CALIFICACIÓN DE IMDb
5.8/10
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TU CALIFICACIÓN
Unos ladrones de arte secuestran un 747, se adentran en la niebla y se estrellan en el océano, quedando atrapados ellos y los pasajeros bajo 30 metros de agua.Unos ladrones de arte secuestran un 747, se adentran en la niebla y se estrellan en el océano, quedando atrapados ellos y los pasajeros bajo 30 metros de agua.Unos ladrones de arte secuestran un 747, se adentran en la niebla y se estrellan en el océano, quedando atrapados ellos y los pasajeros bajo 30 metros de agua.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 2 nominaciones en total
Opiniones destacadas
I loved this film growing up.
I have even become a flight attendant because of this film and the movie Survive ( the Rene Cardeno Jr version).
I could pick this movie to bits. However I will not as it is there for pure entertainment and entertain it does.
I have always wondered if there was a longer version though. As a child i remember it being shown over two nights the same with earthquake. If anyone can help with this and verify if there is a longer version let us know. If you want some disaster fun this is it. A plane crashes into the sea and survivor's must fight for their lives. Some may make it and some may not. Oliva DE Havilland does look out of place in this movie I think this is because she was a great star and a disaster movie just did not seem to be a role she would do. the same with Gloria Swanson who also ended up in a disaster movie. But we all must eat.
Lee Grant steals the show this could be debatable but I believe she does as a booze drinking socialite.
I have even become a flight attendant because of this film and the movie Survive ( the Rene Cardeno Jr version).
I could pick this movie to bits. However I will not as it is there for pure entertainment and entertain it does.
I have always wondered if there was a longer version though. As a child i remember it being shown over two nights the same with earthquake. If anyone can help with this and verify if there is a longer version let us know. If you want some disaster fun this is it. A plane crashes into the sea and survivor's must fight for their lives. Some may make it and some may not. Oliva DE Havilland does look out of place in this movie I think this is because she was a great star and a disaster movie just did not seem to be a role she would do. the same with Gloria Swanson who also ended up in a disaster movie. But we all must eat.
Lee Grant steals the show this could be debatable but I believe she does as a booze drinking socialite.
Plastic acting and stock characters detailing a hectic flight in 747 Boeing . It is an insincere , slick attempt to find box-office magic again , and , really , it achieved a hit smash . This is the third of four movies in the "Airport" series adapted from the Arthur Hailey novel . It's exciting and amusing but full clichés and stereotypes , including the unavoidable accident , with passable acting by all-star-cast . Twist to this in-flight catastrophe is that the bad time in the air happen underwater . The movie is another jetliner epic with hero Jack Lemmon as valiant pilot . Billionaire -James Stewart- fills his converted passenger commercial airline of the American Airlines 747 with priceless paintings and sets off to Palm Beach for a museum opening being piloted by Jack Lemmon , Robert Foxworth and joined by an invited band of hijackers , and being subsequently crashed into the sea . Describing the reactions of the crew and passengers as they cope with the impeding doom . At the end takes places a daring rescue attempt . The film is detailing hectic flighty piloted by Jack Lemmon and the relationship among passengers . If you've seen the original ¨Airport¨ by George Seaton based on the Arthur Hailey's novel 'the daddy of them all' , you have seen them all .
This old-fashioned catastrophe picture contains thriller , suspense , drama , moderate tension and being quite entertaining though with some flaws and gaps . All clichéd and stock roles with regurgitation of all usual stereotypical situations from disaster films , including a fairly moronic screenplay . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of an enjoyable acting by Jack Lemmon , bringing life to character , in fact , to prepare for his role, Jack attended both diving school and flight training school , as he wanted to know what all the knobs and dials were for . Look quickly to Robert Hooks , Monte Markham , Kathleen Quinlan , Darren McGavin ,Gil Gerard , M. Emmet Walsh , Pamela Bellwood ,Michael Pataki , James Booth and Chris Lemmon , Jack's son as Radioman . And , of course , it appears the classic character Patroni played by usual George Kennedy continuing his role appeared in all four "Airport" pictures . The motion picture was professionally directed by Jerry Jameson , habitual TV director and occasionally for movie theater . Jerry went onto direct a similar sunken-vehicle high-concept picture around three years later with Raise the Titanic (1980) ; instead of raising a sunken 747 airplane from underwater it was the ship the Titanic . However , Airport '77 (1977) was box-office hit whereas Raise the Titanic (1980) was a box-office flop . It's an inoffensive diversion but is sometimes tediously unspooled . The film will appeal to Jack Lemmon fans and disaster genre enthusiasts .
This sagas belongs the following films : the first was ¨Airport¨ (1970) , unanimously deemed the best , it paved the way for many lesser flicks including its many sequels , being directed by George Seaton with Burt Lancaster , Jean Seberg , Dean Martin , Van Heflin ; ¨Airport 75¨ (1974) by Jack Smight with Charlton Heston , Karen Black and Gloria Swanson , ¨Airport 77¨ (1977) considered one of the best of the series , leading to the last of the tired ones , ¨Airport 79¨ , (1979) by David Lowell Rich with Alain Delon , Robert Wagner , Silvia Kristel . Furthermore , ¨ Skyjacked (1972) ¨ by John Guillermin with Charlton Heston , James Brolin and this film was parodied heavily in Airplane! (1980) by Jim Abrahams and David Zucker .
This old-fashioned catastrophe picture contains thriller , suspense , drama , moderate tension and being quite entertaining though with some flaws and gaps . All clichéd and stock roles with regurgitation of all usual stereotypical situations from disaster films , including a fairly moronic screenplay . Filmed at the height of the disaster genre from the 7os , this entry in the spectacular series profits of an enjoyable acting by Jack Lemmon , bringing life to character , in fact , to prepare for his role, Jack attended both diving school and flight training school , as he wanted to know what all the knobs and dials were for . Look quickly to Robert Hooks , Monte Markham , Kathleen Quinlan , Darren McGavin ,Gil Gerard , M. Emmet Walsh , Pamela Bellwood ,Michael Pataki , James Booth and Chris Lemmon , Jack's son as Radioman . And , of course , it appears the classic character Patroni played by usual George Kennedy continuing his role appeared in all four "Airport" pictures . The motion picture was professionally directed by Jerry Jameson , habitual TV director and occasionally for movie theater . Jerry went onto direct a similar sunken-vehicle high-concept picture around three years later with Raise the Titanic (1980) ; instead of raising a sunken 747 airplane from underwater it was the ship the Titanic . However , Airport '77 (1977) was box-office hit whereas Raise the Titanic (1980) was a box-office flop . It's an inoffensive diversion but is sometimes tediously unspooled . The film will appeal to Jack Lemmon fans and disaster genre enthusiasts .
This sagas belongs the following films : the first was ¨Airport¨ (1970) , unanimously deemed the best , it paved the way for many lesser flicks including its many sequels , being directed by George Seaton with Burt Lancaster , Jean Seberg , Dean Martin , Van Heflin ; ¨Airport 75¨ (1974) by Jack Smight with Charlton Heston , Karen Black and Gloria Swanson , ¨Airport 77¨ (1977) considered one of the best of the series , leading to the last of the tired ones , ¨Airport 79¨ , (1979) by David Lowell Rich with Alain Delon , Robert Wagner , Silvia Kristel . Furthermore , ¨ Skyjacked (1972) ¨ by John Guillermin with Charlton Heston , James Brolin and this film was parodied heavily in Airplane! (1980) by Jim Abrahams and David Zucker .
Of all the disaster flicks, this seems to be the one I enjoy most, perhaps it was the first one I would see.
But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?
The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.
Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.
Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.
Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.
When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.
Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).
Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.
Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.
There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.
Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.
Should it have been a commercial airline, instead of a private plane? Not necessarily.
I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.
I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.
And the second Airport movie, Airport '75, is funnier than Airplane.
There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.
But looking back at the hot pants in Poseidon Adventure & Dunaway's dress and the tuxedoes in Towering Inferno, Airport '77 is quite an elegantly dressed cast, aren't they?
The movie would get famed Hollywood fashion expert Edith Head to dress the cast and it shows. Anyone else would have made Brenda Vaccarro look obese trying to put her in that pullover sweater.
Airplane! would make fun of Edith Head being credited for '77 like that, by crediting their own costumer, but 27 years later, the wardrobe makes the cast of '77 appear tremendously dashing, giving the tragedy that greater a feel as well.
Jack Lemmon was an incredible standout as the hero of the piece, in comparison to Paul Newman's sexism in Towering Inferno (he never speaks to Jennifer Jones as a human during their entire ordeal with the children) or Heston's stiffness or McQueen's inexpressiveness.
Two years after her Oscar nomination, Vaccarro was hardly the disaster flicks idea of a leading lady as well, so she is quite a one-of-a-kind casting also.
When I was little, I was most fascinated with Arlene Golonka, who I knew from the Andy Griffith show.
Later, identifying the rest of the cast just made it more and more fun. Dracula, Buck Rogers, Kolchak the Nightstalker (Darren McGavin & Jack Lemmon were a powerhouse duo).
Then the names and stars figured into it. DeHavilland, Cotten, Grant. No one looked more out of place than Olivia DeHavilland in an underwater airplane.
Robert Hooks as the crippled bartender and Tom Sullivan (who is actually blind) as the pianist added even more flavor.
There is M. Emmet Walsh, "The Name, But What Which One Is Him?" actor. He is the doctor, and I do enjoy his one scene when he explains who he really is.
Monica Lewis, disaster movie staple. She would appear in Earthquake and Concorde: Airport '79. Check out her expression as she and Olivia DeHavilland enter the lifeboat. It reads "Miss DeHavilland, I'm one of your biggest fans. I really enjoyed you in Gone With The Wind." Lucy Ricardo lives.
Should it have been a commercial airline, instead of a private plane? Not necessarily.
I enjoy watching it now and observing a few of the female extras at the beginning of the crash don't seem to be present anymore by the end. It seems that they weren't available for filming then.
I would argue, as a movie, that this one is more fun to watch than the first one. Lancaster and Seberg in the first Airport movie are comical to me trying to be so serious.
And the second Airport movie, Airport '75, is funnier than Airplane.
There is a very strong and different feel from Airport '77 than the other Airport flicks or the other disaster films in general.
I can't imagine anything thinking that "Airport '77" is a great movie. After all, it takes the usual "Airport" formula and throws it into a premise that is not only bizarre but rather silly. Yet, oddly, despite this, the movie IS enjoyable and worth seeing.
A rich guy has arranged for a private luxury 747 airliner to bring friends and loved ones to a big party. What no one realizes, however, is that several members of the crew are planning on using knockout gas to take control of the plane and then land it on some abandoned airport in the Bahamas. Apparently, it's all because they plan on stealing some paintings aboard the plane....though this seemed like silly motivation. I would have also considered ransoming off the passengers...which they aren't planning on doing.
Speaking of not planning....the overly complicated plan goes awry when the plane is flying under radar and accidentally collides with some beacon. IMDB says fog was responsible....I never noticed fog in this scene at all. Regardless, the plan crash lands in the ocean and soon sinks in what IMDB says is about 100 feet of water*. The cabin has managed to stay air tight....at least for now. But with air running out, is there any chance at rescue?
Despite a totally ludicrous premise, the film manages to make it all seem possible...which it surely isn't as you continue watching the story. Regardless, the story IS engaging and interesting. I did find it unusual that Jack Lemmon of all people plays a bit of an action hero! But still, it does manage to entertain and it sure kept me glued to the screen.
*Although they said the plane was a hundred feet down, this really could NOT have been the case, as the pilot swimming to the surface clearly would have been highly unlikely (that is a LONG way to free dive for someone untrained) and if he had survived, he likely would have been a physical mess as a result of decompression. Here, it all looked too easy to be that deep and the water clarity made it seem like the plane was about 50 feet down...from which a dive to the surface is much, much more likely to result in survival. I've made such dives to the surface myself....which isn't easy but is so much safer and easier than from 100 feet.
A rich guy has arranged for a private luxury 747 airliner to bring friends and loved ones to a big party. What no one realizes, however, is that several members of the crew are planning on using knockout gas to take control of the plane and then land it on some abandoned airport in the Bahamas. Apparently, it's all because they plan on stealing some paintings aboard the plane....though this seemed like silly motivation. I would have also considered ransoming off the passengers...which they aren't planning on doing.
Speaking of not planning....the overly complicated plan goes awry when the plane is flying under radar and accidentally collides with some beacon. IMDB says fog was responsible....I never noticed fog in this scene at all. Regardless, the plan crash lands in the ocean and soon sinks in what IMDB says is about 100 feet of water*. The cabin has managed to stay air tight....at least for now. But with air running out, is there any chance at rescue?
Despite a totally ludicrous premise, the film manages to make it all seem possible...which it surely isn't as you continue watching the story. Regardless, the story IS engaging and interesting. I did find it unusual that Jack Lemmon of all people plays a bit of an action hero! But still, it does manage to entertain and it sure kept me glued to the screen.
*Although they said the plane was a hundred feet down, this really could NOT have been the case, as the pilot swimming to the surface clearly would have been highly unlikely (that is a LONG way to free dive for someone untrained) and if he had survived, he likely would have been a physical mess as a result of decompression. Here, it all looked too easy to be that deep and the water clarity made it seem like the plane was about 50 feet down...from which a dive to the surface is much, much more likely to result in survival. I've made such dives to the surface myself....which isn't easy but is so much safer and easier than from 100 feet.
So a plane crashes into the sea and we are about to witness the sheer rescue capabilities of the navy or spoken in a disaster movie term: human rescue capabilities.
The movie is based on a famous book by Royal Air Force pilot Arthur Hailey. I don't know about the book but the movie is based around polar opposites. Human vs nature is the true core of this film. The characters are/have always polar opposites. Rich and poor, altruism and egoism, young and old. The movie becomes enriched through the play of these different polarities. Iconic actors give the movie the class that it needs.
There is one more thing the movie creates. The romantic thought of safety through a certain kind of authority. It is the same romantic thought some have with German cars or the police as your friend and helper. Of course these thoughts are far from reality because there are thousands of people dying in the ocean around the globe. I speak of refugees that not get rescued by maritime service branches around the world. Even though I definitely doubt that if someone not as rich would be rescued like that. Nevertheless the movie, as smart as it is, shows the possibilities we had then (imagine what we could do today) and I think humans can do unimaginable things if we stick together and I like the thought I get from this movie: someday we might.
They don't make movies like that anymore. If military branches are shown today, they always fight. In todays disaster movies people need to help themselves or getting rescued by super heroes.
The movie is based on a famous book by Royal Air Force pilot Arthur Hailey. I don't know about the book but the movie is based around polar opposites. Human vs nature is the true core of this film. The characters are/have always polar opposites. Rich and poor, altruism and egoism, young and old. The movie becomes enriched through the play of these different polarities. Iconic actors give the movie the class that it needs.
There is one more thing the movie creates. The romantic thought of safety through a certain kind of authority. It is the same romantic thought some have with German cars or the police as your friend and helper. Of course these thoughts are far from reality because there are thousands of people dying in the ocean around the globe. I speak of refugees that not get rescued by maritime service branches around the world. Even though I definitely doubt that if someone not as rich would be rescued like that. Nevertheless the movie, as smart as it is, shows the possibilities we had then (imagine what we could do today) and I think humans can do unimaginable things if we stick together and I like the thought I get from this movie: someday we might.
They don't make movies like that anymore. If military branches are shown today, they always fight. In todays disaster movies people need to help themselves or getting rescued by super heroes.
¿Sabías que…?
- TriviaChristopher Lee accepted his role chiefly because it allowed him to work with Jack Lemmon.
- ErroresDuring take off, a large number of loose items (including a huge fruit buffet set up on a table) are laying about in a way that would be totally unacceptable for any airline. Even after the ditching/crash, the bowl of grapes is sitting proudly and undisturbed on its table!
- Citas
Karen Wallace: Excuse me, I don't mean to intrude, but could you move your ass, dear?
- Créditos curiososBefore the end credits, this text appears. "The incident portrayed in the film is fictional; the rescue capabilities utilized by the Navy are real".
- Versiones alternativasNetwork TV version features one hour of additional footage not included in either the theatrical release or home video release. Footage only seen in the network version includes:
- Alternate opening credit sequence involving Banker and Wilson breaking into a laboratory.
- A flight attendant cabin mock-up where the crew practice an evacuation using an escape slide. Shortly after, Anne introduces the crew to Joe Patroni.
- Dialogue between Patroni and Anne.
- A scene where Joe Patroni introduces Anne to Don Gallagher, who's working on a flight simulator of the plane he will fly.
- Flashbacks of several characters. including Martin and Karen Wallace, Steve and Julie, Jane and Bonnie Stern, and Lisa with Ralph Crawford.
- Extended dialogue throughout the film.
- Gallagher and Eve discovering the plane's navigator is dead.
- Scene involving Joe Patroni and his son, Joe. Jr. Patroni has been informed of the disappearance of the 747 and has to cancel plans to attend Joe Jr's graduation ceremony.
- Brief additional footage of Martin Wallace's body floating outside the plane.
- Emily attempts to console Karen, after the drowning of Martin.
- As Gallagher and the scuba team make their underwater preparations to raise the plane, they discover Banker's body.
- Amount of time for the plane to rise to the surface is longer than the theatrical version.
- After the plan has risen, Gerald Lucas attempts to get out of the plane first, only to be stopped and pushed back by Buchek.
- Dialogue between Philip Stevens and Eddie aboard the USS Cayuga. Stevens hands Eddie a piece of paper, which reveals Eddie's wife has given birth to twins. Stevens hands Eddie a cigar to celebrate the occasion.
- Dialogue between Stevens and Buchek aboard the USS Cayuga.
- ConexionesEdited into Airwolf: Flight #093 Is Missing (1984)
- Bandas sonorasBeauty Is In The Eye Of The Beholder
Composed and sung by Tom Sullivan
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Airport '77
- Locaciones de filmación
- Vizcaya Museum & Gardens - 3251 S Miami Avenue, Miami, Florida, Estados Unidos(Philip Stevens' mansion)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 6,000,000 (estimado)
- Tiempo de ejecución1 hora 54 minutos
- Relación de aspecto
- 2.35 : 1
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By what name was Aeropuerto 77 (1977) officially released in India in Hindi?
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