Jakob der Lügner

Only a very few films have succeeded in treating the plight of the Jews under the Nazis with a sense of humor, but this is one of them. Sort of an earlier variation on 'Life is Beautiful', but this is far less saccharine, and the humor here is dry and sad, not slapstick and wacky.

In a Jewish ghetto in 1944, Jacob is brought to the police station for curfew violation. There he hears news on the radio that the Russians are advancing nearer. He uses this hopeful news to stop a fellow ghetto resident from committing sure suicide by trying to steal extra food. But in a moment of foolishness, Jacob claims he heard the news on his own secret radio. Soon the entire town is hounding him for positive news, and the shy quiet Jacob has become an unwanted celebrity and bringer of hope, forcing him into a moral quandary and more lies. The power of this simple fable is enhanced by some very touching flashbacks where we see these now beaten down characters as their lives were just a few years before – full of love, laughter, food to eat, nice homes.

Vlastimil Brodsky is great as Jacob, even if he's unfortunately dubbed into German. He avoids the traps of sentimentality or self-pity. Right to the end this is an honest and moving tale of trying to retain one's humanity in the face of ever more overwhelming odds. The hard-to- find DVD could have a better image, but the print was apparently in bad shape from ill- storage in East Germany. (This was the only East German film ever nominated for an Oscar)

One of the legacies of the late GDR (East Germany) is a treasure-trove of cultural productions, much of which has been inaccessible to us. An exception is the 1974 DEFA (GDR successor to pre-1945 Ufa Film Studio) production "Jacob the Liar", which enjoyed a brief exposure in the US in the late '70s, even being nominated for an Academy Award. If you missed it, this is your chance to have it, beautifully transferred to DVD (also another justification for splurging on a DVD player, if you haven't already). Although it can be viewed without, the subtitles (your choice of language)are well-worded and legible.

"Jacob" centers on a man inadvertently finding himself a focus of hope among the doomed in a Polish ghetto. Circumstances have him reluctantly pretending to possess a forbidden radio, which leads to dramatic (and comedic) situations, and even raises moral questions and insights about truth and responsibility in such an adverse context. Billed as a tragic comedy, the acting and pacing of the story are equal to the serious nature of the subject.

Director Frank Beyer's "Jacob" should not be confused with the 1999 Hollywood remake starring the talented (but often glib and facetious) Robin Williams. This Columbia distribution is a sort of roadrunner-cartoon version trying to be profound. It has the frantic pacing and excessive gratuitous violence evidently presumed necessary to put it over. If you must have a Holocaust-era drama that can bear watching more than once, get the real McCoy.

I think this film was very well done. I was drawn into the plot and characters very quickly. I would reccommend this film to anyone who would enjoy a new outlook on life. I know that is one of the things I got from watching this movie. Jakob was a very charismatic person and I could not wait to find out what would happen to him and his comrades. Though this movie was not very fast paced, there was enough going on that kept me interested during the entire movie.

This movie is a story full of lies that brought more hope to the Jews living in the Ghetto. Jakob was the one being outside after curfew and he had to report to the Police, and after walking into the station he heard some news on the Radio. He thought that it was good news that the Russians were coming closer. He could not m=keep that to himself so he went and told this to one of his friends who was not supposed to say anything. After a short while the whole Ghetto was talking about those news. Jakob saw that everybody was feeling much better so he continued to tell lies about the news. This is a movie that gets better and better as it moves along. It also gives hope to the Jewish people in the Ghetto and Jakob was having good intentions but it just complicated itself more and more.

This East German movie is a very unusual movie about the Holocaust because it focuses on life within the ghetto. However, the film seemed a bit sanitized in how the residents looked and how they were treated. Unlike some later films, some of the Jews in this film looked awfully well-fed and conditions didn't seem all that bad. The cattle car where the remaining Jews were placed seemed rather spacious and not all that bad either--even though in reality many died on the cars due to conditions. In addition, some of the German soldiers seemed pretty nice. Perhaps this might have been that the Soviet-dominated East Germans were more willing to talk about their sordid past but were still struggling with fully accepting it. Whatever is the case, this aspect of the film did surprise me a bit.

Now as for the rest of the film, it was marvelous and provided an odd insight into life in the ghettos. The acting was excellent and the film is very much worth seeing, though not nearly as compelling as THE SHOP ON MAIN STREET, SCHINDLER'S LIST or AU REVOIR LES ENFANTS. I have not seen the recent remake starring Robin Williams, so I can't really compare the two, but my inclination is almost always to go with the originals.

PS--The English captioning for this film is pretty poor. Instead of directly translating what is said, it's often summarized or even wrong. My knowledge of German isn't too bad, and several times what they said did not correspond at all to the captioning. You can't blame the film makers for this, but the company that released the film.