The Grateful Dead

I saw the Grateful Dead twice in my life, so I'm not a true Deadhead by Deadhead standards (ie: I didn't follow them around the USA) although I fell in love with "Morning Dew" at 15 years of age (I'm now 53) and listened to "Live In Europe" endlessly in my college years. The first time I saw them was in 1969 in a free concert and then several years later in a paid concert. This DVD represents in my mind, the free concert years. The free concert was totally free in mind and body. It lasted over four hours. Little children and mama's were on stage along with the musicians. The atmosphere was extremely laid back. I have attempted to describe the experience to friends and youth who never experienced a free concert of that magnitude. Thankfully, "The Movie" came along. Now I can only direct those who are inquisitive enough and wise enough to understand the ramifications of such a period in time to this DVD. One more comment: Garcia was an artist in more than musical terms as illustrated by his graphical and fine art and film sense of the movie. He produced this masterpiece. Enough said. You decide for yourself after viewing. One thing that I will state is this: You will never see anything similar in your entire lifetime. This is a totally unique experience of awesome creative magnitude. -Big Wave Dave

I am and was a big fan of the dead but too young to have been a fan when this film was made. The film chronicles the 1974 4 night stint at the historic winterland in san francisco. at the time there were some that did not know whether or not the band would tour again. of course they did decide to hit the road again and the rest is history.

the movie shows the essence of the grateful dead experience from the fans to the crew to the band. it is a trip to look in on the scene as it truly was in 1974. i could think of no better way to show future generations what the early 70's rock scene and particularly the dead scence was like. the band footage is pretty good and is mixed in with great shots of the fans. additionally you get a look at the "wall of sound" which was the set up the band employed during the 1974 tour. donna jean describes the film as the good, the bad and the ugly of the dead experience. i think that is accurate.

the rest of the features on the DVD are great. the extra songs are awesome although they completely lack any flow. they could have formatted them in the same order as they were done. instead they are very random. the interviews are great and lend some light on the tremendous amount of work that has to go into bringing the extra material to the public.

if you like the dead and have been to a show (or 2 or 20) this is a must see. if you are younger and just want to see what all the fuss was about you should also get the movie.

I accidentally found this movie in Atlanta the last night it was in town and was bowled over by it. So, I think, were the half dozen others in the theater. All these years later, I have the DVD, of course.

No matter what anyone says about "The Last Waltz" being the best Rock Concert movie ever made, The Grateful Dead Movie is the best in the genre. It's a concert, it's a documentary with interviews, it uses all the gimmicks and techniques in the history of film from cartoons to flipping Fillmore posters like calendar pages in Citizen Kane(so it's a how-to-make-a-movie, movie too).

Every time I look at my copy of Gutierrez's skeleton poster, I think of the movie and thank Ben Friedman for insisting I buy it at the Postermat those years ago.

Songs captured during a series of October 1974 performances by The Grateful Dead at Winterland in San Francisco. The Grateful Dead: Jerry Garcia, Bob Weir, Phil Lesh, Bill Kreutzman, Donna Jean Godchaux, Keith Godchaux, Mickey Hart. Songs include: US Blues, One More Saturday Night, Goin' Down the Road Feelin' Bad, Truckin', Sugar Magnolia, The Golden Road (To Unlimited Devotion), Playin' In the Band, Stella Blue, Casey Jones, Morning Dew, Johnny B Goode.

The Grateful Dead were famous for their live concerts, a reputation that endured as long as the band existed. Rather than performing within the confines of a strict setlist and a maximum time per song, songs would often develop into long free-flowing jams. Calling these jams does them a disservice as the songs were more than that: wonderfully layered, expression-filled and virtuosic. These sessions involved all sorts of music, from rock, to folk, to country, to blues, to jazz. Amazingly it seemed like every player was doing their own thing yet was in perfect synch with the remainder of the band. Loose and tight, all at the same time.

This video perfectly captures that spirit, talent and artistry, not just showing the band and individuals within it doing their thing, but the effect on the audience too. The whole experience is beyond a musical one (though there may have been some substances involved to help that vibe!).

It's not just driven by the vibe. The music is great too, the tone just makes it even better.

Not perfect though: I could have done without the hippy trippy imagery and some cutaways. Still, this was the trippy 70s and this is The Grateful Dead so not too surprising.

Thanks to this film, we can pretend we are a curious "eye" at a Dead gig in 1974. We are free to reflect on many different types of concert goers, without other people's comments or moral judges. Here are common teens and youngsters, healthy, curious, seekers, and cracked. Of course, we'll also meet some hippies, a member of Hells Angels, policemen and sausage selling guys. All this alongside the bass show of Phil Lesh and the fragile voice and glittering guitar sounds of Jerry Garcia.

Of course, much of the repertoire is standards without any deeper meaning. With Dead, it's under the improvised parts that we'll experience something bigger, something that no other rock band I know of has been close to. To illustrate this, the "eye" chooses to enjoy free dance, a visual description of Dead's greatness. The rhythm section with Lesh, Bill Kreutzmann (drums) and Bob Weir (rhythm guitar) should be enough. But on top of that, Garcia's lead guitar takes us away from everyday life on trips that doesn't feel repetitive.

44 years afterwards, the music still inspires. Sadly, the time atmosphere can't be regained in real life - we are committed to the future. However, like the song "Eyes of the World", we can still look back at the seventies, at a time that sure was no utopia but a time where people still were searching for something new and original.