The Coca-Cola Kid

Call me strange, call me tasteless, but I found this film to be one of those movies that haunts me. Eric Roberts as the gung-ho Coke executive out to undo T.George McDowell's stranglehold on outback softdrink sales is just amazing. The scene near the beginning where Roberts is scanning an electronic map showing per capita Coke sales throughout Australia is brilliant, especially as they get down into the outback areas and discover that not only are Coke sales slim, but in one area, utterly non-existent.

Roberts' growing relationship with Greta Sciacci's character and DMZ, played wonderfully by child actress Rebecca Smart, weaves a romantic thread throughout the film, touching us even as we feel the intense need to thwap him over the head and make him see that this is the woman for him.

The scene of Coke trucks driven by Santa Claus costumed drivers pouring into T. George's compound is a killer, especially with that jingle (Sung by Neil Finn of Crowded House fame) roaring in the background. I can't understand why Coke has not purchased the rights to this jingle and used it in its advertising. Like another reviewer, I can't get that jingle out of my mind, even 15 years after seeing the movie.

The film is billed as a comedy and will indeed leave you laughing at many of the situations the central characters get themselves in and out of. The movie should be viewed as a satire of the great American sales and marketing force on the global marketplace.

A hot shot marketing guru from corporate is assigned to help sales down under. He quickly finds a different pace of life and cultural values that he finds hard to adjust to. He continues on "his way" even down to the music for a new series of commercials. He knows "his way" worked well in the U.S. so it should work well anywhere.

Humorous side trips make the journey enjoyable as the guru quickly finds a large area that has no Coca Cola sales. He goes to investigate and finds a local soft drink bottler has the entire area to himself.

The guru uses every gorilla marketing trick he knows to bring the local bottler into the Coke family, but the local bottler resists and even offers Coke a deal. Coke invades the local's territory and the local realizes he cannot win against the Coke attack.

Coke's decisive win costs the company the guru as he finally begins to understand that other things in life, emotions and cultural values, are more important than business wins.

I enjoyed the film and recommend it to you, especially if you want to see a funny version of the 60's novel "The Ugly American."

This tale of an American marketing guru sent to improve Coke's sales in Australia was mildly enjoyable. It's certainly not the worst film ever made, but the main character, played by Eric Roberts, is more than slightly over the top, to the point of being obnoxious, in fact, pretty unlikeable. Still, with some mild intrigue and a blooming romance, the movie will hold your attention just to find out what happens.

As to the nasty little fact ruining a good theory: I'd previously held that directors, especially Europeans, invariable fail when they attempt to address economic and social concepts via sex and violence. It's a theory supported by several of Jodorowsky's films, and by this director, Dusan Makavajev's, epic failures "W.R. Mysteries of the Organism" and "Sweet Movie." These films support their moderately valid theses in ways as insubstantial and juvenile as the old Chi-com propaganda comic books that attempted to rationalize the downfall of the Gang of Four.

But with "The Coca Cola Kid", Makavajev succeeds -- with less violence, and a lot less sex -- most likely because he addresses only one slice of the theoretical pie, and because he delivers a more coherent, standard narrative flow. He directed but didn't write it, of course. This dramatization of global corporate dominance was filmed while WalMart was only in the early stages of eradicating mom and pop, and while Google, Amazon, and Facebook were just leftists' vague nightmares. Any system, economic or otherwise, that lacks negative feedback will veer out of control, and the Kid personifies the attitude that lets it happen.

As often happens on Amazon Video, this R-rated film is censored; most of the shower scene with Terri and her daughter -- and the accompanying dialog -- has been deleted.

It's a film worth seeing once.

This film is not without flaws. It is quirky at times, to the point of being disorienting. But it is dotted with poignant moments so profound that I am thoroughly inclined to forgive its minor problems. Eric Roberts is enigmatic, while still being sympathetic. It is an interesting course of development that in the beginning of the film, he is the strangest thing we see and by the end, we find him overwhelmed by the strangeness and complexity of the world he has entered. And in the end, the filmmaker takes perhaps the boldest risk of all, which is to end a film of unrelenting madness, with a simple romantic tie-up (and a strange quip about the end of the world, but whatever...) The comedy works, the characters are appealing, the message is simple yet profound and the music (by the brothers Finn and other ex-members of the Split Enz) is outstanding. What more could you ask for in a movie?

Dusan Makavejev is a director I admire. Much of his product is completely bonkers. He was never interested in making staid movies or anything generic. He always went for the gusto. It was as if anything could happen in one of his films. If he had been given the reign to direct remakes of any films he would have completely changed everything. I could imagine what he could have done with, say, the remakes of the Steve Martin/Diane Keaton/Martin Short "Father Of The Bride" movies.

The Coca-Cola Kid is his most well-known work. The film features Eric Roberts as a whiz kid named Becker who has been sent by Coca-Cola to find out why Coke isn't making any money in the Outback region of Australia. It turns out that a Mom-And-Pop company run by T. George McDowell (Bill Kerr) that has dominated the area. Becker then does whatever he can to buy McDowell out. In the meantime, he strikes up an interesting affair with McDowell's secretary Terri (Greta Scacchi), a single mother who has some ties to Kerr's operations.

Much like any Makavejev film, there are some extremely off-the-wall moments. The bedroom scene with the feathers, the drag queen party, the Santa Claus parade and the infamous shower scene where mother and daughter wash up together are some of the crazy things you'll see. Eventually, the movie does lose its focus in favour of its "Crash T.V." content. Still, the movie has some good acting, Scacchi offers up great eye candy and it is truly wacky; even if isn't uproariously funny. It's just so out there. If you want to see Makavejev's unique vision translated on film this should be your first viewing. Montenegro and WR are others worth checking out.