Agrega una trama en tu idiomaAmidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.Amidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.Amidst public warnings of a dangerous patient who's escaped from a mental hospital, a young Belle Adams (Hayley Mills) hitches rides on the highway with various assortment of motorists.
- Dirección
- Guionista
- Elenco
Nina Zuckerman
- Petrol Station Attendant
- (as Nina Francis)
Juliet Aykroyd
- Steven's Girl Friend
- (as Juliet Ackroyd)
Robert Rietty
- Various voices
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Deadly Strangers takes a rather familiar horror film situation as it's base; that being the idea of someone hitching a lift with a stranger. This is a classic horror film situation because of all the danger it presents and has lead to many classic films. With this film, director Sidney Hayers clearly did not have very much to work with; but he gets past this admirably by ensuring that the central situation and the characters are always interesting, and also puts a different spin on the situation - and in doing so proves that with talent, that is all that is needed to make a successful thriller. The plot begins in an asylum where a mental patient has escaped. We then fast forward to a young woman alone on the road after getting out of a car in which the driver requested too high a 'fare'. She ends up hitching a lift with a drunk, yet friendly, driver who agrees to give her a lift to the train station. However, it soon becomes obvious that the driver and the escaped mental patient may well be the same man!
Deadly Strangers is a British production; and it's refreshing to see a film like this take place in the unfamiliar setting of the British countryside, which makes a more than worthy place for the action to take place in; despite not being a particularly picturesque location. Simon Ward is the male half of the leading duo and does really well with the role; he plays it so as to make it obvious that his character has a defect, but for the most part it could be passed off as him being merely a bit strange. Hayley Mills is the other half and delivers the real standout performance; she gets to go through a range of emotions in the film and delivers a really effective portrayal of her character. The film runs at a steady pace throughout and draws the audience into the characters very well indeed. The film always gives the impression that it's building into something; and it doesn't disappoint. The final twist is hinted at throughout but still manages to be a surprise once it is finally unveiled and provides a strong ending for the film and ensures that most things make sense. Overall, this is rather difficult to find but its well worth tracking down. Recommended.
Deadly Strangers is a British production; and it's refreshing to see a film like this take place in the unfamiliar setting of the British countryside, which makes a more than worthy place for the action to take place in; despite not being a particularly picturesque location. Simon Ward is the male half of the leading duo and does really well with the role; he plays it so as to make it obvious that his character has a defect, but for the most part it could be passed off as him being merely a bit strange. Hayley Mills is the other half and delivers the real standout performance; she gets to go through a range of emotions in the film and delivers a really effective portrayal of her character. The film runs at a steady pace throughout and draws the audience into the characters very well indeed. The film always gives the impression that it's building into something; and it doesn't disappoint. The final twist is hinted at throughout but still manages to be a surprise once it is finally unveiled and provides a strong ending for the film and ensures that most things make sense. Overall, this is rather difficult to find but its well worth tracking down. Recommended.
Being a big fan of road movies, this rarity instantly appealed to me. It's a British production, a thriller which has enough twists, turns, tricks and red herrings to rival any recent blockbuster. By keeping the plot simple (it's a bit like a low-key, subtle version of THE HITCHER), the director allows us to focus on the characters in the film and get to know them as events unfold through plenty of down-to-earth dialogue. It's a simple way of grabbing the audience's attention, but you'd be surprised how many films can't even grasp this simple concept.
Every trick in the book is pulled out here to keep the pace flying along. There's plenty of action, car chases, some weird psychological flashbacks which only reveal their importance at the film's climax, drama, suspense, plus the expected violence and nudity required to make this a sleazy epic. And it's all British, too, which gives it a novelty value unlike any other film I've seen - as I've said before, a little bit of originality goes a long way.
Another plus is the high standard of acting on display here from the two leads. Both Simon Ward and Hayley Mills utterly convince us that they are the characters that they play, each with distinctive personalities and their own ways of dealing with situations. Ward is thoroughly charismatic and appealingly innocent as the young man who may or may not be a killer, while Mills bypasses the "screaming girl" factor so apparent in many horror films to become a fully-fleshed, believable person who proves to be resourceful and independent time and time again. American legend Sterling Hayden also pops up for a cameo as a quirky old chap who thinks that his luck's in with Mills - it isn't.
This is a film which had me gripped right until the very end. Only in the closing minutes is the killer's identity confirmed, so it has you guessing right up until then. All this and plenty of fun moments too, such as a pair of Hells Angels who get more than they bargained for when one of their bikes is run off the road and explodes! What makes this film work for me is that the film is firmly rooted in reality, making what happens all the more interesting and involving. All the characters come across as real, everyday folk and even the British weather is spot on. DEADLY STRANGERS is a good example of clever, intelligent film-making and of what can be achieved on a low budget. Outstanding.
Every trick in the book is pulled out here to keep the pace flying along. There's plenty of action, car chases, some weird psychological flashbacks which only reveal their importance at the film's climax, drama, suspense, plus the expected violence and nudity required to make this a sleazy epic. And it's all British, too, which gives it a novelty value unlike any other film I've seen - as I've said before, a little bit of originality goes a long way.
Another plus is the high standard of acting on display here from the two leads. Both Simon Ward and Hayley Mills utterly convince us that they are the characters that they play, each with distinctive personalities and their own ways of dealing with situations. Ward is thoroughly charismatic and appealingly innocent as the young man who may or may not be a killer, while Mills bypasses the "screaming girl" factor so apparent in many horror films to become a fully-fleshed, believable person who proves to be resourceful and independent time and time again. American legend Sterling Hayden also pops up for a cameo as a quirky old chap who thinks that his luck's in with Mills - it isn't.
This is a film which had me gripped right until the very end. Only in the closing minutes is the killer's identity confirmed, so it has you guessing right up until then. All this and plenty of fun moments too, such as a pair of Hells Angels who get more than they bargained for when one of their bikes is run off the road and explodes! What makes this film work for me is that the film is firmly rooted in reality, making what happens all the more interesting and involving. All the characters come across as real, everyday folk and even the British weather is spot on. DEADLY STRANGERS is a good example of clever, intelligent film-making and of what can be achieved on a low budget. Outstanding.
DEADLY STRANGERS opens with the escape of a dangerous -unseen- maniac from a mental hospital. Said psycho now roams the countryside, leaving a trail of victims along the way.
Meanwhile, young Belle Adams (Hayley Mills) is hitching her way to the train station. After escaping a lecherous trucker, she hitches a ride with a normal-looking young man named Stephen (Simon Ward). As they drive on, we learn about his history, as well as Belle's tragic past.
Sort of a road trip / mystery / thriller film, it's complete with murder, voyeurism, bikers, road rage, and the lovely Ms. Mills in just about every scene! She's really quite good in this. And yes, she does don her birthday suit. Also, watch for Sterling Haydon in an important cameo appearance...
Meanwhile, young Belle Adams (Hayley Mills) is hitching her way to the train station. After escaping a lecherous trucker, she hitches a ride with a normal-looking young man named Stephen (Simon Ward). As they drive on, we learn about his history, as well as Belle's tragic past.
Sort of a road trip / mystery / thriller film, it's complete with murder, voyeurism, bikers, road rage, and the lovely Ms. Mills in just about every scene! She's really quite good in this. And yes, she does don her birthday suit. Also, watch for Sterling Haydon in an important cameo appearance...
"Deadly Strangers" opens with opens with a mysterious killer escaping from an asylum-type scene after murdering nurse.Haley Mills misses her train.She accepts a ride from a truck driver,who tries to rape her.She escapes and is then picked up by a mysterious who was watching her in the bar.He behaves suspiciously and may be an escaped lunatic...Very suspenseful and fast-paced thriller with a surprising twist ending often spoiled in various reviews.The film is currently only available on a rare VHS tape.It features Hayley Mills in several nude scenes and is told in flashbacks.The finale is gripping and suspenseful.I haven't seen Sidney Hayers "Assault" and "Revenge",but after enjoying "Deadly Strangers" I'd really like to.8 out of 10.
Good movie plots remain with me. This is a movie I'd seen as a child and am lucky to find it here. It's a plot I've never forgotten and has quite a twist at the end. The only actor I remembered was Simon Ward. The acting was fine and, like so many of the British movies I've seen, nothing is overdone. No unnecessary violence and things blowing up for the sake of a boom. They don't write enough movies like this one. Other moves like this one is Vanishing Act with Elliot Gould, Silent Partner with Elliot Gould, and Sudden Fury (a very little known Canadian movie which should not be confused with the idiotic action film of the same name).
If you're the kind of movie fan who hates predictable movies then this movie is for you.
If you're the kind of movie fan who hates predictable movies then this movie is for you.
¿Sabías que…?
- TriviaThis movie was originally intended to be part of a television anthology series to be called "Silhouettes".
- ErroresAt 48 minutes: At the petrol station when Stephen sees Malcolm and Belle in the open-topped sports car drive by, it can be seen by the different background features and the type of road, that the close-up of the sports car was filmed at a different location.
- Créditos curiososthe final credits appear over a shot in which we see through a peephole two male nurses walk away
- ConexionesReferenced in Psychos in Love (1987)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Ingen väg ut
- Locaciones de filmación
- Pier, Weston-super-Mare, Somerset, Inglaterra, Reino Unido(Sterling Hayden Property)
- Productoras
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Principales brechas de datos
What is the Spanish language plot outline for Deadly Strangers (1975)?
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