Terremoto

Ordinary catastrophe movie in soap opera and vintage style with all star cast dealing with a huge earthquake outbursts at a noisy city. It has a long prologue presenting Charlton Heston, his drunk wife, Ava Gardner, and his lover, Genevieve Bujold. As well as other characters as a spectacle motorcycle rider, Richard Roundtree, a drunken man, Walter Matthaw, an avenger military, Marjoe Gortner, a besieged beautiful girl, Victoria Principal, and several others. As an earthquake causing death, destruction and wreak havoc. This impressive quake has an awesome and destructive power enhanced by the sensorround sound.

Acceptable disaster movie paced in fits and starts with a great cast, though a little wasted. The impressive cast cannot save this passable film , at all. It lacks deep characterization , displaying some boring moments and a tiring script that was presumibly well paid . This was a successful catastrophe movie that belongs to disaster movie genre of the 70s and 80s such as Towering inferno, Poseidon, Beyond Poseidon, The swarm, Avalanche, The Russian rollercoaster, Avalanche express , Airport I, II, III.. and whose main representative was producer Irwin Allen. It packs primitive and traditional special effects by LB Abbott , with no computer generator effects . It contains an atmospheric and adequate cinematography by Philip H. Lahtrop. And a sensitive and enjoyable musical score by the always great and incombustible John Williams. Main cast is pretty well, giving understanding interpretations as Charlton Heston, Genevieve Bujold, Ava Gardner and Lorne Greene. Support cast is frankly excellent such as Lloyd Nolan, Victoria Principal, Barry Sullivan, Pedro Armendariz Jr, John Randolph, Scott Hylands, Donald Moffat, brothers Jesse, Alan Vint, Walter Matthaw, George Murdock and usual in catastrophe movies, George Kennedy, among others.

The motion picture financed by Jennings Lang who produced Airport series was professionally directed by Mark Robson. He was a classical director. Robson had a prolific career, delivering classic movies, as well as hits and flops. He directed some classy terror movies as Ghost ship, Bedlam, The seventh victim ,Isle of dead, all of them produced by Val Lewton. Subsequently, he directed all kinds of genres in films as Peyton Place, The harder they fall, Edge of doom, Champion, Bright victory, Trial , Bridges at Toko-Ri, Return to Paradise, The inn of the sixth happiness, Valley of dolls, Von Ryan express, Last command , The prize, From the terrace, among others. Rating 6/10. Acceptable, passable and decent disaster movie.

I really enjoyed the practical effects before CGI took over the film industry. This is the time when making disaster films was a huge challenge. This is decent film making at its best. The visual effects are incredible and is still good by today's standard. This must have been amazing at the time of release. Charlton Heston is a likable hero as usual. I enjoyed how the characters interacted with one another and how their characters developed during and after the disaster. The film did end rather abruptly, but it was an enjoyable action drama.

In 1974 I was 29 years old when I first saw this movie. At the time I didn't question the suitability of the lead stars as I had grown up with them appearing in other films. Considering all the various genre of films I had seen up to that time, I must confess that it didn't seem a bad effort at that point in time. I grew up with various westerns and others and one film in particular I remember well is the classic "King Kong".

Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.

However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.

I saw this movie on the big-screen when it was released and I actually found the Sensurround (R) to be annoying, but the film isn't as bad as critics made it out to be. I agree, the casting could have been better (the Ava Gardner/Loorne Green argument is a good one), but this is a special effects movie, and the special effects were pretty good by 1974 standards. Besides, how can a movie about the destruction of LA be so bad?

Earthquake is directed by Mark Robson and written by Mario Puzo and George Fox. It stars Charlton Heston, George Kennedy, Ava Gardner, Geneviève Bujold, Lorne Greene, Richard Roundtree & Marjoe Gortner.

A catastrophic earthquake hits Southern California and begins to level Los Angeles...

"It's not a negative to have heart in the disaster genre of film"

Take yourself to 1974, are you there? Good, now maybe you can appreciate this film a little more? Maybe? Earthquake does suffer from old age, it's a statement we see and hear a lot, but it's a fact that some film's stand the test of time whilst others do not. In this desensitised computer age, it is easy to forget that not all the tools available in film making today were available back when film's like this were being made. So as is my want, I firmly judge this as a 1974 offering, to which it delivers enough entertainment to fully satisfy my genre leanings and entertainment persuasions.

The main complaint of many is the long build up of the characters, cries of boring can be read across internet forums and critics blogs. I just don't see it that way, yes we want the quake and the mayhem destruction that will follow it, because really this is a disaster film after all, but is it so bad that the film has heart to go with the crash bang wallop? After the build up of characters, where relationships and character traits are formed, the disaster strikes and it doesn't disappoint, utter destruction as effects and noise fill the eyes and ears, where those with a good home cinema system finding it literally does rock the house. We are then treated to a series of sequences that hold and engage our attention, upsetting passages of human sadness, punctured by heroic surges as Heston and the fabulous Kennedy set about saving life, hell! saving the town even. Then it's the film's fitting finale, where there are no cop outs, the makers choosing to go out with a darker edge than the detractors give it credit for.

Some can scoff at a blood splat effect, or rant about some of the acting on show, but Earthquake achieves two important things. One is that it entertains as a visual experience, the other is that it doesn't soft soap the devastating effects of an earthquake. As the camera pulls away from a ravaged L.A. the impact is sombre, where reflection is needed and most assuredly surely gotten. 7/10