in Mata Hari, mythe et réalité d'une espionne (1998)
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- How long is Mata Hari?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 48min(108 min)
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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