Inchon

It's inescapable that "Inchon" is a bad movie. I mean, look at its pedigree:

*Funded by Moonies (Reverend Sun Myung Moon dipped deep in his pockets for this one),

*A morbidly stupid script (originally authored by the screenwriter for "The Happy Hooker"? Please....),

*A director working under haphazard circumstances (Young did great with the James Bond films but language barriers ruined countless shots and drove the cost of the film sky high),

*A cast that is capable of greatness but not in this instance (Bisset, Gazzara, Roundtree, Janssen, Mifune, Olivier!!!!),

*And a budget that most frequently disappears from the screen (how can $48 million not show on the screen? This is the movie that answers that question).

I saw this many moons ago (get it? Ha ha....) at my local theater on a double bill with "The Last American Virgin" (yes, you read right) and I think "Virgin" suffered from the association.

And Laurence Olivier has been in great things ("Wuthering Heights", "Rebecca", "Henry V", "Richard III", "Spartacus", "Sleuth") but has also been in his share of very bad things ("The Betsy", "The Boys from Brazil", "Dracula"/1979, "The Jazz Singer", "The Jigsaw Man", "Wild Geese II"). But as a putty-faced, mascara-smeared, gravel-voiced variation of General Douglas McArthur (more like his Loren Hardeman character from "The Betsy"), Olivier washes away all he'd accomplished with his Shakespeare work and takes on the guise of a wax dummy (with almost as much expressiveness).

And the movie itself? Forget everything you thought you knew about the Korean War and all its planning, maneuvers and troop placements. It's just about soldiers running back and forth, explosions, ships sailing far out of camera range and Douglas McArthur reciting the Lord's Prayer. Oh, and Bissett bouncing around. That's entertainment (sort of)!

On top of all of this, there was always the fear in its first-run status that Moonies would be posted at every theater in America to recruit Moonies-to-be. I escaped that but not the movie itself.

In the end, I can see why this one isn't on video or TV or even bootlegged on Ebay. "Inchon" may have been an important battle but the only thing the movie is important for is showing that it can waste more money that "Heaven's Gate". Congratulations!

No stars for "Inchon" - it shall NOT return.

I recall the one weekend that this movie was in theatrical release. I was on a first date and there were absolutely no date-worthy movies playing. A bunch of well-dressed students (whom I later guessed to be Moonies)were lined up to see this one. Upon investigation I saw the producers were raffling off a Rolls Royce to all who bought a ticket. "Ooohh," she said. "Wouldn't it be fun if we won a car by going to see a movie?" OK, so I relented.

In retrospect even if we had won the car it wouldn't have been worth it. It wasn't even laughably bad. It was just pathetic, watching Sir Laurence's career spiraling down the money pit. Just a few short months after watching him flounder in "The Jazz Singer," here he was with an inch of pancake makeup spouting religious homilies.

It was a time when MacArthur was out of favor and the Cold War was in full swing, so the Reverend Moon was determined to use the latter to rectify the former. I am certainly not an expert on the military history of the Korean War so make no claims as to its historical accuracy. But with the over the top moralizing here I sat there knowing I was being manipulated, brainwashed, whatever.

And, on cue, the proselytizing for the Unification Church began as soon as the final credits rolled.

Uck, what a sickening experience. I never went out with her again.

Fortunately Sir Laurence rebounded shortly after with Clash Of The Titans and a few other not-quite-so-bad performances on made-for-TV movies so we aren't stuck with this as the last impression of this great actor.

I will say that Inchon did have some nicely filmed battle sequences, but one of the greatest surprise military maneuvers of all time got a short shrift with the rest of the film. A nice documentary type film like The Longest Day would have been ideal. The back story certainly wasn't needed.

And that horrible makeup job that Laurence Olivier was given must have been done by Tammy Faye Bakker's people. He looks like a refugee from Madame Tussaud's. He sounds nothing like Douglas MacArthur. Olivier had the further misfortune to have his role come so soon after Gregory Peck portrayed MacArthur in MacArthur.

The story is that Olivier at some point in the early Seventies feeling he had nothing to prove any more to be at the pinnacle of his profession. So he began taking parts strictly for the cash. As this film was produced by the Reverend Sun Yung Moon no one ever said the Moonies lacked cash. Olivier uses the same American type accent he did in Cat On A Hot Tin Roof and in another of his for the money only projects The Betsy.

The rest of the cast Ben Gazzara, Jacqueline Bisset, David Janssen, Toshiro Mifune etc. act with the smug confidence that they're Moonie checks just cleared the bank.

The landing at Inchon, done at the dawn hours within a narrow framework of time determined by the tides and on the western side of the Korean peninsula was militarily drawing to an inside straight. No doubt Douglas MacArthur deserves all kinds of kudos for what he did, even his sternest detractors have said it was brilliant. Said it did not get a film worthy of the achievement.

Inchon may have done one thing though. Laurence Olivier if not the only actor to win both an Oscar and a Razzie in his life certainly became the first to do it.

Many years ago, before the existence of YouTube (where you can watch this movie if you really want to see it), I arranged for an Internet buddy of mine to watch my bootleg copy of it, since he really wanted to see it. After he saw it, his comment pretty much sums up my view of the movie: "Painfully dull and mediocre." Yes, you may have heard that the critical consensus at the time of the movie's release was that the movie was incredibly inept a la PLAN 9 FROM OUTER SPACE, but that's not the case. It's just boring for the most part, and unintentional laughs are hard to find. But there's more fault to be found than just that. It's frankly embarrassing at times to view Laurence Olivier, who was at this point far from his prime as well as being miscast. As a matter of fact, the rest of the cast doesn't do much better in giving compelling performances. And while an insane amount of money was spent on production, much of the movie has a made for television look and feel to it.

I have a feeling that my comments won't stop people who really want to watch this movie (which as of this date has still not been issued on VHS or DVD) after hearing so many bad things about it over the years. To a degree I can understand this. But all the same, after you watch it, don't say that you weren't warned.

I never got to see this movie in a theatrical release; I got to see the first part of it cut up for cable TV -- on a cable channel not known for movies. I wanted, honestly, to see a reverential treatment of the UN side of the Korean War, a war whose importance is now greatly underrecognized, and especially of one of the key battles in history. The war was, after all, the first in which the commies did not succeed in turning over a domino, so to speak.

The movie got off to a bad start with one of the actors (Ben Gazzara) launching into a long narrative monologue about the father of General MacArthur while on an airline flight. First of all, General Douglas MacArthur is the key figure of the movie, and his father was already long dead and irrelevant to the plot. Second, the long-winded monologue is not ordinary conversation of the type that one would expect between airline passengers! With the possible exception of university professors who can't be fired and dictators who can't be criticized, nobody gets away with such long-winded, irrelevant, narrative monologues in normal life.

Absurdities pile upon absurdities, and irrelevancies pile upon irrelevancies. Soldiers synchronize watches whose second hands aren't moving, and one gets a closeup of such an action. If you are going to show a close-up of any action, then make it real. Maudlin events at an orphanage take up much footage. Well, the Korean War was a carnage for civilians of all types, wasn't it? Soldiers taking Inchon fail to show fear -- and I can't imagine anyone going behind enemy lines not being scared out of his wits unless a psycho. Taking the lighthouse at Inchon, soldiers notice that the lighting and lens assembly was made in France (anyone who knows anything about lighthouses == and I live in a state that has lots of them -- knows that the lighthouse mechanisms and lenses from about a century ago all came from France).

The best movie about the Korean War remains MASH, and it centers upon support units. The brilliant invasion of central Korea at Inchon deserves far better treatment than this quicksand.