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IMDbPro

Pink Floyd: The Wall

  • 1982
  • B
  • 1h 35min
CALIFICACIÓN DE IMDb
8.0/10
88 k
TU CALIFICACIÓN
POPULARIDAD
4,872
22
Pink Floyd in Pink Floyd: The Wall (1982)
Home Video Trailer from MGM Home Entertainment
Reproducir trailer1:47
2 videos
99+ fotos
Psychological DramaDramaFantasyMusic

Una estrella de rock problemática cae en la locura en medio de su aislamiento físico y social.Una estrella de rock problemática cae en la locura en medio de su aislamiento físico y social.Una estrella de rock problemática cae en la locura en medio de su aislamiento físico y social.

  • Dirección
    • Alan Parker
  • Guionista
    • Roger Waters
  • Elenco
    • Bob Geldof
    • Christine Hargreaves
    • James Laurenson
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.0/10
    88 k
    TU CALIFICACIÓN
    POPULARIDAD
    4,872
    22
    • Dirección
      • Alan Parker
    • Guionista
      • Roger Waters
    • Elenco
      • Bob Geldof
      • Christine Hargreaves
      • James Laurenson
    • 335Opiniones de los usuarios
    • 56Opiniones de los críticos
    • 47Metascore
  • Ver la información de producción en IMDbPro
    • Ganó 2premios BAFTA
      • 3 premios ganados y 2 nominaciones en total

    Videos2

    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall
    Pink Floyd: The Wall
    Trailer 1:47
    Pink Floyd: The Wall

    Fotos116

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    Elenco principal53

    Editar
    Bob Geldof
    Bob Geldof
    • Pink
    Christine Hargreaves
    • Pink's Mother
    James Laurenson
    James Laurenson
    • J.A. Pinkerton (Pink's Father)
    Eleanor David
    Eleanor David
    • Pink's Wife
    Kevin McKeon
    Kevin McKeon
    • Young Pink
    Bob Hoskins
    Bob Hoskins
    • Rock and Roll Manager
    David Bingham
    • Little Pink
    Jenny Wright
    Jenny Wright
    • American Groupie
    Alex McAvoy
    Alex McAvoy
    • Teacher
    Ellis Dale
    • English Doctor
    James Hazeldine
    James Hazeldine
    • Lover
    Ray Mort
    Ray Mort
    • Playground Father
    Margery Mason
    • Teacher's Wife
    • (as Marjorie Mason)
    Robert Bridges
    • American Doctor
    Michael Ensign
    Michael Ensign
    • Hotel Manager
    Marie Passarelli
    • Spanish Maid
    Winston Rose
    • Security Guard
    Joanne Whalley
    Joanne Whalley
    • Groupie
    • Dirección
      • Alan Parker
    • Guionista
      • Roger Waters
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios335

    8.087.9K
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    Opiniones destacadas

    andy-227

    An assault on the senses, and a really great film!

    "Pink Floyd The Wall" is a great film, based on the already great album by Pink Floyd! I was stunned by the use of imagery, combined with the great soundtrack of the album, which gave us a strange, drugged up vision of what a burnt out rock star would see. It's really crazy! Yet it shows how these famous rock stars are bombarded with fame and applause, and how insane it can drive an already disturbed person. "The Wall" itself, is the isolation and separation from society and saneness, which is a place that can easily be avoided if only people gave us a fair chance to. The depressing part about the film is that none of this is the rock star's fault. He was driven to it by loneliness in his growing up years(since he lost his father to the war), along with psychological torment by his teachers, parents, and above all, his sexually controlling wife. The movie is twisted because this is how the lead character sees the world. Worse yet, after he has already been driven to the edge of his own sanity, in his mind, the people who drove him to that edge, come back to testify against him. It's weird the first time you watch it, and looks a lot like a crazy music video that was pulled out of MTV. The only difference is that this one is telling a story, and has been transferred to the big wide screen. Alan Parker has directed the film, but Roger Waters seems to be in charge here, because it's his album, his story, and his conception. All that's really been done here is transforming the album to celluloid. I in some ways, like this better than the album, because now we have images to reinforce the songs and the story. I wish I could have seen this on the big screen, because the variety of images and the loud music seem compressed and compacted on a small TV set. You might not understand this the first time, especially if you haven't heard the album yet. But it really is a great film, and it actually has a story and a point that most music videos today unfortunately lack! I think that this film will teach people the reasons why these talented individuals suffer and lose their minds. The people that have guided and taken care of them while they grew up, often take away their ability to happily and normally function on their own. And the album and film's lesson is for not only the people who drove him to his wall to back off, but for him to pull himself out.
    8stills-6

    A fascinating story about fascism - WARNING! Psychoanalytic content

    The opening tracking shot of a hotel hallway that resembles a prison should clue you in as to what awaits. There are so many things to like and be fascinated by in this movie. And for all of its avant-garde leanings, this is actually a very classically designed story. An iconoclastic music star, Pink Floyd, tries/tries not to think about his past and how he got to where he is, which is borderline psychotic. And because he's so disturbed, he can't even think in a linear way, so the journey we take into his mind is necessarily whacked-out.

    We also get to see how fascism is born from misdirected hate and idolatry. As a rock star, Floyd has seen the adulation of his audiences, so he's familiar with the phenomenon. But at the same time, he detests them for buying into his act. It's like the old Groucho Marx joke about refusing membership to any group who would let you in. He knows he's a fake (his teachers and people like his wife have told him so), so everyone else who thinks he's real must be fakes also. It's a big cyclic game. So he can't let any of them in, behind his wall, because they are, by definition, phony.

    It's interesting, also, to think about how he has turned full circle into fascism. It's just part of his dream and how he deals with his anger, but it's also an interesting reaction to the absent father. Had there been no homosexuals or Jews etc., there would have been no need for a Hitler, and therefore there would have been no need for his father to die. But instead of hating Nazis, he hates the people that "provoked" the Nazis. (I could go on for days with stuff like this, but I'll stop here.)

    Just watch the movie and be impressed with the way it works on so many levels.
    cocaine_rodeo

    Crazy.... Over the Rainbow I am Crazy.... Bars in the Window

    Wow. this is truly a work of art. No, that isn't doing this movie justice. This is a masterpiece. No other rock opera, or most movies in general, can top the insanity that is this movie. This movie peers into the mind of an over protected, reclusive, and sometimes violent rock star, who has taken enough of life and the people in it.

    This is the story of Pink, poor old Pink, who's father left him one morning in black 44', and who's mother was so protective she smothered him with her love and all of her fears; who's wife tried so hard to open his heart, but found that nobody was home; and who eventually built a wall so high that he could not break free, and eventually his seclusion from the outside world brought out a side of Pink that he, nor the rest of the world, would wish to ever see. Soon his sadistic, Hitler-esc side takes control of the world, with help from his zombie like fans who follow any command that is thrown at them.

    But by the time the dictator is mentally faded away by Pink, and he is able to see that shielding himself from the world with his now endless wall is only driving him crazier, it could be too late. So goes the quote above, taken from "The Trial", which is the end of the Wall, and Pink's last chance for freedom from his Wall.

    This is just an outstanding movie. Everything works in this movie, the twisted live action, the animation that probably is what being insane is like, and, most of all, the music that is, in my opinion, the greatest album ever created (to Hell with Dark Side of the Moon, it was good, but it doesn't even compare to "The Wall"). Pink Floyd is my favorite band (along with The Who and The Rolling Stones, an odd combination, I know), and when their best album was made into a movie, I knew that Hollywood had at least a little common sense, even though Hollywood shunned it, and most of the reviews I've read here are negative, but I don't care, I'm watching it and enjoying for me, and no other opinion matters.

    My favorite songs off of this movie/album are "Mother", "One of My Turns", "There's Nobody Home", "Comfortably Numb" (probably my favorite song, actually), and, of course, "The Trial". One last thing, if you are ever in a position where you have to choose between this and "Tommy", pick this, because "Tommy" wasn't very good. In-fact, if it didn't have the great music of The Who in it, I would say it blew. Just a quick reminder. 10/10
    9Theo Robertson

    The Human Condition

    If for whatever reason you should find yourself in the company of aliens from the planet Nietsche , a planet whose inhabitants have gone beyond what can be described as human nature so much so that they have no knowledge of what being human is , then show them this film that explains everything

    The story starts with the Anzio landings that sees the death of Pink's father . As Plato said " Only the dead have seen the end of war " and that is bitterly true , man will always be man and man will always kill man until the end of time

    Pink goes to school and education is a double edged sword . It has the potential to educate young humans but as often happens these young humans find themselves being used as victims of whatever mood the teacher is in . Someone must pay for authorities inaquequacies

    Pink leaves school and falls in love , but love is the sharpest and most double edged sword in all of creation . It inspires but it also destroys us . Despite hundreds of millions of human beings being killed in wars , genocide and purges there is nothing so personally painful or as cruel as the betrayal by a lover . The darkest pits of Hell can not be as hellish or as sadistic as infidelity

    As Pink descends further into his personal madness we see him take his revenge . Humans are sexual beings and perhaps this is what makes us both demons and avenging angels . Irony is to the fore as he stops becoming a victim and turns into unfeeling fascist dictator . Someone must pay for all the wrongs Pink has endured and it's the innocent that must suffer

    You could go to the planet Nietsche with all the written works of every human philosopher who ever lived and that still wouldn't be enough to explain what it's like to be human . As it stands Alan Parker and Roger Waters have made a cogent film explaining why humans are the way they are and how they react to the surrounding universe . It's a film whose soundtrack is every bit as powerful as the human condition
    10zeemaza

    Superb, clever and highly entertaining.

    If you like Pink Floyd, you'll love the movie regardless of what you think the cinematic value of the film is. To me, Roger Water's ability to express himself is outrageously smart. He is a genius. His English is masterful and the way he expresses how he feels is just mind-blowing. I am sure that every one of us has felt exactly the same as Pink/Roger felt at some point of our life but have never been able to successfully explain it. It is therefore my opinion that the lyrics are what make this film great. As a movie, it also translates those feelings well. All the actors were superb. Alan Parker managed to pull the whole thing together cleverly and all in all it is an excellent choice for a late night stoner's kick back - brilliant.

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    Argumento

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    • Trivia
      In his autobiography "Is That It?", Bob Geldof says that his agent first told him about the project while he was riding in a taxi, and that he said that he didn't want to do it because he didn't like the music of Pink Floyd. Roger Waters knows this story, not because he read it in Geldof's book, but because the taxi driver was actually Waters' brother.
    • Errores
      When Pink throws the television out the window before he cuts his hand, he mouths "Take that, fuckers!", but what is heard is "Next time, fuckers!" (This is corrected in the DVD release of "The Wall".)
    • Citas

      Teacher: If ya don't eat yer meat, you can't have any pudding! How can ya have any pudding if ya don't eat ya meat?

    • Versiones alternativas
      The final shot in the "Another Brick In The Wall, part 2" sequence, showing Young Pink and the Islington Green School class of 1951 throwing the Teacher into the bonfire, was deleted from the UK theatrical and Canadian VHS versions of the film, out of concern that actual children would try the stunt at home.
    • Conexiones
      Edited into Pink Floyd: Hey You (1982)
    • Bandas sonoras
      When the Tigers Broke Free
      (separated into two sections)

      Written by Roger Waters

      Performed by Pink Floyd

    Selecciones populares

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    Preguntas Frecuentes25

    • How long is Pink Floyd: The Wall?Con tecnología de Alexa
    • Is the movie based on a book?
    • How does Pink magically transform into a Neo-Nazi leader and garner hundreds of supporters?
    • Is the crossed-hammer insignia a real neo-Nazi symbol?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de julio de 1982 (Reino Unido)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Pink Floyd: Devor
    • Locaciones de filmación
      • Saunton Sands, Devon, Inglaterra, Reino Unido(bunker scenes)
    • Productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Metro-Goldwyn-Mayer (MGM)
      • Alan Parker
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • GBP 12,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 22,244,207
    • Total a nivel mundial
      • USD 22,274,148
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 35 minutos
    • Color
      • Color
    • Relación de aspecto
      • 2.39 : 1

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