Un inversor y un astuto estafador verán sus roles invertidos como parte de una apuesta entre dos desagradables millonarios.Un inversor y un astuto estafador verán sus roles invertidos como parte de una apuesta entre dos desagradables millonarios.Un inversor y un astuto estafador verán sus roles invertidos como parte de una apuesta entre dos desagradables millonarios.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 3 premios ganados y 8 nominaciones en total
James Newell
- Duke & Duke Employee
- (as Jim Newell)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
When it comes to great comic films, nobody recalls the magic between Murphy and Aykroyd in Trading Places. In the early 80's Eddie Murphy was considered the funniest black comedian next to Richard Pryor. Dan Aykroyd was one of the all time great cast members of Saturday Night Live. Both actors started on SNL and were ready to make their career in films. Trading Places is an example of a perfect comedy. It is funny yes, but there is so much more. With its story, the acting, and the political, racial, and economical plots in the film add to its greatness. One of the best comedies to come out of the 1980's, it stands as one of Eddie Murphy's best earlier films as well as Aykroyd's performances as a character actor. A wonderful and somewhat good family film. If you're that kind of family that is.
One of the best comedies of the 1980's, this stars Eddie Murphy in one of his best roles alongside Dan Aykroyd. The plot is great, a poor, homeless man who has resorted to a life of crime (Murphy) and an upper class yuppie involved in the stock market (Aykroyd) trade places when two devious brothers (Aykroyd's employees) have a bet. This is a very well written, well acted, and well executed comedy, that makes you laugh, but also grips you with a strong plot. Also has a satisfying ending.
John Landis has directed a brilliant original screenplay by Timothy Harris and Herschel Weingrod.
Eddie Murphy is absolutely hilarious as a street hustler that was placed in the world of options trading by a couple of old farts who just like to bet with each other.
Of course on the opposite side, the real options trader, Dan Aykroyd, is dumped on the street.
Coming to save the day is Jamie Lee Curtis, who is funny and hot as a prostitute who feels sorry for Winthorpe (Ackroyd).
Denholm Elliott is positively lovable as the butler. Don Ameche and Ralph Bellemy play the betting Duke brothers.
SKIN-TASTIC Moment: In front of a mirror (and Dan Aykroyd) hooker- with-a-chest-of-gold Jamie Lee doffs her top and lets loose her magnificent money-markers in one of history's all-time hottest topless scenes.
Eddie Murphy is absolutely hilarious as a street hustler that was placed in the world of options trading by a couple of old farts who just like to bet with each other.
Of course on the opposite side, the real options trader, Dan Aykroyd, is dumped on the street.
Coming to save the day is Jamie Lee Curtis, who is funny and hot as a prostitute who feels sorry for Winthorpe (Ackroyd).
Denholm Elliott is positively lovable as the butler. Don Ameche and Ralph Bellemy play the betting Duke brothers.
SKIN-TASTIC Moment: In front of a mirror (and Dan Aykroyd) hooker- with-a-chest-of-gold Jamie Lee doffs her top and lets loose her magnificent money-markers in one of history's all-time hottest topless scenes.
10the-jerk
I skimmed over the comments to this movie and was heartened to see that so many people love it like I do. It just doesn't seem to be considered by the mainstream to be in the same league as, say, "Beverly Hills Cop" or "Coming to America" when talking about Eddie Murphy's movies, but the fact is that this is hands down his funniest part ever. And Dan Ackroyd is equally hilarious as the (at first) repulsively elitist Louis Winthorpe III. Add the stellar supporting cast, particularly Don Ameche and Ralph Bellamy as the Dukes, Paul Gleason as the slimy Clarence Beeks, Jamie Lee Curtis as Ophelia, your standard hooker with a heart of gold (rarely done as well as here), and Denholm Elliott as Coleman the butler, and you hit a rich vein of comedy gold.
The plot is a classic farce situation. The Duke brothers, who clearly feel they are above everybody else, make a bet, for one dollar, over whether anybody regardless of breeding can, in the right environment, become an upper-crust gentleman. So as an experiment to see which one is right, they work circumstances so that the rich Louis Winthorpe III is turned into a miserly bum, while they have Billy Ray Valentine (Murphy) take his place. He takes over Louis's job, his house, and his standing in the community. Realistic? Well, no, not really, but this is a farce, so it doesn't really have to be. It is, however, hilarious, which is exactly what a farce should be.
If there's a running theme in this movie, it is duplicity and mistaken identity. People are constantly being mistaken for something they are not, or forced into a situation where they become something they are not. We see this happen not only with the two main characters in the basic plot, but also with Billy Ray pretending to be a Vietnam veteran, then a karate master; Louis, who despite all appearances as a wimp, claims to have stood up to Billy Ray during their earliest encounter in the movie, when he actually hands Billy Ray his suitcase, setting him up for an arrest, when he was not actually trying to steal anything; Ophelia, who for a price pretends to know Louis outside the police station, further besmirching his name; all three plus Coleman, who each dresses up as a different hilarious ethnic character to trick Clarence Beeks; and Beeks, who in a subsequent scene is mistaken for an actual gorilla because he's wearing a costume (Al Franken and Tom Davis as the baggage handlers, marveling over how human the "gorilla" appears, are priceless).
Eventually, Billy Ray finds out what is going on, and gets together with Louis to turn the tables on the Dukes. Ophelia (who has fallen for Louis) and Coleman (who feels guilty and used over his part in the whole ruse) help them out. Do they get their revenge? Watch the movie and find out. It will be well worth your while. This is easily the funniest movie either Ackroyd or Murphy have ever done (its only real competition in this regard is "The Blues Brothers") and to think this was originally meant as a vehicle for Gene Wilder and Richard Pryor is odd, because it's hard to imagine either of them in the parts done so well by Dan Ackroyd and Eddie Murphy. John Landis keeps the pace going at a nice fast speed, and being a native Philadelphian, the locales and opening montage (including a scene of the Rocky statue) are a kick. But of course you'll love this movie even if you're not from Philly.
The plot is a classic farce situation. The Duke brothers, who clearly feel they are above everybody else, make a bet, for one dollar, over whether anybody regardless of breeding can, in the right environment, become an upper-crust gentleman. So as an experiment to see which one is right, they work circumstances so that the rich Louis Winthorpe III is turned into a miserly bum, while they have Billy Ray Valentine (Murphy) take his place. He takes over Louis's job, his house, and his standing in the community. Realistic? Well, no, not really, but this is a farce, so it doesn't really have to be. It is, however, hilarious, which is exactly what a farce should be.
If there's a running theme in this movie, it is duplicity and mistaken identity. People are constantly being mistaken for something they are not, or forced into a situation where they become something they are not. We see this happen not only with the two main characters in the basic plot, but also with Billy Ray pretending to be a Vietnam veteran, then a karate master; Louis, who despite all appearances as a wimp, claims to have stood up to Billy Ray during their earliest encounter in the movie, when he actually hands Billy Ray his suitcase, setting him up for an arrest, when he was not actually trying to steal anything; Ophelia, who for a price pretends to know Louis outside the police station, further besmirching his name; all three plus Coleman, who each dresses up as a different hilarious ethnic character to trick Clarence Beeks; and Beeks, who in a subsequent scene is mistaken for an actual gorilla because he's wearing a costume (Al Franken and Tom Davis as the baggage handlers, marveling over how human the "gorilla" appears, are priceless).
Eventually, Billy Ray finds out what is going on, and gets together with Louis to turn the tables on the Dukes. Ophelia (who has fallen for Louis) and Coleman (who feels guilty and used over his part in the whole ruse) help them out. Do they get their revenge? Watch the movie and find out. It will be well worth your while. This is easily the funniest movie either Ackroyd or Murphy have ever done (its only real competition in this regard is "The Blues Brothers") and to think this was originally meant as a vehicle for Gene Wilder and Richard Pryor is odd, because it's hard to imagine either of them in the parts done so well by Dan Ackroyd and Eddie Murphy. John Landis keeps the pace going at a nice fast speed, and being a native Philadelphian, the locales and opening montage (including a scene of the Rocky statue) are a kick. But of course you'll love this movie even if you're not from Philly.
Could this movie honestly have been any more funny? I saw it again, as I have repeatedly for years, and still laughed. My new son had never seen it before and liked it as well. Murphy was at the top of his game back then and Aykroyd is the perfect snob-class elitist. Some of these jokes are so timeless that I still refer to them from time-to-time and they STILL get laughs, both from people who have and haven't seen this film.
Yes, the jokes are a bit dated and somewhat slapstick, but this was a sign of the times. Most 80s comedies were full of slapstick moments. Jamie Lee Curtis was at the height of her sexy image and I'd forgotten how well she'd played her role. The late Don Ameche is so animated that it played perfectly into the mood of the film.
You can find this film in the bargain bin of most stores these days. I saw it for sale for only $5.50. It's worth owning.
Yes, the jokes are a bit dated and somewhat slapstick, but this was a sign of the times. Most 80s comedies were full of slapstick moments. Jamie Lee Curtis was at the height of her sexy image and I'd forgotten how well she'd played her role. The late Don Ameche is so animated that it played perfectly into the mood of the film.
You can find this film in the bargain bin of most stores these days. I saw it for sale for only $5.50. It's worth owning.
Eddie Murphy Through the Years
Eddie Murphy Through the Years
From Reggie Hammond in 48 Hrs. to Chris Carver in Candy Cane Lane, take a look back at the iconic career of Eddie Murphy.
¿Sabías que…?
- TriviaThis was Ralph Bellamy's ninety-ninth film, and Don Ameche's forty-ninth. This was Eddie Murphy's second film, and he joked: "Between the three of us, we've made one hundred fifty movies!"
- ErroresThe train leaving Washington, D.C. has a different style locomotive than the same train shown later in a pass-by shot.
- Créditos curiososJon Tenney is credited as "Big Black Guy" and James D. Turner as "Even Bigger Black Guy".
- Versiones alternativasA scene that is available only in the television version is where Valentine first enters the Duke and Duke building. The cut version shows Coleman dropping off Valentine for his first day of work, then shows a smiling Valentine exiting an elevator and speaking to a receptionist. The uncut scene (television version) has Valentine entering the main hall of the building and going through a series of interactions with the same people that was nearly identical to the scene near the beginning when Winthorpe enters the building to go to work. This scene is one of the many ways of portraying contrasts in the movie; in this case "not knowing what to expect rookie" versus "veteran snob". This scene also shows why Valentine has a smile on his face as he exits the elevator and speaks confidently to the receptionist. Valentine surely was nervous before he entered the building talking to Coleman, but he gains confidence as he progresses down the main hall toward the elevator.
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Detalles
Taquilla
- Presupuesto
- USD 15,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 90,404,800
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,348,200
- 12 jun 1983
- Total a nivel mundial
- USD 90,404,800
- Tiempo de ejecución
- 1h 56min(116 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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