CALIFICACIÓN DE IMDb
5.7/10
13 k
TU CALIFICACIÓN
Un 747 en vuelo choca contra un pequeño avión y se queda sin piloto. De alguna forma, la torre de control debe conseguir embarcar a un piloto para que el avión pueda aterrizar.Un 747 en vuelo choca contra un pequeño avión y se queda sin piloto. De alguna forma, la torre de control debe conseguir embarcar a un piloto para que el avión pueda aterrizar.Un 747 en vuelo choca contra un pequeño avión y se queda sin piloto. De alguna forma, la torre de control debe conseguir embarcar a un piloto para que el avión pueda aterrizar.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I have read many of the viewer comments on this film and I can say that most were right on target so there isn't much point in my repeating what they've already said.
My main comment would be: Save yourself the time and expense to see this film and rent "Airplane!" instead. They are essentially the same film with the only real distinction being that "Airplane!" actually was intended to be a comedy.... and a damned good one at that. In fact, as I recall, "Airplane!" was named the best comedy ever made by the American Film Institute. This is quite phenomenal when you consider that it was nothing but a spoof of "Airport 1975". And this may be the one and only truly distinctive aspect of "Airport 1975". That is, it did inspire a truly great film. Otherwise, it had very few redeeming qualities.
The film is nothing but a haphazardly thrown together collection of all the film clichés that could be squeezed into the allotted run time. I recently watched it for the first time since its original release mostly out of sheer curiosity. I remembered it being bad.... as all the sequels to "Airport" were. They were all presumably made as serious films but they were all so sloppily made with such terrible scripts that you couldn't help wonder why they weren't just released as comedies in the first place. For example, as has been well documented in other viewer comments, how could anyone take Linda Blair's and Helen Reddy's roles seriously? I mean, how could they keep straight faces with the scenario and dialogue they were supposed to work with? All that was missing was a laugh track.
I am glad I read some of the IMDb comments as I was viewing "Airport 1975" on AMC because they really added to my enjoyment of the comic aspects of the film.
As I said, this was the first time I had watched it in about 30 years and in the meantime I had of course seen "Airplane!" But until rewatching "Airport 1975" I did not realize the degree to which "Airplane!" was inspired by "Airport 1975". At times, I was dumbstruck at how scene after scene were all spoofs of actual scenes from "Airport 1975". And this made the film very entertaining to me when otherwise I may have just hit the channel button on the remote after the first 10 minutes of so of the drivel that "Airport 1975" actually is.
My main comment would be: Save yourself the time and expense to see this film and rent "Airplane!" instead. They are essentially the same film with the only real distinction being that "Airplane!" actually was intended to be a comedy.... and a damned good one at that. In fact, as I recall, "Airplane!" was named the best comedy ever made by the American Film Institute. This is quite phenomenal when you consider that it was nothing but a spoof of "Airport 1975". And this may be the one and only truly distinctive aspect of "Airport 1975". That is, it did inspire a truly great film. Otherwise, it had very few redeeming qualities.
The film is nothing but a haphazardly thrown together collection of all the film clichés that could be squeezed into the allotted run time. I recently watched it for the first time since its original release mostly out of sheer curiosity. I remembered it being bad.... as all the sequels to "Airport" were. They were all presumably made as serious films but they were all so sloppily made with such terrible scripts that you couldn't help wonder why they weren't just released as comedies in the first place. For example, as has been well documented in other viewer comments, how could anyone take Linda Blair's and Helen Reddy's roles seriously? I mean, how could they keep straight faces with the scenario and dialogue they were supposed to work with? All that was missing was a laugh track.
I am glad I read some of the IMDb comments as I was viewing "Airport 1975" on AMC because they really added to my enjoyment of the comic aspects of the film.
As I said, this was the first time I had watched it in about 30 years and in the meantime I had of course seen "Airplane!" But until rewatching "Airport 1975" I did not realize the degree to which "Airplane!" was inspired by "Airport 1975". At times, I was dumbstruck at how scene after scene were all spoofs of actual scenes from "Airport 1975". And this made the film very entertaining to me when otherwise I may have just hit the channel button on the remote after the first 10 minutes of so of the drivel that "Airport 1975" actually is.
This is the second of four movies in the "Airport" series . It's exciting and amusing but full clichés and stereotypes with mediocre performance by all-star-cast . The movie is another jetliner epic with hero Heston . A commercial airline of the American Airlines 747 Boeing (piloted by Efrem Zimbalist Jr. , Roy Thinnes , Erik Estrada) is crashed to another smaller plane (piloted by Dana Andrews) . Then the flight attendant (Karen Black who brings conviction to her character as dedicated stewardess turned pilot ) taking on control of the dangerous travel and forcing daring rescue attempt (by Ed Flanders and Heston) . The film is detailing hectic flighty piloted by a stewardess and the relationship among passengers . All clichéd and stock roles with regurgitation of all usual stereotypical situations from disaster films , the nuns ( Helen Reddy as singing nun and Martha Scott ), an aging alcoholic woman (Myrna Loy , but Joan Crawford was firstly approached to play the character who turned down), nervous passengers , an old actress (Gloria Swanson) . Taking place on freeze skies and Rocky Mountains as background , the airplane heading to Salt Lake City . If you've seen the original ¨Airport¨ ( by George Seaton ) based on the Arthur Hailey's novel 'the daddy of them all' , you have seen them all .
The picture contains thriller, suspense , drama , moderate tension and is quite entertaining although with some flaws and gaps . Filmed at the height of the disaster genre in the 7os , this entry in the spectacular series benefits from a strong acting by Charlton Heston who spent time on a simulator in preparation for the role , bringing life to character , he also starred a similar role at ¨ Skyjacked (1972)¨ by John Guillermin . Gloria Swanson performs herself in her ending movie . Look quickly to Nancy Olson , Linda Blair , Sid Caesar, Beverly Garland , Norman Fell and Jerry Stiller , Ben Stiller's father , among others . And , of course, appears the classic character Patroni played by usual George Kennedy . The motion picture was regularly directed by Jack Smight , habitual TV director and occasionally for big screen (Midway , Harper , No way to treat a lady) . It's an inoffensive diversion but is sometimes tediously unspooled and it was parodied heavily in Airplane! (1980) by Jim Abrahams and David Zucker . The film will appeal to Charlton Heston fans and disaster genre enthusiasts .
The picture contains thriller, suspense , drama , moderate tension and is quite entertaining although with some flaws and gaps . Filmed at the height of the disaster genre in the 7os , this entry in the spectacular series benefits from a strong acting by Charlton Heston who spent time on a simulator in preparation for the role , bringing life to character , he also starred a similar role at ¨ Skyjacked (1972)¨ by John Guillermin . Gloria Swanson performs herself in her ending movie . Look quickly to Nancy Olson , Linda Blair , Sid Caesar, Beverly Garland , Norman Fell and Jerry Stiller , Ben Stiller's father , among others . And , of course, appears the classic character Patroni played by usual George Kennedy . The motion picture was regularly directed by Jack Smight , habitual TV director and occasionally for big screen (Midway , Harper , No way to treat a lady) . It's an inoffensive diversion but is sometimes tediously unspooled and it was parodied heavily in Airplane! (1980) by Jim Abrahams and David Zucker . The film will appeal to Charlton Heston fans and disaster genre enthusiasts .
Airport '75 was definitely the funniest of that series. It was not as soap opera-esque as the original, nor was it as cheerless as '77.
Humorous elements abounded: The lewd young navigator (Erik Estrada, who at that point could not speak a word of Spanish, despite his seeming mastery of it here). The three obnoxious business passengers (Conrad Janis, Norman Fell, and Jerry Stiller; who would all later, as we know, go on to co-star in highly successful TV comedies) The hapless Cid Ceasar character, who only attended this flight to see the in-flight movie, which promptly broke right before his favorite scene.
The passenger areas look surprisingly comfortable, with ample space for individual passengers. Much better, it seems, than what we are subjected to today (the mid-seventies decor notwithstanding).
The mirthful subtones aside, this is a serious movie. The pivotal point happens when a small private plane goes astray, hitting the 747 right above the windshield. The navigator is killed, the co-pilot is sucked out through the hole (in a manner reminiscent of the commander of the imperial walker being pulled out by Chewbacca in "Return of the Jedi"; and the captain is incapacitated. Poor Nancy the Stewardess (Karen Black) must seize the controls!
It is up to Charlton Heston (before he became a conservative) and George Kennedy, with some help from friends in the U.S. Air Force, to save the day.
Verdict, hardly a brain challenger (If you want your brain challenged, read a book, I always say!) but worth seeing.
Humorous elements abounded: The lewd young navigator (Erik Estrada, who at that point could not speak a word of Spanish, despite his seeming mastery of it here). The three obnoxious business passengers (Conrad Janis, Norman Fell, and Jerry Stiller; who would all later, as we know, go on to co-star in highly successful TV comedies) The hapless Cid Ceasar character, who only attended this flight to see the in-flight movie, which promptly broke right before his favorite scene.
The passenger areas look surprisingly comfortable, with ample space for individual passengers. Much better, it seems, than what we are subjected to today (the mid-seventies decor notwithstanding).
The mirthful subtones aside, this is a serious movie. The pivotal point happens when a small private plane goes astray, hitting the 747 right above the windshield. The navigator is killed, the co-pilot is sucked out through the hole (in a manner reminiscent of the commander of the imperial walker being pulled out by Chewbacca in "Return of the Jedi"; and the captain is incapacitated. Poor Nancy the Stewardess (Karen Black) must seize the controls!
It is up to Charlton Heston (before he became a conservative) and George Kennedy, with some help from friends in the U.S. Air Force, to save the day.
Verdict, hardly a brain challenger (If you want your brain challenged, read a book, I always say!) but worth seeing.
A mid-air collision leaves a 747 without a pilot. Charlton Heston, Karen Black and George Kennedy star in this campy far fetched adventure. Acting is wooden and unconvincing and the plot ranges from strange to absurd but the air sequences are by far the best in any air disaster film and well worth a look. It is a typical disaster film for it's time but is thankfully one of the good ones unlike The Concorde or The Swarm. People give it a hard time claiming it to be one of the worst films ever made but it obviously isn't as there are many millions of mainstream films worse than this and many worse disaster movies if you want proof watch any of Irwin Allen's late 70's productions.
Ahhh, this is delightfully undiluted Hollywood dreck of the most charming and enjoyable kind. Everything.. the dialog, the music, the look has that soap opera look.
It's been said that this project started out as a TV movie but got bumped up to a feature film along the way. The script still sounds like a TV movie and the special effects are very uneven. The large scale airplane shots are great and very cinematic. Some cockpit scenes use badly matched rear projection while others cockpit rear projection scenes look fantastic.
Cliques' abound everywhere, as in the portrayal of Gloria Swanson by... Gloria Swanson. Most of her lines are so delightfully stereotypical it makes Ginger from "Gilligan's Island" look complex. "Of course, I never did anything I was expected to do..."
Then there is Linda Blair who seems to be on a mission with her role as a hopeful kidney transplant patient. That mission is to tell the world "You see, I'm not I'm not a Demon monster, like I played in The Exorcist. I *really am* nice." At the time, the "Hollywood Press" was paranoid with the effect making "The Exorcist" had on Linda Blair.
So, in response to this, Linda plays the Kidney patient with a nose scruntching, smiling sweetness that makes you think she is possessed once again... by a Von Trapp kid.
Still, I thought Linda Blair would end up launching pea soup at Sister Helen Ready as she sang that... song.
Charlton Heston is his ultra macho self and whenever he's in a movie, I'm usually loving it. This is no exception.
I was a kid when this came out and there was this glamourous, sleek mystique to airplanes and airports for me. Flying was a much more exclusive and expensive thing back then, before deregulation. Also, seeing these giant pieces of metal leave the ground was almost like magic and yes, it would be a thrill to be in it but... what if something went wrong?
So, it was with these feelings that I went to see this movie with in early 1976. I really was wanting to see "JAWS" and it was just a happy accident that "JAWS" was double featured with this movie. Seeing one movie in a theater was a special deal for me. Seeing two was practically an event.
I came out of the theater thrilled with both movies, thinking they were cut from the same cloth. Of course, as we come to now, "JAWS" is still an indisputable classic and one of the best movies of it's type ever.
"Airport 1975"... well... provided 90% of the inspiration for one of the best comedies ever: "Airplane!". "Airport 1975" itself is a campy, fun, escapist thriller/adventure. It's cinematic junk food that tastes terrific. It's nostalga to me doesn't hurt it a bit either.
"Airport 1975" has a kinship with "Earthquake", in that both had Charlton Heston and George Kennedy. Both provided Universal television shows (The Incredible Hulk, Battlestar Galactica, etc.)with opportunities to build shows around the stock footage they could use from both films (The Hulk gets stuck on an airplane that is Columibia 409, A simulation of a cylon attack uses Earthquake's scenes of destruction, The Hulk gets stuck in an Earthquake's earthquake too).
Both became "events" when they came to network TV, adding (or even filming) additional scenes to make a full evening (or even a 2 evening) television event.
Both had those 1 sheet posters with several little "mug shots" of all the stars in the movie.
Both are sometimes laughable in terms of characters and story but are remarkably lovable none the less.
It's been said that this project started out as a TV movie but got bumped up to a feature film along the way. The script still sounds like a TV movie and the special effects are very uneven. The large scale airplane shots are great and very cinematic. Some cockpit scenes use badly matched rear projection while others cockpit rear projection scenes look fantastic.
Cliques' abound everywhere, as in the portrayal of Gloria Swanson by... Gloria Swanson. Most of her lines are so delightfully stereotypical it makes Ginger from "Gilligan's Island" look complex. "Of course, I never did anything I was expected to do..."
Then there is Linda Blair who seems to be on a mission with her role as a hopeful kidney transplant patient. That mission is to tell the world "You see, I'm not I'm not a Demon monster, like I played in The Exorcist. I *really am* nice." At the time, the "Hollywood Press" was paranoid with the effect making "The Exorcist" had on Linda Blair.
So, in response to this, Linda plays the Kidney patient with a nose scruntching, smiling sweetness that makes you think she is possessed once again... by a Von Trapp kid.
Still, I thought Linda Blair would end up launching pea soup at Sister Helen Ready as she sang that... song.
Charlton Heston is his ultra macho self and whenever he's in a movie, I'm usually loving it. This is no exception.
I was a kid when this came out and there was this glamourous, sleek mystique to airplanes and airports for me. Flying was a much more exclusive and expensive thing back then, before deregulation. Also, seeing these giant pieces of metal leave the ground was almost like magic and yes, it would be a thrill to be in it but... what if something went wrong?
So, it was with these feelings that I went to see this movie with in early 1976. I really was wanting to see "JAWS" and it was just a happy accident that "JAWS" was double featured with this movie. Seeing one movie in a theater was a special deal for me. Seeing two was practically an event.
I came out of the theater thrilled with both movies, thinking they were cut from the same cloth. Of course, as we come to now, "JAWS" is still an indisputable classic and one of the best movies of it's type ever.
"Airport 1975"... well... provided 90% of the inspiration for one of the best comedies ever: "Airplane!". "Airport 1975" itself is a campy, fun, escapist thriller/adventure. It's cinematic junk food that tastes terrific. It's nostalga to me doesn't hurt it a bit either.
"Airport 1975" has a kinship with "Earthquake", in that both had Charlton Heston and George Kennedy. Both provided Universal television shows (The Incredible Hulk, Battlestar Galactica, etc.)with opportunities to build shows around the stock footage they could use from both films (The Hulk gets stuck on an airplane that is Columibia 409, A simulation of a cylon attack uses Earthquake's scenes of destruction, The Hulk gets stuck in an Earthquake's earthquake too).
Both became "events" when they came to network TV, adding (or even filming) additional scenes to make a full evening (or even a 2 evening) television event.
Both had those 1 sheet posters with several little "mug shots" of all the stars in the movie.
Both are sometimes laughable in terms of characters and story but are remarkably lovable none the less.
¿Sabías que…?
- TriviaShooting overlapped somewhat with the tail end of production on Universal Pictures' Terremoto (1974), forcing Charlton Heston, George Kennedy, cinematographer Philip H. Lathrop, and producer Jennings Lang to juggle their schedules between the two films. This film was released first.
- ErroresThe plane takes off from Washington Dulles Airport in complete darkness, in the early hours of the morning. It heads west to Los Angeles, however, on the exterior shots of the plane flying west, dawn is seen rising in the west and not the east.
- Citas
Oringer: Is there much damage?
Joe Patroni: No, not much, theres just a hole where the pilots usually sit.
- ConexionesEdited into Emergency!: The Stewardess (1975)
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- How long is Airport 1975?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Tiempo de ejecución1 hora 47 minutos
- Relación de aspecto
- 2.35 : 1
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By what name was Aeropuerto 1975 (1974) officially released in India in English?
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