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Agrega una trama en tu idiomaAn MI6 defector has his appearance altered by the K.G.B. and is sent back to Britain to retrieve top-secret documents.An MI6 defector has his appearance altered by the K.G.B. and is sent back to Britain to retrieve top-secret documents.An MI6 defector has his appearance altered by the K.G.B. and is sent back to Britain to retrieve top-secret documents.
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Made after some of the best spy drama movies, including the TV adaptation of Le Carre's Smiley's People, you have to wonder how they got it so wrong. And with Michael Caine, Olivier and Charles Gray! And with the director of the grittiest early Bond movies! It was totally ridiculous as a story and as a film, but also hugely endearing to a Brit who has lived in Asia for over 25 years. I got the same pleasure watching this as I did in seeing the sets wobble in "The Builders" episode of Fawlty Towers. The whole thing wobbled, especially the acting. Oliver's mention of the leather chair to Michael Medwin was the only finely delivered line.
Michael Caine and Sir Laurence Olivier are involved in this routine movie (probably rent was due and the fellows were late on payment) which is completely useless. A former British spy who betrayed his own country is sent back from Russia on a mission. But suddenly (well, not so suddenly) the story twists to an unexpected (well, not so unexpected) ending. No actor seems to be interested in what is happening and the Italian dub (above all Olivier) is rather poor. The plot makes little sense and . If you look for a spy movie with Michael Caine, watch "The Ipcress File" or "The fourth protocol",instead. They would be a very much better choice.
This movie is interesting. It is very hard to follow, but after seeing it two or three times, it comes. A very well defined star-studded cast but the movie is not what you'd expect it to be. Other than that, this movie would be good to watch if you like action, politics or just want to kill time.
Sir Philip Kimberley is a former M16 intelligent general who defected to the Russians in the 70s, returns back to his home country after faking his death. He receives plastic surgery on his face, so he could go into England to pick up very important documents that he has hidden which has KGB agents working in England. Knowing that the British thinks his dead, he escapes the KGB men and defects back to the British as a Russian spy. He goes on to basically play each other off, in the hope he can pick up a large amount of doe and go on to live a new life, along with his daughter.
"The Jigsaw Man" is pretty much a fundamental Cold War thriller, which feels clammy and looks like a cheap b-grade spy film. The routine material (taken off Dorothea Bennett's novel) wants to be crafty with many plot tricks involving double crossings, disguises, ever-changing accents and secret documents. But with these aspects, there's just too much restraint and haggard developments in what is mainly a story and dialogue driven outing. You'll need these elements to be strong and convincing, but a stated script completely drags and spits out some bawdy lines. The serious nature of it, can come across quite laughable and ludicrous. While the chunky plot offers a labyrinth of turns, it can be meandering and vapid in many shady situations. These twisty developments running through the story are well organised, but never in a astute manner. Thrills are minimal, but the elaborately taut layout breaks out for an action flourish towards the latter end. Even then, the minor pockets of get-up-and-go just can't break the slumber for too long. Terence Young's pedestrian direction seems to go missing in very long spells, but Freddie Francis' polished photography and John Cameron's steamily leeching music score doesn't follow the same fate. The cast is an excellent one. Michael Caine is decent enough, even though it's not quite an inspired performance and provides nothing more then a sour-face. Laurence Olivier provides class, but again he's left with not too much on offer. One very underrated Robert Powell gives a reliably understated turn and Susan George is sparklingly potent in her supporting role.
Incredibly patchy and at times hollow, but still a sturdy espionage thriller. The main problem is that it lingers about in too many chewy sequences then really getting on with it.
"The Jigsaw Man" is pretty much a fundamental Cold War thriller, which feels clammy and looks like a cheap b-grade spy film. The routine material (taken off Dorothea Bennett's novel) wants to be crafty with many plot tricks involving double crossings, disguises, ever-changing accents and secret documents. But with these aspects, there's just too much restraint and haggard developments in what is mainly a story and dialogue driven outing. You'll need these elements to be strong and convincing, but a stated script completely drags and spits out some bawdy lines. The serious nature of it, can come across quite laughable and ludicrous. While the chunky plot offers a labyrinth of turns, it can be meandering and vapid in many shady situations. These twisty developments running through the story are well organised, but never in a astute manner. Thrills are minimal, but the elaborately taut layout breaks out for an action flourish towards the latter end. Even then, the minor pockets of get-up-and-go just can't break the slumber for too long. Terence Young's pedestrian direction seems to go missing in very long spells, but Freddie Francis' polished photography and John Cameron's steamily leeching music score doesn't follow the same fate. The cast is an excellent one. Michael Caine is decent enough, even though it's not quite an inspired performance and provides nothing more then a sour-face. Laurence Olivier provides class, but again he's left with not too much on offer. One very underrated Robert Powell gives a reliably understated turn and Susan George is sparklingly potent in her supporting role.
Incredibly patchy and at times hollow, but still a sturdy espionage thriller. The main problem is that it lingers about in too many chewy sequences then really getting on with it.
Every great actor must have at least ONE on the CV they would not want anyone to find out about and for the likes of Caine and Olivier, ( I STILL cannot believe they were in this!), this is IT. Lacks EVERYTHING: pace, style, excitement, camera work, plot, score etc. etc. Unlike my REAL pet hates, such as John Wayne's "The Green Berets", I cannot even get really excited enough to hate this turkey, but just regard it in the way you would a really boring and unsatisfactory meal in a third rate restaurant - something you have gone through, but will never repeat by returning. Regard this film in the same way or, even better, save two hours of your life by doing something better than recording this when it is shown at 1.30a.m. on Channel Zog, (for I cannot imagine any other way you are going to get to see it), and wasting the time to view it later.
¿Sabías que…?
- TriviaFilming shut down when the production ran out of money. Enough money was eventually raised to finish the movie, but on a reduced scale.
- ErroresDuring the early part of the movie (time stamp 3:19) a three vehicle convoy drive to a gate where in the background there is a parked military vehicle. But it is not Soviet made vehicle but belonging to the Swedish Army. It is Volvo C300/ L3314 series off-road 4-wheel light truck mainly used by the Swedish Army. It was sold to Netherlands, Saudi Arabia and Norway. Finnish Army had also some trucks. It was never sold to Russia and was never in use there.
- Citas
Adm. Sir Gerald Scaith: [On the legalisation of homosexuality] Only sensible law we've made in England this century. Consenting adults. Would have saved Vassall and Maclean. And Burgess too of course, not that I think he wouldn't have done it with a hedgehog.
- ConexionesFeatured in Al Murray's Great British Spy Movies (2014)
- Bandas sonorasOnly You And I
Music by Georges Garvarentz
Lyrics by Labi Siffre, Scott English
Sung by Dionne Warwick
Produced by Bob Gaudio
Rhythm arrangement by Jeremy Lubbock and Bob Gaudio
String & horn arrangement by Jeremy Lubbock
Recorded by Paul Lani and Rick Ruggieri
Mixed by Ron Hitchcock
Producers assistant: Marla Miller
Recorded at Sound Lab Studios, Los Angeles, California
Song & theme published by P.G.G.
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By what name was The Jigsaw Man (1983) officially released in India in English?
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