Los jóvenes renegados

Terrible writing, directing, acting, music, and plot combined to form an unintentionally funny pile of garbage!

It's worth watching for laughs, but it's also full of notable actors and actresses. Isabel Sanford, Duck Sargent, Richard Dreyfuss, Brooke Bundt, Norman Fell, et al.

Horribly out of touch film attempting to draw young people back to the movies.

Even the theme song seems like a spoof of itself!

This is a less pretentious "Rebel Without a Cause". It is lighter, more pleasant and digestible. Coughlin shines, and he also wrote the charming title song, sung by the sadly forgotten Arthur Prysock. It is highly ironic, that whereas Dreyfuss was a bit player and Coughlin the lead, five years later, the roles were reversed on the memorable Gunsmoke episode "This Golden Land" where Coughlin plays a bit part and Dreyfuss gets a chance to shine. This film is preachy, but in a respectful and loving manner. And it has an artistic dimension.

I don't know why they call this the YOUNG runaways.

Most of the actors are mid 20s to early 30s. Richard Dreyfus runs away at age 32. He's a draft dodger who speaks only in hippie lingo. Patty McCormick is lovely as a girl who meets the wrong guys. Brooke Bundy is always great to watch because she doesn't act, she just WHINES her way through every project. It is good the girls brought along their false eyelashes because jobs are scarce - except for "modeling." Brooke lost her suitcase and is taken in by two girls working as "models" willing to get her in the business. Uh oh. Entertaining. Dated. Moderate camp value. Watch for the always fabulous Isabel Stanford in a small role. Be careful out there people!

Three young runaways find themselves in bohemian Chicago. Shelley Allen is tired of being sold to by her rich ad-man father Ray. She escapes from a creep driver and falls into the arms of prostitute Joanne Masters who is looking to turn her. Shelley escapes from Joanne and her Johns. She is saved by Dewey Norson who ran away for a mysterious reason. Deannie Donford is tired of her sexually repressed mother and father (Norman Fell). She moves in with musician Loch but then sleeps with his roommate Curly. A young Richard Dreyfuss has a supporting role. Meanwhile, the parents are searching for their kids.

This is a little transitional movie where the morality is mostly 50's but it's incorporating the 60's mostly as a cautionary tale. It doesn't give the parents a pass either. There is an attempt to bridge the gap. It's interesting to do the 60's in Chicago away from the cultural centers of NY and LA. It's also fun to see a young Dreyfuss doing his thing in one of his earliest film roles. The Deannie side of the story seems disconnected from the rest and could easily be cut. Mostly, this plays like a scared-straight movie.

This film is about three suburban teens who run away to Chicago and encounter 1960s life in the big city. It was a time capsule with psychedelic music and a lot of "what's your bag/groovy" kind of talk. It reminded me of TV show episodes from that time that provided cautionary tales about the siren call of the youthquake of that era.

Brooke Bundy is a girl recruited by prostitutes. Kevin Couglin is a boy who runs out on his pregnant girl friend. He was a former child star, had a good role in "The Defiant Ones" "Bad Seed" herself, Patty McCormack ,is here as boy crazy teen who ends up in a triangle with two rock musicians. She's all grown up but still recognizable with those scary eyes.

The film is most enjoyable for all the familiar faces in the cast. Lloyd Bochner is Bundy's ad exec dad, a pre "Bewitched" Dick Sargent is a kind hearted guy who supplies food and shelter to runaway kids, James Edwards as a cop who works with juveniles, Norman Fell and Lynn Bari are McCormack's bickering parents and best of all, Richard Dreyfuss is a car thief.

Some of the dialog was trying so hard to be hip it ended up being camp but maybe it was because I wasn't use to actors like Dick Sargent speaking hippie-speak (yea, man can you dig it!). Then there are the strangely contemporary pink hues in the hair of the alcoholic mother of the runaway son, the sets, the costumes, and the jargon-laced dialogue especially from Dreyfuss all combined to make this a "Mod Squad" experience. All that was missing was Sgt. Friday of Dragnet showing up with his eyebrows knit giving all of these wayward youth a monotone yet rapid fire lecture.