The Best House in London

I don't know how to add items to the other sections of this site so I will put an interesting tit-bit (!) here! I played one of the extras in Oliver (NOT one of the boys) and was amazed to see many of the locations on the back lot used here. Not only that they also used many of the same vehicles, props and I even recognised some of the horses! Given that Oliver is a family movie and this is anything but it's an interesting fact. I'm told that the Oliver set was left to slowly moulder away for many years - what a waste! Oh yes this film? Well it's not THAT bad and is a dream for those who like to count the well known bit part players. Must have spent the money saved on scenery on extras! ;-)

From today's perspective, The Best House In London is potentially uncomfortable viewing in an era of political correctness. Therefore what this film illustrates is that for all its good intentions political correctness hampers debate on sensitive issues such as that of prostitution which in current English law can only be a label applied to a woman who is perceived by a police officer as soliciting for such an activity.

More to the point the film illustrates the double standards of English society and its discomfort with the street variety as opposed to prostitution in general. What this further illustrates is that society is concerned more with being exposed to its double standards and how it perceives street prostitution without regard to the women involved who as the film portrays, are happy to participate in the profession. This point is illustrated in the film within context of the lack of opportunities for women to escape their impoverished lives in which there is no other options open to them.

The 'double standards' of the discomfort over street prostitution among the Victorian middle classes is illustrated via the character Josephine Pacefoot, (Joanna Pettet) who is in fact a satire of the famous Josephine Butler. Josephine Butler (1828 - 1906) was an upper middle class 19th Century philanthropic feminist who espoused the radical liberal tradition of the then Whigs as her Father did before her. Josephine Butler concerned herself with those deemed to be and as such labelled 'fallen women' giving street prostitutes a negative label by default. Butler was keen to rescue the so called 'fallen women' many of whom were criminalised via the Contagious Disease Acts of the 1860s. These acts permitted any unmarried woman to be subject to a 'virginity test'. If the woman failed the virginity test she was ostracised by society and prevented from gaining legitimate employment. This left many unmarried women vulnerable to men any of whom could request they have a virginity test for the purpose of recruiting them into prostitution if they failed and thereby trading these women. This point is illustrated in the film.

It is interesting that the 19th Century Contagious Disease Act affected women at the time of the rise of feminism in England. What The Best House In London illustrates is that feminism has a double edged sword. This double edged sword of feminism means the cause is a middle class one premised on liberation, the endeavours of which leave many poor and working class women vulnerable to exploitation, which in this film is illustrated via street prostitution. But it veers into all manner of legitimate employment as women are in most cases cheaper to employ as they're more likely of accepting lower wages that men reject.

The Best House In London is a series of sketches thread together via the issue of 'street prostitution' It seems that the original intention of the film was to reference as many as possible of the Victorian luminaries who shaped modernity and its attitudes.

For the issues it raises and the debate it permits, then The Best House In London is an interesting film produced in the style of Monty Python. In other words it's silly. It therefore illustrates that 'silly' is a positive as it exaggerates issues to express the point and as such is a clever method of comedic genre and satirical expressionism to coin a phrase.

One of the earliest and certainly one of the most lavish of the British sex comedies that were to proliferate over the following decade, and typical of its time in the lampooning of Victorian double standards, a period then regarded as the ultimate in repression, prudery and hypocrisy. Today's audiences, reputedly as eager to take offence as any Victorian maiden aunt will no doubt find much of the content fairly deplorable, including a white actor 'yellowed-up' as a Chinese delegate. Though you don't have to be a censorious millennial to feel uneasy at some of the material, the jokes about rape and the flippant attitude to young girls in brothels, not to mention a particularly crass piece of innuendo in a song from a little girl, especially in the light of what we now know about the likes of Jimmy Savile and co at the time. David Hemmings stars in a dual role but struggles to convince in either. Despite all this Denis Norden's script does conjure up its share of amusing moments and it is fun spotting the numerous well-known actors and celebrities of the time popping up in cameo roles.

I am a fan of British films. I also fondly remember many great British movies from the 60s. I wondered why I couldn't remember this one. now I know- it is terrible!

After the first ten minutes the plot is so muddled that the average viewer will give up.

I stuck with this hoping it would get better. By the middle, I was completely confused and bored. It seems every stereotypical character from the Victorian era is thrown in.

I was half expecting to see Sherlock Holmes. It's true that this movie mixes historical characters with fictional ones without regard to the era. Dickens appears along with those from a later period. But you won't notice. By that time you'll be bored or asleep.

There are a few scenes that really offended me, such as the one with the little girl singing the stupid song. I am surprised that TCM put this on in the daytime.

Stay away.

I don't believe this is a spoiler, but I'm not sure what CRUCIAL plot element is so extremely sensitive viewers beware!

First I wanna say that I am not a picky "watcher" and I am fully aware of what others think of this movie (thats it's really bad), I wont say that it's a well thought up movie but I will say this:It's quite a unique movie, that's for sure. One of the reasons why I gave it a six is that in spite of all the bad press i found it to be intriguing, the plot may be a little strange but it was interesting to watch.

Now, I don't know what The "message" was supposed to be, it is about this girl that wants to save "fallen girls" (if I'm allowed to say that), but the movie also contains a lot of unnecessary partial-nudity. So one wonders, was it supposed to support anti-prostitution in a comedic way or was it just about entertaining the crowd by "showing some skin" on television? My opinion about the film is not based on whether it is meaningful or even tasteful. It's based on the fact that it was amusing for me to watch, a light read, one might call it, well if it was a book that is.

Six out of ten stars is pretty high but this is how I rate: 5 is OK (watchable) and ten is incredible. So six to me is good enough to want to watch again. I can't really explain why I found it so appeasing, I guess you're just gonna have to watch it yourselves.

The "bad" things about the movie were that it was a little confusing at times, like if there were scenes missing or something. As I mentioned before it was a little strange. I really can't judge the acting, since I don't usually watch old movies. They spoke a little different in movies back then.

That's really all I have to say about this film.