Blue

A typical Western in a way, but with Terence Stamp as the star, it is anything but typical. As a man who doesn't fit in anywhere, Blue tries to enter the culture he was born into, but is not entirely accepted. He doesn't want to return to his adoptive father and the lifestyle of a bandit. His journey to acceptance by all and his lingering affection for the only life he had known previously finally comes to a conclusion in one of the most devastatingly beautiful yet tragic scenes I've seen in a long time.

Yes, it's true Stamp's British accent slips in and one wonders where the heck is this cowboy from??!! But it's not a big distraction. Rent it and see for yourself. Stamp is awesome!

Although less effective than the Sergio Leone "spaghetti westerns", "Blue" deserves to be ranked up there with the likes of "The Big Gundown", and "Hang Em High". Let's start with the photography. It is better than any of the above mentioned films, including "Once Upon a Time in the West". The only flaws that keep "Blue" from greatness, are the melodramatic elements, and a less than convincing romance. Terence Stamp's torn allegiance between Mexican and American sides is perhaps overplayed, and tends to drag down the middle of the movie somewhat. However the opening and finale more than cover this annoyance. If you are a fan of the "spaghetti westerns", then "Blue" is a must see. - MERK

Terence Stamp is an actor of some range, but that range doesn't extend to playing naturalized Mexicans. His extreme unsuitability for his role is apparent as soon as he speaks: his first words - "I'll do that" - are delivered in what appears to be thick cockney; a little later his delivery has a Devon burr. Only when Blue gave an account of his upbringing did I realised he was meant to be American. The mystery is why, having kept their leading man silent for the first forty-five minutes, the film-makers should have allowed him to speak at all.

In spite of a somewhat interesting premise, this turned out to be completely routine, similar to many westerns of the 1960's. British actor Terence Stamp is completely miscast in the title role, playing a Mexican-raised white bandito (gringro) who is cast into American society after stopping one of his compatriots from raping a woman during a raid. The rest of the cast includes some excellent actors (Karl Malden, Ricardo Montoblan, & Sally Kirkland), but they're stuck in cliché roles and can only go through the motions. The beginning and end of this film feature the usual shootouts and horseback chases, while the middle section is mostly the supporting cast talking. And boy do they talk, and it's the kind of talk you've heard in every western ever made. However, Stanley Cortez's color photography is lovely and it takes full advantage of the scenery. In the romantic lead, Joanna Pettet is also very beautiful, but her romance with Stamp's character is unconvincing. It's hardly worth two hours of melodrama and clichés. I'd call this strictly for hard-core fans of westerns.

As a long-time Terence Stamp fan, I finally was able to rent this video after a long search. I don't care if Terence's cockney accent slipped through now and then. It didn't distract me from watching his beautiful performance as Azul/Blue, who finds it difficult to fit into either world: the Mexican world to which he belonged after his parents were killed and he was found by the "bandit" Ortega, or the world of the "gringo" from which he came. There was some residual "Billy Budd" quality in this film which may have been unintended on Stamp's part. It was a delight to see Stamp in this role -he is such a natural. The ending was somewhat enigmatic, but the filming of the last scenes in the river were beautiful, believable, and tragic.