Cross Creek

I was inspired to revisit this classic after seeing Mary Steenburgen in Time After Time with Malcolm McDowell. McDowell had a small part in this film also as Rawlings' publisher.

Eighty years ago, Marjorie Kinnan Rawlings gave up everything to move to Florida and write. She went as far away from everything as you could go. In the land of orange groves, cypress trees, and wildlife abundant, she found the inspiration she needed. This is her story.

It is peppered with colorful characters that lived in the backwoods of Florida, a place that hardly exists anymore with all the development. It featured outstanding performances by Rip Torn as her neighbor, Peter Coyote as the one who was trying to win her heart, Dana Hill as the young girl that inspired "The Yearling," and Alfre Woodard in one of her first roles.

Torn and Woodard got Oscar nominations for their performances.

One of the most impressive features of the film, other than showing the beauty of Florida that is long gone, is the respect shown for the land by Rawlings. Any Native American would be proud of her respect for the land.

It is an inspirational family film that is worth revisiting over and over.

When this movie came out nearly twenty years ago, I was completely aware of it, yet avoided it like the plague. Why? Because it was in the Top Ten lists of most of the noted critics that year, and because of preconceived notions I had about critics and their 'lofty' reviews at the time. I am kicking myself soundly now for having done so.

For those few out there not aware of this remarkable film yet, CREEK is the biographical depiction of a period in the life of renowned author Marjorie Kinnan Rawlings, when she moved to a very rural area of Florida, became enamored of the place and its people, and was inspired during that time to write some of her best work, including the novel that defined her career, THE YEARLING. Mary Steenburgen's career was just starting to come into its own when she made this film, and her wonderful portrayal of the author as a strong, independent-minded woman at a time when being so was frowned upon is the movie's rock-solid center.

Complementing her are marvelous turns by Peter Coyote as Norton Baskin, the man who becomes extremely interested in Marjorie and becomes a big part of her life; Rip Torn and Dana Hill as Cross Creek natives Marsh and Ellie Turner, the father and daughter who (according to this version of the story) become the inspiration for Rawlings' best-known work, and Alfre Woodard, who was also early in her career, playing Marjorie's somewhat skittish yet steadfast housekeeper, Geechee.

Note must be made of all the actors in the small roles as well, as they all add to the ambiance of this quiet, almost serene backwoods community that Marjorie learned to call home, and where she did much of her best work. A particularly haunting part of the film is when she encounters a young backwoodsman named Tim (John Hammond) and his beautiful pregnant wife (Toni Hudson), who also become the basis of another important Rawlings' story, "Jacob's Ladder", which I am now determined to find.

John Alonzo's photography brings an almost magical feel to the swamp and marshlands of the region, and Leonard Rosenmann contributes a score that accents rather than interrupts the movie's flow.

Plus, there is a bonus in the form of an actor who was also an integral part of Steenburgen's personal life at the time, portraying Max Perkins, Marjorie's publisher. Fans of Mary will already know who I'm talking about, and it is a treat to see them together again after their previous film, TIME AFTER TIME.

I wouldn't call this a 'family' film per se, since the younger ones who might be disturbed by THE YEARLING or OLD YELLER will find this just as disconcerting. But for adults especially, seeking to escape car chases, exploding buildings or the latest adolescent yuk-fest, CROSS CREEK will come as a welcome respite...as soothing and comforting as Ms. Rawlings eventually found it to be.

In 1928, Marjorie Kinnan Rawlings (Mary Steenburgen) in her early 30s moves to a blindly bought orange grove near the hamlet of Cross Creek, in northern Florida, which is located on a strip of land between two large lakes (Orange Lake and Lochloosa Lake). There she hopes to find the peace and privacy to launch her writing career. Peter Coyote plays a hotel owner from a nearby town that becomes fascinated by Marjorie while Alfre Woodard plays her maid. Rip Torn is on hand as an eccentric backwoodsman with Dana Hill appearing as his daughter who befriends a fawn.

"Cross Creek" (1983) is a historical drama about the famous author of "The Yearling"; it's also part wilderness drama. Shot on location in gorgeous Alachua & Marion Counties, the film's worth watching just for the remote Floridian lushness. The theme is to die for as Marjorie DECIDES what she wants to do and then boldly (or stubbornly) DOES IT, come what may. Her first two short stories were published in 1931 and "The Yearling" in 1938, which won a Pulitzer Prize for fiction and was made into a movie in 1946.

The boggy locations are similar to those in "Frogs" (1972) and "Swamp Thing" (1982) while the topic and themes are reminiscent of "The Whole Wide World" (1996) and "Sounder" (1972). If you favor the latter two movies and appreciate the locations of the former two, you'll enjoy "Cross Creek."

The movie runs 2 hours, 7 minutes.

GRADE: B/B+

Novelist Marjorie Kinnan Rawlings took to the backwoods of Florida in 1927 to work on her literary projects.

She left behind a husband who was unwilling to relocate, and fashioned a working studio in the most rural of southern locations.

The trials she experienced, both creatively and physically, are depicted in this slow-moving, yet well-intentioned enactment.

Filmed in lovely Technicolor in Marion and Alachna Counties, Florida by John Alonzo, to the accompaniment of a lush score by Leonard Roseman, the movie attempts to capture Rawling's varied experiences in pursuit of her writing goals.

Like many films of true-to-life creative artists, one has little factual evidence as to the accuracy of this tale. The challenges Rawlings faced in attempting to first write her "Gothic novel" and getting rejected by a publisher, are carefully acted out.

Only when she changes her subject to that which she is actually experiencing there in Florida does her publisher accept the manuscript.

Since there's not much dramatic about a writer "pecking away" at a typewriter, the script finds other things to depict. When a local girl has an emotional "turn" involving a pet deer, and when the focus is on our heroine's saving her farm crops from devastation, another plot begins to be recalled.

One realizes this is the story of the woman who finally wrote the beloved family classic, "The Yearling."

The film version of that novel, after a failed attempt in the early forties with Spencer Tracy, was finally brought to the screen in 1946 by Director Clarence Brown, with Gregory Peck. That movie captures the essence of Rawlings' work, again in a beautiful Florida setting.

"Cross Creek" may perhaps appear to lack focus or be too deliberately paced for some tastes. At the same time, it has its heart in the right place in expressing Rawlings' unusual "artist retreat," as well as her steadfast dedication to her craft.

For those who think writing is easy, this may be a stark awakening as to the tenacity it often takes to birth a respectable literary work.

Assuming this movie is based on events in the life of the central character, I can only think that she probably was considered too genteel to exist in those surroundings, but apparently she did. I think too, that some, if not all, of the "colorful characters" referred to were real people. Do we want to change these people, and the way they were, just to try and make the characters more compelling than they actually were? If it ain't broke, there's no need to fix it. All of the actors have done an excellent job of bringing their characters to life, particularly Rip Torn. I'm just sorry it's taken me so long to finally see this movie. But, in my opinion, it was certainly worth the wait.