Deadly Strangers

Young British man offers stranded, pretty girl a lift--but is he the psychopathic killer all the police are searching for? Damp, chilly film from the UK does boast a stylish direction (the rolling compact, the chase in the parking structure) and fine performances from the principals, particularly Hayley Mills in what must have been just a quick movie-stop on her busy theatrical schedule of the 1970s. Mills isn't flatteringly photographed here, but she's a natural, never winking at the camera for affect and never adding more to a scene than is needed. Nerve-jangling yarn will probably surprise you with its twists. It has a compact screenplay and is well paced. **1/2 from ****

Deadly Strangers takes a rather familiar horror film situation as it's base; that being the idea of someone hitching a lift with a stranger. This is a classic horror film situation because of all the danger it presents and has lead to many classic films. With this film, director Sidney Hayers clearly did not have very much to work with; but he gets past this admirably by ensuring that the central situation and the characters are always interesting, and also puts a different spin on the situation - and in doing so proves that with talent, that is all that is needed to make a successful thriller. The plot begins in an asylum where a mental patient has escaped. We then fast forward to a young woman alone on the road after getting out of a car in which the driver requested too high a 'fare'. She ends up hitching a lift with a drunk, yet friendly, driver who agrees to give her a lift to the train station. However, it soon becomes obvious that the driver and the escaped mental patient may well be the same man!

Deadly Strangers is a British production; and it's refreshing to see a film like this take place in the unfamiliar setting of the British countryside, which makes a more than worthy place for the action to take place in; despite not being a particularly picturesque location. Simon Ward is the male half of the leading duo and does really well with the role; he plays it so as to make it obvious that his character has a defect, but for the most part it could be passed off as him being merely a bit strange. Hayley Mills is the other half and delivers the real standout performance; she gets to go through a range of emotions in the film and delivers a really effective portrayal of her character. The film runs at a steady pace throughout and draws the audience into the characters very well indeed. The film always gives the impression that it's building into something; and it doesn't disappoint. The final twist is hinted at throughout but still manages to be a surprise once it is finally unveiled and provides a strong ending for the film and ensures that most things make sense. Overall, this is rather difficult to find but its well worth tracking down. Recommended.

DEADLY STRANGERS opens with the escape of a dangerous -unseen- maniac from a mental hospital. Said psycho now roams the countryside, leaving a trail of victims along the way.

Meanwhile, young Belle Adams (Hayley Mills) is hitching her way to the train station. After escaping a lecherous trucker, she hitches a ride with a normal-looking young man named Stephen (Simon Ward). As they drive on, we learn about his history, as well as Belle's tragic past.

Sort of a road trip / mystery / thriller film, it's complete with murder, voyeurism, bikers, road rage, and the lovely Ms. Mills in just about every scene! She's really quite good in this. And yes, she does don her birthday suit. Also, watch for Sterling Haydon in an important cameo appearance...

An effective suspense story with terrific performances by Hayley Mills and Simon Ward. Mills was twenty-seven at the time and was obviously working to completely shed what was left of her POLLYANNA/DISNEY image. Given that the actress appears throughout the film in various stages of undress, and is seen in several other compromising positions, I would say her plight was successful. Though the story may at first seem like a transparent/psycho-on-the-loose chiller, the film has some strikingly effective new twists, and there are enough red herrings for two films! The film has been unavailable on video for some time and rarely appears on TV, but it's most certainly worth the extra effort to find it!!!!!

A young woman (Hayley Mills) misses her train and is forced to hitchhike. After a misadventure with a horny truck driver who wants her to pay a "fare", she is picked up by a handsome but mysterious stranger (Simon Ward) who may just have escaped from an asylum for the criminally insane. This is a familiar role for Hayley Mills that she had basically performed several times before: the pretty dolly bird who meets a slimy creep that she is nevertheless somewhat sexually attracted to (except that her usual co-star Hywel Bennet is replaced here by Simon Ward). When she played this role back in "Twisted Nerve", however, she was still coming off her wholesome Disney image, and was appealing, but also pretty two-dimensional. In "Endless Night" she played a troubled heiress and had little more of a rounded character and performance. In this movie the back-story of her character, revealed in flashbacks where she is orphaned in a car accident and sent to live with a lecherous uncle, might make her even more troubled than the sinister young man who picks her up. (There is in fact a great twist at the end here that I don't want to reveal).

Ironically, Mills first played this "endangered innocent" role as a child actress way back even before Disney in 1959's "Tiger Bay" (where she plays a pre-pubescent girl who steals a gun and befriends a murderer). It took her this long, in what was basically to be her last film, to get back to the acting and fully developed roles in which she first started. It was revealed years later that Mills had been offered, and nearly accepted, the title role in Stanley Kubrick's "Lolita". And while that notorious role ruined the career (and perhaps life) of the actress who eventually took it (Sue Lyon), it might have actually been better for Mills than all the saccharine, cloying Disney movies she got typecast in.

This is pretty much Mills show all the way. Ward is good but pretty functional. It's generally well directed by journeyman director Sid Hayers ("Assault", "Circus of Horror", "Revenge"). Sterling Hayden shows up in a cameo as an eccentric old coot (and his character's harmless flirtations with Mills have some unintentional sexual tension given that in real life she had recently married a man about Hayden's age). And, oh yes, and for those of you whose minds are in the gutter (along with mine), Mills also has some nice nude scenes. Good luck finding this as it is undeservedly very obscure today, but it's definitely recommended.