Ensayo de orquesta

Fellini's "Prova d'orchestra" was originally made for television, and there it should have stayed. As a cinematic event, it does not deliver. Yes, it's well directed and nicely acted, it has an interesting idea in it, but it's not enough for me to enjoy it. Eventually it looks like an exercise by some cinema student and not like a piece by Fellini, one of a few cinema genius of our time. I was disappointed, even though I enjoyed parts of it. My Grade: *** (out of *****)

It is rather neglected a movie by Fellini, but I agree with those who see it as a 'metaphor' of the Italian society; not of the Italian society in general, but of the Italian society at the end of the '70s. After 1968, there was turmoil in the country and the artist's message is quite clear, apparently: prolonged social strife can lead to dictatorial outcomes. The message is not so clear at the beginning of the film and it might be seen as a sort of a 'documentary', but when that huge stone 'ball' starts pounding on the building where the 'orchestra' are rehearsing and a faraway voice starts becoming more and more clear and strong, Fellini's message becomes obvious.

While the movie analyzes the roots and resolution of social revolt, what I like the most about it, is the personalized world-view of the musicians, as well as an exceptional music drive. My favorite Fellini and Rota. 10/10.

I read some people saying that this film made no sense, and that it's just a orchestra rehearsal; it hurst how wrong they are. As any other Fellini, you have to scratch the surface, and you will find a great meaning. That's what I love about his films, they make you think! If you think nothing happened in this movie, go watch a Transformers film, you'll probably thing that there's a lot going on while there's nothing at all. While it may lack Fellini's characteristic powerful visuals, it has a very powerful meaning about politics, society and life. Awesome movie, and great for it's lenght

This miniature movie's tempo builds, stops and starts in that comical, jerky way characteristic of Fellini. It's one of the things I like.

The interviews are a riot!

It appears to be a parable of the last few hundred years of European history.