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IMDbPro

Infierno en el Pacífico

Título original: Hell in the Pacific
  • 1968
  • G
  • 1h 43min
CALIFICACIÓN DE IMDb
7.2/10
9.5 k
TU CALIFICACIÓN
John Boorman, Lee Marvin, and Toshirô Mifune in Infierno en el Pacífico (1968)
During World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?
Reproducir trailer2:03
1 video
76 fotos
SurvivalAdventureWar

Agrega una trama en tu idiomaDuring World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooper... Leer todoDuring World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?During World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?

  • Dirección
    • John Boorman
  • Guionistas
    • Alexander Jacobs
    • Eric Bercovici
    • Reuben Bercovitch
  • Elenco
    • Lee Marvin
    • Toshirô Mifune
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.2/10
    9.5 k
    TU CALIFICACIÓN
    • Dirección
      • John Boorman
    • Guionistas
      • Alexander Jacobs
      • Eric Bercovici
      • Reuben Bercovitch
    • Elenco
      • Lee Marvin
      • Toshirô Mifune
    • 81Opiniones de los usuarios
    • 39Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 2 nominaciones en total

    Videos1

    Trailer
    Trailer 2:03
    Trailer

    Fotos76

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    Elenco principal2

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    Lee Marvin
    Lee Marvin
    • American Pilot
    Toshirô Mifune
    Toshirô Mifune
    • Captain Tsuruhiko Kuroda
    • (as Toshiro Mifune)
    • Dirección
      • John Boorman
    • Guionistas
      • Alexander Jacobs
      • Eric Bercovici
      • Reuben Bercovitch
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios81

    7.29.5K
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    Opiniones destacadas

    ewarn-1

    history culture survival

    Not only is this film a fascinating account of survival against odds, its a reflection of cultural differences within a crucial historical timeframe. Its narrative may be flawed, a little too stylized, but it features two of the greatest faces of 60s cinema history: Marvin and Mifune. Looking back on the second world war, it seems ironic that the Japanese believed their culture was superior in warfare, and the Americans believed theirs was superior for peace. In the end it will turn out to be the other way around. This film touches on that subject, highlighting Marvins aggressive, loud, and brutal behavior, and Mifunes quieter, more methodical survival methods. But in their battle to survive, the two men become almost indistinguishable. The most touching scene in the film: Both men collapsed in their sinking raft, dejected, exhausted, dehydrated, totally at their mercy of nature, a symbolic scene for human life. The DVD i saw contained both endings, the original, never seen in TV prints, much more believable and satisfying.
    9OttoVonB

    Cast Away on Steroids

    Isolation in extreme conditions allows for very telling studies of human beings, and potentially unpleasant philosophical conclusions. Marooning a character on an island will get you some dramatic results, and the only way to take it a step further is to maroon that character's worst possible enemy with him. That's what Hell in The Pacific proposes.

    This is not Cast Away Meets WWII. For one thing, it has a much tighter focus, completely losing anything beyond the island's horizon. It is admirable in its bloody-minded focus, and, with only two actors to cast, it's hard to imagine how it could have been any more perfect that pitching wild-man extraordinaire Lee Marvin opposite Kurosawa favorite Toshiro Mifune. A genius idea, but one that could have failed with a more conventional approach.

    We are introduced to both antagonists in a neutral way, free to prefer which ever one we choose, though that is hardly the point, and director John Boorman makes it both easy and at times hard to sympathise with either in equal measure. Both actors do a fine job, playing mostly emotional and physical roles with great restrain and intelligence.

    Boorman's direction is perfect, rejecting excess stylization in favor of a subtle approach, aided by superb photography. You have got to see this at least once, simply because, for all its visceral thrills, it is quite profound without ever trying to be. Because it boasts top performances from two of the last century's greatest leading presences in action cinema. Because, though frustrating at first, the ending is, for once, the smartest one that could have been chosen. Humanity is on trial and the judges choose to be honest and pragmatic, thus delivering something that combines greatness and very thoughtful substance.

    We need more films like this!
    DJ_Ramjet

    Excellent movie, hilarious yet tragic

    Was there a better hard man in the 70's then Lee Marvin ? I don't think so. Team him up with Toshiro Mifune (yojimbio, Seven Samurai), gorgeous scenery (Paulau islands) under the light hand of John Borman (Deliverance) and watch as a simple story grows and develops into a visual feast. There is no lead-in to the film, all we see is a lone Japanese soldier on a tropical island spotting a life raft and realising he is suddenly not alone, and worse, his company is an enemy soldier. The initial confrontations are tension filled as the two chase each other around and around their new home in a battle of wits and cunning. Eventually the inevitable happens and they are forced to start living together. Rather than a Disneyish style 'lets all learn to live together because we are all really the same under the skin' co-operation, the two have as little to do with each other as possible, unless arguing about possession of driftwood (in a scene that left me in tears of laughter). Eventually they do co-operate through necessity to leave the island and develop a bond of friendship through adversity, only to have this challenged when exposed to the realities of the world outside their desert island refuge. A bitter but unavoidable ending reminds us of the insanities of war. I loved this film because it was totally gripping in a way few movies are, I genuinely cared about the characters. It was in some ways like watching 'survivor' in the way the relationship changed-only in reverse- so naturally did it happen on screen. Bormans direction was great, more of a fly on the wall perspective that made the story all the more involving. This movie deserves to be seen.
    8lawnboy1977

    Rare and forgotten Lee Marvin Picture

    I only discovered Hell in the Pacific after searching for Lee Marvin films as I have become enamored with his work as of late. I thought this was going to be a war movie from start to finish, which I'm not always a big fan of. I am glad to say I was surprised and very pleased with this film.

    This is a rare work of film that uses two actors, limited dialog(half of it in Japanese), and only one location. There have been many attempts at making movies about people stranded on islands, but this one pulls it off in a way no other has.

    Thsi is a film about not only survival, but overcoming prejudice towards ones sworn enemy in a time of war. It is about moving past the fears of what you do not know, and using what you do know and the basic need to survive to pull through and band together.

    I was more enthralled by this movie with almost no dialog, than I have been with movies that have won screenplay Oscars. To me, this is an example that if you have the right actors, the right story, and the right setting, dialog is not always necessary.
    7ma-cortes

    Physical and psychological battle between Marvin and Mifune with anti-war allegory

    Nice and well executed film set during WWII,containing a brief anti-war declaration . It deals with an American pilot (Lee Marvin who sings a song) and a marooned Japanese navy officer (Toshiro Mifune , only speaking in his native language) are deserted on a tiny island in the Pacific , as they confront each other in a violent mini-war . There, they must cease their hostility and unite themselves if they want to survive until a disappointing and unexpected ending .

    Straightforward and gripping movie with magnificent acting by only two protagonists ,the dynamics Marvin and Mifune , fighting all by themselves , as playing American and Japanese soldiers coming to terms with each other on an uninhabited island in the Pacific Ocean, both of them stranded together . However , the movie sometimes lapses into tedium and slowness , though contains striking images with moments of great power and wonderful scenarios . It's one of the sharpest and cleverest war film of the 60s masterfully and stylishly realized. The handsome cinematography by Conrad L. Hall does full justice to the varied settings on the Pacific ocean , bursting into the colour . Imaginative and haunting score by Lalo Schifrin.

    The motion picture is well directed by John Boorman . He's a real professional filmmaking from the 6os, though sparsely scattered and giving classics as ¨Point Blank¨ . His film are without exception among the most exciting visually in the modern cinema as he proved in ¨Deliverance¨ , ¨Excalibur¨,the best of them, , a rare Sci-Fi titled ¨Zardoz¨ , ¨Emerald forest¨ with a ecologist denounce included and of course ¨Hell in Pacific¨.

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    Argumento

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    • Trivia
      Both Lee Marvin and Toshirô Mifune actually served in the Pacific during World War II, of course on opposing sides. Marvin was a US Marine. He was wounded during the war and received the Purple Heart during the Battle of Saipan in 1944. Mifune served in the Imperial Japanese Army Air Service.
    • Errores
      Lee Marvin was 44 at the time of filming, as evident by his gray hair. Toshiro Mifune's character also calls him an "old man" several times. WWII US Navy pilots Thus, he looks much too old for an actual WWII US Navy pilot, who were mostly in their twenties or early thirties.
    • Citas

      American Pilot: Oh, for a second I thought you were a Jap.

    • Versiones alternativas
      American version featured an alternative ending where the two get drunk and walk off in separate directions arguing at each other; in the British version (which was exactly the same as the Japanese version), they start yelling and a bomb from the sky falls and blows everything apart.
    • Conexiones
      Featured in Hollywood Remembers Lee Marvin (2000)
    • Bandas sonoras
      Down in the Cane Brake
      (uncredited)

      Traditional

      Sung by Lee Marvin

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    Preguntas Frecuentes19

    • How long is Hell in the Pacific?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 26 de junio de 1969 (México)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Japonés
    • También se conoce como
      • Hell in the Pacific
    • Locaciones de filmación
      • Airai, Babelthuap, Palau
    • Productoras
      • Selmur Productions
      • Henry G. Saperstein Enterprises Inc.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 4,150,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 43 minutos
    • Relación de aspecto
      • 2.35 : 1

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