Lions Love

Lion's Love is a pseudo-documentary with no concrete direction. It asks us to be voyeurs of three people who define cavalierism.. An oddly fascinating look at late 60's America via the very french Varda. Hard to recommend, but cineastes of new-wave/non-linear film will love it. Worth noting for a cameo by James Douglas Morrison as a theater patron.

I love Agnes Varda. I love Viva. I love California. I love the 60s. And still I hated this movie. It is proof that Varda does not do well without a plot structure (few directors do). There is no plot to this film and its boring, boring, boring. It's a weekend in the life of Viva and the creators of Hair the weekend of RFK's assasination. A slice of real-life ala Warhol. (Agnes went so far as to steal Viva away, a real Warhol superstar. Only 3 saving graces: funny Shirley Clarke; some beautiful imagery with Viva and a clock and one scene w/ Varda herself. Otherwise, skip it even if you are a Varda or Viva fan. Re-watch Cleo or Vagabond instead.

Documentary maker Shirley Clarke comes to Hollywood... finding nothing there .... to negotiate with a big studio about making a movie in which movie stars play themselves. Instead, she hangs out with three fringe actors while her agent negotiates with studio brass. All this is against the background of the Robert Kennedy assassination and the shooting of Andy Warhol.

It's an Agnes Varda movie, which means there is a sarcastic edge to the affair. The actors, part of Andy Warhol's coterie, perform their ad lib roles in a very artificial manner; Miss Clarke refuses to do a particular scene, so Miss Varda comes from behind the camera to do it herself. Only the agent and studio executive give realistic performances. For the rest of it, it seems, it's a movie about movie people trying to make a movie. It's endlessly recursive, and the failure of the project means that's this winds up being a movie about not making a movie. In the end, there is no movie, no studio making a movie, no Hollywood (beyond Larry Edmond's book shop), no Robert Kennedy, and very nearly no Andy Warhol or Shirley Clarke. It's a movie about nothing, except the lights and colors of Hollywood. It's an elaborately detailed travelogue, stretched out two hours, with beautiful people who are so shallow they might exist only on a flat movie screen.

If we were to debate about French filmmakers who have made successful films in Hollywood,it would appear that Agnès Varda is certainly not the first person from France who made a film in Hollywood.There were many people before her including great French master Jean Renoir who made films which had favorable outcome in Hollywood.What is important to note is that her films based in Hollywood gained more popularity as she and her husband Jacques Demy were close to American cultural icon Andy Warhol.This is also the case with her film "Lions Love" in which she makes attempts to understand working style of Hollywood people.The highlight of the film is her quest to fathom how American films get their finances in a tough jungle called Hollywood.Lions Love is also a tale of reflections of a French lady on American events of the time as there is a significant mention of the assassination of American president John.F.Kennedy.Those who are looking for traces of feminism found in other films by Agnès Varda would be highly disappointed as Lions Love is very much a light work in terms of its filming style and theme.

Imagine Andy Warhol if he were slightly less boring and considerably more humanistic and you have some idea of the great limits and small virtues of this LA time capsule from the spring and summer of '68. Give it a C plus.