The Strange Case of the End of Civilization as We Know It

It has been so many years since I saw this but I do feel compelled to defend this gem against those who lambast it.

It is interesting and unusual to observe the diversity of opinion here. That is what humour does I suppose. It is subjective. It either charges through your funny bone at 60,000 volts or it leaves you cold and wondering why you gave it the time.

This show has some of Britain's best comic actors put together in a story that is silly and irreverent and the outcome is hilarious. The dialogue and visual comedy is beautifully delivered and the two leads (Cleese and Lowe) are superb together. This was made for them.

I can't really say anymore other than to implore you to find this and watch it. You won't be disappointed and in a world devoid of genteel humour, this is a classic inane and harmless piece of comedic brilliance.

Considering that this pointless little comedy was sandwiched between the two terrific Fawlty Towers seasons, and written around the same time as the best Python movie, "Life of Brian", it is amazing to me how Cleese could possibly have co-written such a lame script. Perhaps it was McGrath's fault to an extent? The two had already collaborated once on a monstrously unfunny flop called "The Magic Christian".

TSCOTEOCAWKI starts off fairly well with the murder of Kissinger, and then a decently written, pythonesque skit in the White House. From there it goes gradually downhill. The movie gets worse and worse by the minute, culminating in a finale that was simply too embarrassing to watch. I'm embarrassed just thinking about it now! It's the kind of material that 16 year-old comedy hopefuls would write for a high-school play. Moronic and unfunny to a fault.

When I first saw Kissinger/Gropinger, I thought it was Peter Sellers with make-up. However, Sellers would have done his homework and spoken the way Kissinger really speaks. This other actor did a poor imitation, voice-wise...

I was heavily in a Monty Python kick and that led to my seeing, How to Irritate People. Romance With A Double Bass and this. Loved the first, hated the second and liked this.

This has Ron Moody, Stratford Johns, Arthur Lowe, Joss Ackland, Val Pringle, Denholm Elliot, Burt Kwouk and Nick Tate to go along with John Cleese and Connie Booth. This hour long comedy served as an introduction to shows like Dad's Army, Z Cars and Softly Softly which are almost entirely unknown in my country.

Val Pringle had a key role in the first story from Sapphire and Steel as Lead. Nick Tate a regular on Space 1999, Ron Moody, Joss Ackland, Burt Kwouk and Denholm Elliot from their film careers.

Arthur Lowe is the real star in this particular show. I've heard it said that Lowe was so great at doing comedy because he found absolutely nothing funny. He is beyond silly as Watson but he plays it so natural that you kind of believe it really is possible someone could be that entirely lost and dim.

There is of course Python style humor which sums up the ending well. Its worth viewing. It led to me seeing other shows I mentioned because I specifically remembered they were in this.

You can do a lot with a little cash. Blair Witch proved that. This film supports it. It is no more than a sitcom in length and complexity. However, because it has John Cleese as Sherlock Holmes it manages to be hilarious even on a budget that couldn't afford a shoestring. The highlight of this film is Arthur Lowe as the sincere, bumbling Watson, his dimness and slowness foils Cleese's quick-tempered wit. If you ever run across the film watch it for a quirky laugh or two.

The strange case has been made through studies that kids will laugh when presented with something out of place, like a funny face, if the face is made by someone with whom they are acquainted, but they will repel if it's presented by a stranger. This conveys that our reactions to inconsistencies, oddities, unanticipated discrepancies with normalcy and established ranks will differ in terms of particular circumstances. If the incongruity happens in a context where it's threatening, it'll dispose us toward a threatened reaction. This is maybe the seed of the horror genre. On the other hand, if the context is one that is distinguished as non-threatening, where the possibility of hurt and fear has been withheld, the scenarios are opportune for humor.

We follow the attempts of Sherlock Holmes, Dr. Watson and various governments to stop all civilization from being destroyed, but everyone is too terminally stupid or apathetic to be successful at it. We need not worry about the targets of all the brutality and cruelty in blacker realms of comedy, including slapstick, because they're not completely human.

It's an accelerated, often hilarious jaunt that heckles at just about everything mystery, espionage or potboiler in English and American media. Holmes, Bond, Columbo, etc., little more than a vaudeville act in breadth and elaboration. The peak of this film is Arthur Lowe as the guileless, blundering Watson, his stupidity and listlessness always counterblowing Cleese's temperamental ingenuity.