Al filo de la realidad

Prologue: a driver has a big surprise with his passenger (8) Segment 1 ("Time Out"): a bigot man hates Jews, Black and Asian people. One day he will live in the World War II, hunted down by KKK and attacked in Vietnam War and feel the effects of his hatred. Good episode with a surprising conclusion (7).

Segment 2 ("Kick the Can"): In a nursing home, the elder inhabitants learn that their minds can keep them young. Reasonable episode only with a great homage to "The Twilight Zone" (Episode 3.21) "Kick the Can". (6).

Segment 3 ("It´s a Good Life"): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Good episode with a silly and disappointing conclusion (7).

Segment 4 ("Nightmare at 20,000 feet"): a writer is scary to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night. Certainly the best episode (8).

Divided in prologue and four segments, "Twilight Zone: The Movie" is a tragic and cult movie. Tragic since Vic Morrow, the unforgettable Sgt. Saunders of "Combat!" series, died in a weird accident when the helicopter crashed on him and two children while making a scene. Directed by four great directors - Joe Dante (segment "It's a Good Life"); John Landis (prologue/segment "Time Out"); George Miller (segment "Nightmare at 20,000 Feet"); and Steven Spielberg (segment "Kick the Can") - and with great names in the cast - Vic Morrow, Dan Aykroyd, Albert Brooks, Kathleen Quinlan, John Lithgow among many others, "Twilight Zone: The Movie" is highly recommended for fans of sci-fi and horror. My vote is seven.

Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")

Note: On 31 July 2023, I saw this film again.

Feature film expansion of legendary TV series is uneven overall, but it does have its moments, and it does thankfully follow the rule of saving the best for last. Four prominent directors are brought together to create, in glorious colour, some classic episodes of the series, with an impressive roster of stars and character players. At least along the way it manages to create some enjoyable jolts. Burgess Meredith, star of 'Time Enough at Last', one of the best known and most beloved of all episodes, is the narrator for this trip into some bizarre places.

Unfortunately the movie will always have an enormous stigma attached to it due to the untimely and horrific death of actor Vic Morrow and two child extras during the shooting of Segment 1. That may very well leave a bad taste in the mouth of many people watching. It's up to the individual viewer as to how much this affects their enjoyment of the film.

The prologue and the first segment are actually originals written by director John Landis. Dan Aykroyd and Albert Brooks are fun as a passenger and driver who come up some with some amusing ways to entertain each other until Aykroyd decides it's time for Brooks to get a good scare. This gets us off to a good start because Landis does understand that with the TV show the payoff was a most important element.

Segment 1 sees Morrow playing an unrepentant bigot who gets a major dose of his own intolerance when he's mistaken for a Jew by Nazis, a black by KKK members, and a Vietnamese man by American troops in 'Nam. This is a very dark episode that doesn't end too satisfactorily, but Morrow is excellent, the look of Paris during WWII is nicely realized, the pacing is effective, and there's a great in joke referring back to Landis's "Animal House".

Segment 2, Steven Spielberg's remake of "Kick the Can", sees wonderfully genial Scatman Crothers injecting some magic into the lives of senior citizens in an old folks' home. Like Segment 1, it's unfortunately not subtle about its message, and is so syrupy sweet that it really doesn't fit in with the other segments here. The actors are very likable, fortunately; Crothers manages to make it worth sitting through.

Segment 3 tells the tale of "It's a Boy's Life", in which a creepy kid (Jeremy Licht) makes the acquaintance of travelling schoolteacher Kathleen Quinlan. This kid can bend reality to suit his whims, lives in a house with bizarre designs, likes his hamburgers with peanut butter topping, and lives for cartoons. And his "family" lives in mortal terror of him. The work of Joe Dante, this serves as a counterpoint to Spielberg's tale the way that it depicts childish fantasies run amok. Great cartoon style monster work by Rob Bottin helps in the enjoyment of this segment; this is where the film starts getting really good. Bill Mumy, the kid in the original episode, plays a diner patron.

Segment 4, directed by George Miller of the "Mad Max" series, is far and away the best, an over the top remake of "Nightmare at 20,000 Feet", in which terrified airplane passenger John Lithgow believes he sees a creature busy destroying the planes' engines as it flies through a storm. Lots of good atmosphere and intensity here, with a top notch unhinged performance by Lithgow and a great creature, designed by Craig Reardon & Michael McCracken and performed by actor Larry Cedar.

With a lot of familiar faces in the small roles (ex. Charles Hallahan, Doug McGrath, Bill Quinn, Selma Diamond, the almighty Dick Miller (once again playing 'Walter Paisley'), Kevin McCarthy, William Schallert, Cherie Currie, Nancy Cartwright, John Dennis Johnston, Eduard Franz, and Donna Dixon), and wonderful music by Jerry Goldsmith, this certainly remains an entertaining film to watch for its duration, if not a great one. Hopefully it will inspire people to check out the TV series and see why it's so admired.

Seven out of 10.

When I first watched this film at the age of seven, I must have been freaked out for weeks. Never had a movie had that kind of effect on my psyche, especially "Nightmare at 20,000 Feet." While some will label this as a bad film due to the fact it didn't faithfully reproduce the original stories very well. I say 'Who Cares!' Sometimes, fear and entertainment is all that one needs in regard to a cool movie such as this one. While it is certainly not a film that will rank highly in the greatest films of all time category, at least it proved this concept in story telling is pertinent today, even in today's cynical culture.

An affectionate homage to the old TV series. Three old episodes were updated and a new one was written. It's also narrated by Burgess Meredith who starred in quite a few of the original TV series episodes.

It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.

The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.

The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.

The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.

The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.

All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.

Five episodes realized as tribute to Rod Serling's Twilight zone, made by four known directors . It's is divided into 4 parts , three of them real remakes from classic television series, though starts in a prologue stars Albert Brooks and Dan Aykroyd . The best directed by John Landis is the first, where a bigot (played by Vic Morrow who died during filming by a helicopter crash accident) who becomes pursued of evil Nazis, Ku Klux Klan and American soldiers in Vietnam. The second segment directed by Steven Spielberg is a silly story about old people living in a retirement house who turn into little boys, thanks a strange visitor (Scatman Crothers). The third directed by Joe Dante concerns about a young woman (Kathleen Quinlan) encounters a kid with rare powers and some people (Kevin McCarthy, William Schallert,among them) closed at a strange house. And fourth episode titled 'Nightmare at 20.000 Feet' deals with a terrified passenger(John Lightow) who watch a creepy monster making rare issues on the wing of the plane.

The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.

The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.