Perdido en el Amazonas

I like to watch in pairs, and this was paired with Herzog's "Green Ants Dream."

The central character here is a teen, played by the director's son, who is kidnapped by Amazonian Indians at six and raised in nature. There are threats, adventures, encounters with "civilization." They provide the focus of the energy in this thing. Its all about that energy which we take from the juice of adolescence, perceive as the energy of an action movie and conflate (as we are intended to) with the natural richness of the rainforest.

Its a simple trick, but by gosh it works. Why is not a mystery: the teen drive is transformed into something pure here, done so by the actresses who play the teen Indian girls, lovely, and effectively nude. In order to underscore the point, the plot has them (importantly, as a group) kidnapped into civilization as a the complement of the original kidnapping. But the purpose here is prostitution.

When someone knows what they are doing and delivers the goods, its always a remarkable thing. The narrative engineering conveys the lack of engineering, and makes us desire the purity of encountering things without artifice.

Conveying this notion is then mixed with a completely unrelated message about the destruction of the rainforest and its central importance to the global ecology. Its rather dishonest, this, but because its such a noble cause we let it slip. But its a shame. In their defense, the acknowledge that just being native doesn't endow goodness: there is an "evil" tribe. Part of the tragedy is not shown: natives everywhere in the world aggressively damage the environment as much as their capabilities allow.

The perfect delicacy of this puts "Apocalypto" to shame.

Ted's Evaluation -- 3 of 3: Worth watching.

Certainly the best of Boorman. After seeing again Deliverance, which was thrilling when it was first released, and Excalibur, poetical, Wagnerian but a little bit out of date (regarding the shining 70's fake armors), Emerald Forest deepens philosophy and ethnology. Very profound and touching, very good acting, excellent photography, technically superb, there's nothing to really complain about. It hasn't aged at all and probably won't. I gave it a 10 because I do not see anything to improve. In our sad new era of ethnological destruction, where there's no place anymore for the Aborigene or any other tribal culture, this movie gives a little hope, a little reverie of seeing things turning in the right direction thanks to ancient magic. How vain but how beautiful!

Touching, well-paced, sad, uplifting, absorbing. Good acting, good writing. Lots of meaning, lots of symbolism, but never in your face, never tiring. Mystical stuff that's presented well and believably. A movie at once so ambitious and so real and so well-done...there just aren't very many in its league. Action, love, adventure, drama, striking images, succinct dialog. Amazing.

This movie supposedly sends an environmental message, and that's certainly true, but if you look closely it's really a fig leaf (like one of those little flaps on a string that constitute the sole bit of clothing worn by the villagers) for an updated Tarzan movie.

That said, this movie is tremendous entertainment. It is exciting almost all the way through. And when it's slow, there are lots of cute teenage girls in the altogether to gaze at. In fact, there's a demographically striking abundance of teenage girls in this particular tribe.

Favorite scene: During the courtship ritual, Tomme is given a club and is supposed "knock out" his girl in front of the villagers and then carry her off into the forest. She cowers. He hesitates, waves the club around. She glares at him and whispers, "Do it right!" So he hits her and she makes a show of being "knocked out." The whole courtship ritual is beautifully staged. I cannot attest to its authenticity, but it's perfectly clear as he "defends" her from menacing dudes, refuses to be carried off by the other girls, etc. The sheer enthusiasm portrayed is remarkable.

Powers Boothe, playing a dam engineer, makes a dashing Trader Horn-type. He has a great scene when he wakes up in the village only to see his son, Tomme, sleeping peaceful and embracing his girl, both practically nude in the next hammock. The expressions that run across his face are priceless.

The Fierce People live up to their name, but I am dubious that people who live in nature can be so infected with violence.

I learned something. You can climb a high-rise by wrapping vines around your feet. Who knew? The dam business at the end was totally righteous, but, really, pretty preposterous.

And how about that shot of the eagle in flight. Taken from about two feet away. Pretty neat.

Terrific Hollywood movie? You bet. Werner Herzog? Not so much.

The Emerald Forest is, without a doubt, one of my favorite movies of all time. I first saw it many years ago, but rediscovered it recently when it showed up on one of my Dish movie channels. The son of an engineer is kidnapped in the rain forest. The engineer (Powers Booth) discovers him years later, when he is a teenager. By then, the son is part of a tribe which has raised him and molded him into a man. He does not want to leave. However, the boy must find and request the help of his father when a rival tribe kills several male members of his tribe members and kidnaps their women. A great (true) story, wonderful acting, and amazing cinematography make this movie an amazing viewing experience. Think Apocalypto without all of the blood and violence. There is a good amount of female nudity. If you enjoy this movie, I also recommend Rapa Nui for it's great scenery and story.