The Hanged Man

This was to be a series pilot, but didn't get picked up. The typical way a drama series pilot in the 70s was handled was to make it long enough to end up as a movie of the week, so if it didn't get picked up as a series, then at least some production money was recouped. I saw this after seeing The Lazarus Man series, and was surprised at the similarities. This one is typical TV western fare, older gunslinger sees the evil of his ways, and turns into good gunslinger, yet always full of angst about the old ways. The whole idea of a hanged man returning to life was merely a contrivance to make things more interesting. I must say I missed the whole mind-reading ability thing. It wasn't evident apparently because there were plenty of times the lead didn't read someone's mind when if he had, he would have saved himself a lot of trouble. By the way, this movie shows why Cameron Mitchell should always be remembered as the epitome of hammy acting.

The title role of The Hanged Man is played by Steve Forrest who plays a notorious gunfighter who was duly hanged for a crime he committed and declared dead. But the only problem was the report of his demise was greatly exaggerated. Whether he was cut down too soon or the rope wasn't tight enough or some unseen power intervened, point is that Forrest is still walking around and breathing. And he's reflecting on a new chance at life because his old life had led him up thirteen steps to the hangman's noose. And he's legally dead.

His first chance at redemption comes in helping widow Sharon Acker and her little boy Bobby Eilbacher fight off the designs of mining tycoon Cameron Mitchell. He's not too squeamish about his methods and has young gunslinger Brendon Boone on his payroll who despite the mystique surrounding Forrest is eager for showdown.

This unsold TV pilot which was produced by Bing Crosby didn't break any new ground and westerns on television were getting scarce. Around this time Bonanza and Gunsmoke ended their runs and the few that have succeeded them up to this time haven't had their staying power. Speaking of Bonanza this was Ray Teal's farewell role and Bonanza fans will remember his semi-regular presence as sheriff Roy Coffey of Virginia City.

The Hanged Man might have been picked up for a television series fifteen years earlier when westerns were a glut on the market. As it is western fans will have little reason to complain.

James Devlin (Steve Forrest) is a tough man who made his living with his gun. However, he's been convicted of murder an is awaiting a hanging. The killing was in self-defense but his reputation alone was enough to guarantee a death sentence. When this unrepentant man is hung, however, something very strange happens. Though clearly dead, hours later he comes to life and spends much of the rest of the film trying to figure out why as well as what his place will now be in the world. Soon, a jerk named Halleck (Cameron Mitchell) gives him a reason for being...and he makes it his life's work to fight this man and protect the widow who Halleck is trying to bully. Oh, and did I mention that the widow is a widow because her husband was the man that Devlin killed??

This is a decent film and mildly enjoyable. I think if they'd played the supernatural angle more, it would have been a more interesting film...and then possibly might have been picked up as a series. On the other hand, by 1974, westerns had pretty much come and gone....and why the network would revive the genre is tough to understand.

I've been watching movies for many many years and seen some of the best , along w/ some of the worse. The Hanged Man is not the best But its not bad either. Steve Forrest's acting adds to the plot w/ a dimension of calm cold bloodiness that was prevalent back then. Cameron Mitchell seemed to be a little hammy but from reading history a lot of the big cattle ranchers/mine owners acted that way they thought they were above the Law. Overall it was a little above ave. There's a few other well known actors in it Will Geer Rafael Campos. It does encourage you to see other movies especially w/ those guys. If I may in a personnel note, its a shame us movie goers see actors faces that we have seen before but we don't know there names. A lot of them deserved more..

Bland, predictable made-for-TV western has Steve Forrest as a feared gunfighter convicted of a murder and sentenced to hang, but who manages to survive the hanging and is set free. By-the-numbers script holds no surprises and the characterizations are all cardboard, including Forrest's one-note portrayal of a killer given a second chance. Bad-guy Cameron Mitchell chews the scenery, pretty Sharon Acker is earnest as a widow who owns a silver mine that "silver king" Mitchell wants to get and Will Geer is somewhat enjoyable as a crusty old-timer called "Nameless" who's Acker's hired hand. It's not long before you can predict exactly what's going to happen, what the bad guy's going to do, what the good guy's going to do and how things will be neatly wrapped up at the end. The whole production looks rushed and cheesy, the equivalent of a Monogram western of the '40s--and, like those Monogram westerns, it's a harmless time-waster. You could do worse, but you could also do much, much better.