La conquista de la luna

COUNTDOWN stars James Caan as Lee Stegler, a civilian, who is chosen at the last minute to replace a career astronaut (Robert Duvall) for a moon mission. It's during the heat of the great "space race" between the USA and the USSR, and politicians have decided that a non-military representative must be chosen.

After an eternity of training, squabbling, and other padding, Stegler finally blasts off, only to find himself in a dangerous situation.

Mr. Caan is believable in his role, as is Mr. Duvall, whose character -somewhat- prefigures his role in THE GREAT SANTINI. The animus that his character shows toward Stegler feels like a genuinely bruised ego.

Not a bad science fiction film that may seem sort of hokey to modern audiences who have no idea how exciting this superpower rivalry actually was...

It's interesting that I initially had the same reaction as "anonymous" did to the lunar lander depicted in the movie. Sure, it looks like a Gemini capsule stuck on top of a descent stage, but guess what? When Altman made this movie, NASA actually had already planned the "Countdown" mission AND the Gemini lunar lander, although it was never used.

BTW, I read Hank Searl's book "The Pilgrim Project" while I was in eighth grade and loved it.

"Countdown," Robert Altman's first theatrical release, is the only film I've seen by the prolific director that feels nothing like an Altman project. A bit of history surrounding it reveals that Altman battled the studios over creative control, and that the final version of the film exists more as a product of the studio than of the auteur. Never again, for better or worse, would Altman relinquish control of his films, a tenacity that won him an instantly recognizable style not afforded to many other directors.

So "Countdown" isn't terribly interesting formally and feels like it could have been directed by anybody, but that's not to say it isn't an interesting movie. Released a year before man actually landed on the moon, it provides a remarkably accurate guess at what such a feat would look like, and the film is played with conviction by a strong cast of actors led by James Caan, Robert Duvall and Michael Murphy. Duvall and Murphy would appear again in "MASH," and Murphy would go on to become an Altman regular. Barbara Baxley, known to Altman devotees as Haven Hamilton's wife in "Nashville," fulfills wifely duties in this film as well, though women may as well not even exist for all the attention the screenplay affords them.

As a studio film, "Countdown" isn't half bad. As an Altman film, it's one of his weakest. But nevertheless, it's well worth seeking out, especially for fans of the iconoclastic director.

Grade: B-

A comment on "Marooned", the movie that was made about a moon mission disaster which was released after the Apollo 11 landing but prior to the Apollo 13 real-life disaster, mentioned that the movie is not available on DVD and rarely, if ever, appears on television. I believe that the same is true of this movie (at least regards TV screenings) and it's for the same reason. "Marooned" and "Countdown" are movies that are so much of their period that they scarcely make any sense at all to 21st Century minds. Of course, we all know about the Cold War, and most cold war movies involve international espionage which is timeless.

Countdown is a movie about the Space Race which dominated the daily agenda at least as much as conventional Cold War conflicts like the Korean and Vietnam wars. The plot concerns a situation in which the Soviets succeeded in their aim to send a manned rocket to the Moon before the Americans were ready to fly Apollo. However, contact with the cosmonauts has been lost, and there is still a chance for NASA to fulfill Kennedy's challenge of "sending a man to the Moon and returning him safely to the Earth" - as well as the kudos gained from discovering and being the ones to tell the Soviets what happened to their men.

An interesting sideline on this is that the actually successful method of moon exploration used, ie send three men to lunar orbit and then two can travel to the surface in a smaller ship, is certainly not the only solution, and this movie explores a different one forced by necessity. Since Apollo is not ready and there is no lunar lander capable of taking off from the moon, why not send a less complex ship with only one man, and let him stay on the moon, kept alive by an environment habitat sent on ahead by unmanned rocket and by provision of supplies by further unmanned ships? Such a scenario had already been envisioned by science fiction authors like Arthur C. Clarke as being the most efficient way to explore our satellite. Certainly nobody had previously imagined that we would send men to the Moon for a matter of a few days in a ship which could not carry more than a few hundred pounds of samples back to Earth. By exploring this other methodology this movie succeeds in highlighting the true nature of our Lunar adventure. The point was not to expand the human frontier or to increase the sum of scientific knowledge - the point was to get a man on the moon and safely back before the Russians did.

A moving and exciting space opera with great cast , adequate production design and nail-biting final scenes . Concerning the preparatives, training , emotional crises affecting the men and their families and mutual competence between two astronautas : James Caan, Robert Duvall. At the end there is a bone-crushing last reel that will have on the edge of your seat .The motion picture that puts a man on the moon ... and you will follow every terrifying second of the way...From the director of The Player and Nashville comes a screen space adventure that's the Real Suff .

This is the personal drama of the man fate picked to live the great adventure of the century , resulting to be a nice thriller/drama/Scifi with overlapping dialogue , dealing with American astronauts being rushed out to the moon in an attempt to beat the Russians. This is a drama more than a thriller , concentrating less on Sci-Fi hardware than on emotional crises affecting the men and their families . Here there are three major talents connected with this science-fiction thriller , as Robert Altman , and Robert Duvall , James Caan went on to appear together in The " Godfather" by Francis Ford Coppola and " Killer Elite" by Sam Peckinpah , while director went on his own fame and fortune , all of them : Duvall, Caan, Altman were all on the theshold of their hugely successful careers . Moreover , including a rousing and twisted finale that will leave you breathless. Starring duo are well accompanied by a very good support cast , such as : Steve Inhat , Joanna Moore, Barbara Baxley, Michael Murphy , Charles Aidman and uncredited actor/producer William Conrad as a TV newscaster , among others.

It contains an atmospheric and functional cinematography by William Spencer. As well as a rousing and suspenseful musical score by Leonard Rosenman in Jerry Goldsmith style .This is most uncharacteristic of its filmmaker and the ethereal qualities of his later work, though being slightly soapy in parts . This one was made before MASH and subsequently Altman to develop a prolific and successful career . After his television works , first film's Altman was in 1957 The James Dean Story , following this Countdown 1967 , the big hit MASH and a series of successes and some flops , such as : That Cold Day in the Park, McCabe and Mrs Miller , Images , The Long Goodbye , Thieves like us , California Split , Nashville , Buffalo Bill and the Indians , 3 Women , A Wedding , A perfect Couple , Health , Quintet, Popeye , Secret Honor , Streamers , Fool for Love , Beyond Therapy , Aria , Short Cuts , Kansas City, The Gingerbread Man , Dr T and the women , Gosford Park, The Company , among others .