Avalancha Express

I am a big Robert Shaw fan. I was very sad when I heard that he died at a very young age of 52. So when I learned that he made two films before he died, I looked foward to seeing them, so I could spend some more time with that great acting talent. The first "Force 10 From Navarone" was a fun adventure film with Shaw still at the top of his game the second was "Avalanche Express"

It came out some 14 months after he died, and I went quickley to my local movie theater to see it. Imagine my disapointment when I first heard him speak and realised that majestic voice was dubbed. It hurt alot that I would not hear that wonderful voice for the next 88 minutes. The voice didn't sound anything remotely like him.

As for the film itself, what can I say about a film where Joe Namath givves the best acting performance. As the other review says, if you love watching bad movies this is the film for you. The biggest laugh is at the end where the Robert Shaw character is singing a sad Russian song (Another sadness as I wouldn't hear Shaw's own wondeful singing voice_ and then the film cuts to an exterior shot of the airplane and while the "Shaw" voice is still sing he is joined by the croaking silver tomes of Lee Marvin. Who could ever forget his rendition of "Wandering Star"in "Paint Your Wagon". What was to be a pogniant moment was turned in to a laughfest instead. I left the theater wishing I followed the ushers advice as saw Meteor instead.

A film more famous for its behind-the-scenes double-jinx (the deaths, within months of each other, of both director Robson – who may have become involved to begin with in view of his work on the spy romp THE PRIZE {1963} and another train movie i.e. VON RYAN'S EXPRESS {1965} – and co-star Robert Shaw: in fact, it was completed by Monte Hellman, while much of Shaw's dialogue had to be re-dubbed due to his being in poor health throughout!) than its actual theme or quality. That said, it is unworthy of Leonard Maltin's BOMB rating, especially when considering that, apart from the talents already mentioned, we also got scriptwriter Abraham Polonsky and, making up the rest of the main cast, Lee Marvin, Maximilian Scell, Horst Buchholz, Claudio Cassinelli and David Hess (the appearance of the last two, who mostly dabbled in exploitation fare in Europe, was quite a surprise)!

It is a typically glum Cold War thriller (unfortunately, the joy seems to have been taken out of the espionage subgenre, Hitchcock imitations – like the afore-mentioned Robson effort – and the James Bond extravaganzas notwithstanding!) with whose plot, involving Shaw's harassed defecting Russian protagonist, the formerly black-listed Polonsky – which had prevented him from working for 20 years! – must have felt a particular kinship (not that his script, adapted from the Colin Forbes novel, is particularly dense). Even more ironic is the fact that Shaw's character's wife is said to have committed suicide (which the actor's real-life spouse, actress Mary Ure, had actually done in 1975!) and, when queried why the Kremlin has not yet announced the KGB official's betrayal, he says they are probably waiting to proclaim his death (which Shaw may well have foreseen as being just around the corner for himself!).

For no very good reason, the visibly-ravaged Marvin is made to rekindle his affair with much-younger agent Linda Evans but, predictably, their relationship runs far from smoothly – especially when he fakes his own death (again, this twist has no direct bearing on the plot!) and Shaw 'flees' from her custody when the titular vehicle is attacked by a terrorist group (yet another irrelevant, if undeniably topical, plot point). The avalanche, too, is just one of several incidents to be incorporated into the narrative – such as having Schell as Shaw's ruthless former colleague don a disguise in order to board the train himself (recalling his previous turn as a Nazi in THE ODESSA FILE {1974}, he is the only one here to be seen having fun with the vaguely preposterous proceedings!).

Incidentally, I watched this on late-night Italian TV despite being available in English elsewhere since the latter is an edited version (shorn of 10 from its already slim 85-minute duration)! In the end, while essentially uninspired, the film is well worth-watching for its mix of forceful personalities, numerous action scenes and, well, the curiosity value that naturally arises out of its singular making.

You would think a film with this cast, a promising plot and lots of action could be anything but one big yawn yet 'Avalanche Express' achieves it.

The death of director Mark Robson during production is often cited as a prime reason why this film misfired but - while obviously a tragic and difficult event for the film to deal with - Robson had directed several clunky & heavy-handed films in the previous decade and his best work was well behind him.

There's not much positive that can be said for the film, suffice to say that technically its use of real locations helps it a bit and the avalanche sequence is reasonably well done.

But apart from that the most notable feat of 'Avalanche Express' is that it somehow connives a dreary performance of the usually always compelling Lee Marvin.

With a cast as talented and diverse as the one assembled for this espionage-cum-disaster caper, the expectations are great. The execution is sadly lacking. Robson's last film concerns a Russian military defector (Shaw), aided by CIA agents (Marvin, Evans & Connors principally), pursued by a Russian patriot (Schell) determined to capture or kill his quarry. Amid all the frantic chases, double-crosses and narrative cul-de-sacs, an avalanche threatens to derail a train carrying the defector and his minders. Cobbled patchwork of a feature film, with erratic editing and a plot so riddled with contrivances, that you're confounded by the fuss. Why it wasn't made more simply is obvious - the storyline is so aimless and superficial, there's just not enough material to sustain a feature length movie.

Disappointingly pedestrian performances from Shaw, Marvin, Evans and Connors lend very little to the quality of the picture, while Schell at least applies some effort in his stereotypical Cold-War silhouette. He also has the best of the uninspired dialogue. Former NFL star Joe Namath isn't bad as one of the good guys, and Kristina Nel (where's Marthe Keller?) makes a reasonable terrorist. With names like Horst Buchholz, Claudio Cassinelli and Vladek Sheybul in bit parts, the opportunities for success were endless. Sadly, none of it comes to fruition.

If you were expecting some improvement from the foreshadowed avalanche, you'll be disappointed to learn that it's anticipation is more exciting than the execution. Although there's a few decent action sequences and colourful location work, mostly the film is just talky and pointless. Notwithstanding the well documented challenges encountered making this film (i.e. the death of both director Robson and star Shaw), it's difficult to imagine how much better this film could've been had they both lived to see completion. Maybe better they didn't, although it's a great shame that this underachievement is their collective swansong.

This regular action tale contains thrills , intrigue , tension , excitement galore , entertainment and loads of falling snow . Suspenseful spy movie packs exceptional plethora of prestigious actors incarnating the motley group of spies for this All-Star Adventure and sadly ending picture for both , actor Robert Shaw who was very ill during filming and filmmaker Mark Robson . This his last movie was a jinx , appropriately titled ¨Avalancha express¨. Soviet KGB General Marenkov (Robert Shaw who died during its production) defects to the Americans and together with his CIA handler Harry Wargrave (Lee Marvin , he is mentioned in the novel the movie is based on) they plan an operation meant to reveal the Russians are attempting to develop biological weapons and several KGB agents in Europe . During the trail they must survive a lot of dangers : spy-catchers , terrorist attacks , crossfire , double-crosses and avalanches . All planned by a Russian top agent named Col. Nikolai Bunin (Maximilian Schell) . As the route of the train journey on the "Atlantic Express" , was from Milan, Italy to Rotterdam, Holland.

This exciting film contains noisy action , thrills , shootouts and results to be mediocre . And a great cast though wasted formed by the Hollywood Wax Museum . Besides , a large support cast such as Maximilian Schell , Joe Namath , Horst Buchholz , Mike Connors , Claudio Cassinelli , David Hess , Sky du Mont , Dan Van Husen and Günter Meisner . The picture has elements of ¨disaster genre¨ as when a train is threatened by lots and lots of falling snow . Passable acting by trio protagonist : Lee Marvin , Robert Shaw and Linda Evans . Robert Shaw is acceptable as KGB head who tries to defect , Shaw passed away during filmmaking , in fact most of his dialog had to be dubbed by a mimic . Colorful cinematography in Panavision by Jack Cardiff , though uncredited . Thrilling as well as atmospheric musical score by Allyn Ferguson .

Lavishly produced by Guthrie and Robson with a reported budget of $12 million , it was the most expensive film project shooting in Europe . The motion picture was middlingly directed by Mark Robson , though the film's closing credit tells the following : "The producers wish to express their appreciation to Monte Hellman and Gene Corman for their post production services¨ . In the early 40s Mark Robson was much involved with the low-budget terror unit in charge of producer Val Lewton , for whom made ¨Seventh victim¨, ¨The ghost ship¨, and ¨Island of the dead¨. In the late 1940s Robson joined Stanley Kramer's independent company and directed his biggest commercial hit to date with ¨The champion¨. Years later Robson made another good film about corruption in boxing world titled ¨The harder they fall¨ with Humphrey Bogart. In the late 1960s, his work did decline . And of course , ¨Von Ryan Express¨ was one of his best films ; this one is certainly one of the best movies ever made about the WWII escapes . And this ¨Avalanche Express¨ turned out to be an unfortunate film in which Robson and his main star , Robert Shaw, died suddenly from heart attacks . As Monte Hellman finished the direction and Gene Corman -brother of Roger Corman- completed Robson's duties as producer . In spite of a top-notch cast , spectacular images , tense images and noisy action , all of them don't make this one a good effort of its kind . This is an ordinary spy movie , being a little boring and embarrassing . Rating : 5 .