Una reportera conecta con un líder de Jonestown y al hijo desaparecido de un ejecutivo con una guerra de drogas en la que las instalaciones de la selva están siendo masacradas por un ejércit... Leer todoUna reportera conecta con un líder de Jonestown y al hijo desaparecido de un ejecutivo con una guerra de drogas en la que las instalaciones de la selva están siendo masacradas por un ejército de nativos y un hábil asesino blanco.Una reportera conecta con un líder de Jonestown y al hijo desaparecido de un ejecutivo con una guerra de drogas en la que las instalaciones de la selva están siendo masacradas por un ejército de nativos y un hábil asesino blanco.
- Dirección
- Guionistas
- Elenco
- Fargas
- (as Eriq Lasalle)
- Man in TV footage of Jonestown
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Lisa Blount and Leonard Mann play reporter Fran Hudson and her cameraman Mark Ludman, who are hot on the trail of a story involving wars between competing drug cartels. They come to realize that a man named Brian Horne (Richard Lynch) is involved. It turns out Horne was a prominent associate of the notorious cult leader Jim Jones. Fran and Mark are also trying to find Tommy Allo (Willie Aames), son of their boss Bob (Richard Bright); Tommy has been prisoner to one of these cartels for some time.
As you can see, there are a fair amount of familiar American actors in this rousing bit of entertainment. Karen Black makes a "special appearance", a young Eriq La Salle plays an informant, and the legendary cult actor Michael Berryman turns up repeatedly as a relentless and REALLY nasty white henchman. His scenes tend to be the most fun. Blount doesn't look too happy to be here, and Aames is too whiny and annoying, but the rest of the cast do some good work. Sexy Valentina Forte, Deodatos' girlfriend at the time, exploitation veteran John Steiner, Barbara Magnolfi ("Suspiria"), and Ottaviano Dell'Acqua (the worm eye zombie in "Zombi 2") co-star.
One gory highlight involves a person being ripped in half. The location shooting adds a lot of atmosphere. And ever reliable Claudio Simonetti of the groups Goblin and Daemonia composed the groovy music score.
Not too memorable once it's over, but it does hold ones' attention.
Seven out of 10.
"Cut And Run" is a film that, once again, takes place in the jungle. The film may not be as disturbing as "Cannibal Holocaust" or some other films by Deodato, but it is certainly not for the faint-hearted. There are no cannibals this time, but there's an atrocious drug-war going on instead, and Deodato is, as usual, not exactly stingy with explicit violence, nauseating gore and genuine nastiness. Horror fans should especially appreciate the casting of Michael Berryman ("The Hills Have Eyes") who, once again, has the creepiest role in the film. Lisa Blount ("Prince Of Darkness") and Leonard Mann, whom Spaghetti Western fans might know for films like "Forgotten Pistolero" or "Three Amens For Satan", play the leading roles as a reporter and a cameraman. The supporting cast furthermore includes Italian genre-cinema regulars John Steiner and Gabriele Tinti. The score is delivered by the great Claudio Simonetti, the genius composer and keyboard player of Progressive Rock band Goblin, who is responsible for most of the greatest scores in Italian Horror cinema. The greatest aspect of "Cut And Run" is the brilliant photography - Deodato sure knows how to to give the jungle the menacing atmosphere of a green Inferno. "Cut And Run" is certainly not one of his greatest films, but his fans should definitely not miss this violent dose of action-packed Deodato jungle-madness!
There is little point passing comment on the film's plot because it virtually makes no sense. There is, for example, no explanation at how the Indian killings in the Amazon jungle simultaneously take place in Miami and the entire subplot involving Colonel Horne remains a mystery. The jumbled plot does have the advantage of giving Deodato the opportunity to dabble in different genres and he shows yet again why he is such an underrated filmmaker. Deodato's direction is technically brilliant and he brings his usual sense of flair to the film's action and horror set pieces. The dramatic moments are less successfully handled and unusually for a Deodato film, some sentimentality creeps in towards the end of the film.
The film really picks up every time the Indians attack. Horror fans might be annoyed by the infrequency of the gore, but when the killings do occur, Deodato does not disappoint. There are beheadings, spears through the neck, darts in the neck and one of Deodato's best ever deaths when a man is literally ripped limb from limb (according to Deodato, inspired by the Vietcong). Part of the fun is watching legendary genre actor Michael Berryman camping it up as a demented Indian. He has several great moments in what is one of his more memorable roles. The other actors are also pretty good. Lisa Blount makes an impression as Fran and Richard Lynch always does a good job of acting crazy, making a perfect Colonel Horne.
Also worth a mention are Claudio Simonetti's great synth score and the beautiful photography of the jungle landscape (Venezuela doubling for Colombia). Fans of Deodato should check out the accompanying "Uncut and Run" documentary in which Deodato rather amusingly talks about the shoot, stealing Wes Craven's job as the director and even bluntly says which actors he did not enjoy working with. Cut and Run might lack cohesion but it remains a highly enjoyable minor work from a truly great director.
A strange mix of noisy action, adventures, jungle fights, grisly killings and gory scenes. Dealing with an expedition searching for a missing son when they are caught up in a drug war and violent natives that threaten to take their own lives. It is a mediocre but passable film and full of blood and gore. Main cast and support cast are acceptable. Lisa Blount plays an intrepid journalist, the Italian Leonard Mann is her camera helper, Willie Aames an abducted young, Richard Bright as his father, Karen Black as an Tv manager, Michael Berryman as an ominous, creepy native chief, being special mention for Richard Lynch as a nasty, mean preacher, Jim Jones-lookalike and brief appearance by Eriq La Salle.
It contains an atmospheric and glimmer cinematography by Alberto Spagnoli. As well as an anticlimatic musical score composed by Syntesizer by Claudio Simonetti of Goblin, usual musician to Dario Argento's films. Being shot on location in Venezuela and Miami, Florida. The motion picture was regularly directed by Ruggero Deodato. He is a notorious Italian director especially known for today considered classic "Cannibal Holocaust". He has directed all kinds of genres with particular penchant for terror, violence, and adventure movies, such as Jungle holocaust, House on the edge of the park, Bodycount, Dial help, Phantom of death, The washing machine, The raiders of Atlantis, Concorde affair, Live like a cop die like a man, Lone runner, The barbarians, among others . Rating 5/10. Average
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- TriviaMichael Berryman also had issues with Director Ruggero Deodato as he had to stay in the water for a particular scene for five hours straight in which the local people were stating that Berryman was "crazy" for being in the river for that long period of time. Berryman had asked Deodato prior to the scene in question, questions if there was anything in the water that would be dangerous to him physically and Deodato stated "No". Berryman discovered after getting out of the water after that long period of time that there were electric eels in the river and he then angrily grabbed and threw the director off the pier and into the water and telling him "Now you stand in it now".
- ErroresDuring the intro titles as the camera is following the woman holding the baby, as she steps onto an escalator there is a man behind her wearing a grey T-shirt who is carrying a shoulder bag with a red strap. However as the camera shot changes to show her getting off at the end, the man is suddenly now in front and can be seen stepping off and walking ahead of her.
- Citas
Fran Hudson: [Fargas is sitting with exotic dancers in the strip club] You got a minute?
Fargas: Yeah, for you, sure. But this is no place for a lady.
[waves dancers back to work, indicates a seat to Fran]
Fargas: Make history. Be my guest.
- Versiones alternativasThere were 2 different versions of this film made for different markets. The first version was a straight forward action film, which was made for the US market (to get an R certificate) and for countries like the UK where censorship restrictions where problematic. However the director filmed several additional extra gory scenes for use in Italy, Japan and other countries that demanded a "stronger" version. These included alternate takes on the intro fight scene, the drug house massacre and the raid on the jungle camp, which featured additional violence nudity and gore. The US DVD by Anchor Bay is of the extra gory version, however the extra gore scenes are presented in Italian language with English sub-titles. They claim that the the extra-gory version was never dubbed into English (actually the whole film was primarily shot in English in "live" sound recording), however the Hong Kong VCD of this version was presented in English, indicating that full English language prints of this version did exist.
- ConexionesFeatured in Uncut and Run (2002)
Selecciones populares
- How long is Cut and Run?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 374,530
- Tiempo de ejecución1 hora 30 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1