CALIFICACIÓN DE IMDb
6.6/10
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TU CALIFICACIÓN
Agrega una trama en tu idiomaA man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.A man abused by a sadistic mining company cop before he could tell where on their desert property he'd found diamonds decides to steal them instead.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Miranda Marais
- Specialty Singer
- (as Miranda)
James Adamson
- Waiter
- (sin créditos)
Frank Alten
- Carl - Headwaiter
- (sin créditos)
Frank Arnold
- Bartender
- (sin créditos)
Val Avery
- Poker Game Cashier
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This is a film of considerable charm and interest, a postwar noir updating of the Warner Bros. "Casablanca"-style foreign intrigue routine that substitutes a refreshing toughness for the earlier films' cotton-candy romanticism. As usual, the stalwart leading man plays second fiddle to the character roles. Claude Rains takes his wry-and-witty routine to the level of sublime high camp, Peter Lorre purrs lyrical philosophy in a rumpled linen suit and three-day beard, and Paul Henried does much better as the arrogant, sadistic villain (reminiscent of Ronald Merrick in "Jewel in the Crown") than he ever did as a leading man. There's even subtle criticism of the apartheid system thrown in. What could have been a minor classic and certainly the best of the "Casablanca" clones is severely compromised however by the presence of Corinne Calvet, whose ferret face and rusty-hinge voice make a potentially pleasurable film difficult to watch, let alone enjoy.
A man (Burt Lancaster) abused by a sadistic mining company cop (Paul Henreid) before he could tell where on their desert property he had found diamonds decides to steal them instead.
Glenn Erickson reflected on the background of the film and how it was received when first released, "Although William Dieterle's direction is capable, the script works too hard to introduce an overly familiar collection of stock thriller types ... Critics generally liked Lancaster's performance, even if they slighted the work of Claude Rains and Peter Lorre and saved the bulk of their praise for Paul Henried's nasty villain." Indeed, those who watch the film for Lorre may be disappointed on little screen time he receives.
Reflecting decades later, Burt Lancaster singled this out as his least favorite film. That was due to personal reasons, however, so may not necessarily reflect whether this was (in his opinion) his worst performance.
Glenn Erickson reflected on the background of the film and how it was received when first released, "Although William Dieterle's direction is capable, the script works too hard to introduce an overly familiar collection of stock thriller types ... Critics generally liked Lancaster's performance, even if they slighted the work of Claude Rains and Peter Lorre and saved the bulk of their praise for Paul Henried's nasty villain." Indeed, those who watch the film for Lorre may be disappointed on little screen time he receives.
Reflecting decades later, Burt Lancaster singled this out as his least favorite film. That was due to personal reasons, however, so may not necessarily reflect whether this was (in his opinion) his worst performance.
8RNQ
I rate this movie pretty highly and then I wonder, were Hollywood movies in the late 40s generally this good, in which case I'll have to see a lot more. "Rope of Sand" is so well made--the story clicks along, every shot is perfectly placed and serves the story, both day and night scenes in a desert are grandly photographed. The interiors are more elaborate than one might imagine, but Edith Head's costumes for Ms. Calvet guarantee that her character is irresistibly sexy. The cast has been gathered from across Europe and beyond--OK, some of them more difficult to follow than others--the supremely skilled actor, Claude Rains, Peter Lorre doing his elegant lowlife, Marais and Miranda singing in a nightclub. And of course young Burt Lancaster, both beautiful and doing the turns of his character. Credit then too to Paul Henreid, holding his own in a fight scene with Lancaster. And there's even a willingness to define South Africa by its racism, from the opening scene of a Black man being chased by converging trucks in the desert. I won't underline an inference about political economy.
What a great cast, what a top director and what a disappointing movie. I blame the script, or rather lack of one, cause nobody involved seems to quite know what it is all about. Something about diamonds? That'll do, let's start filming. Famously Casablanca was already in production without a finished script, and look how well that turned out, right? Just put some of that cast in another exotic location and Fate and sheer acting talent, aided by some stylish camera-work will do the rest. Alas, it didn't. The muddled story limps along from scene to tepid scene, the plot holes are abundant and the Great Romance never convinces for a moment. I kept hoping the story would catch fire at some point, but it never does. Will Paul Henreid turn out to be a Nazi war criminal? Where did Peter Lorre wander off to? Does Claude Rains have any aces up his sleeve? Why would anybody believe the girl killed the doctor? Is she a former member of the French Resistance, set out to kill Vogel? Wouldn't that sorta spice up this bland story? Nah, it turns out everybody is just what they appear to be. With some solid script doctoring this could have become a great adventure movie. Shame.
This film is hard to find, but i finally got hold of a decent copy off ebay.co.uk recorded off a satellite channel. I'm glad i finally got to see it, it was very entertaining with numerous plot twists. The quartet of Lancaster, Rains, Henreid and Lorre make great viewing as they try and scene steal off each other at every turn. Claude Rains is smooth, silky and delightfully devious; Lancaster hulks, sulks and looms superbly. There is no discernible chemistry between Lancaster and the 'new' (well to US audiences) Corinne Calvert; which weakens their characters' motivation somewhat. Lancaster seems more in love with himself though, so tough competition for Corinne there. Calvert does a creditable turn here, ( though her French accent can be a little opaque), but she is outclassed easily by the men- Rains wipes the floor with her but she is stunning and exotic enough. Though her final clinch with Lancaster on the ship as they leave the desert hellhole that they've been inhabiting for the last hour and a half, is incredibly drippy and Lancaster looks as if he'd like shot of her big time. But that's the dialogue for you. Henreid is suitably nasty and sadistic and you can almost smell the sweat and feel the heat- so there is much to recommend in Rope of Sand.
¿Sabías que…?
- TriviaDuring one scene with Burt Lancaster, Corinne Calvet felt nauseated and threw up on her leading man. She was not able to film anything else that day. She remained grateful to the actor that he never mentioned it after she returned and gave her suggestions and encouragement. She credits him for her success in Hollywood.
- ErroresWhen Mike and his hunting companion are found with a diamond they are tortured to get information on where they found it. The two men were found in the desert with clear tracks to and from the diamond find site. It would have been simple to track where they had been.
- Citas
Suzanne Renaud: Now do you want to kiss me?
Fred Martingale: N - no, I think not. You'd better keep your kisses for emergencies.
- ConexionesReferenced in Sangre negra (1951)
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- How long is Rope of Sand?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 44 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was La incitadora (1949) officially released in India in English?
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