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IMDbPro

En contra de la organización

Título original: The Outfit
  • 1973
  • PG
  • 1h 43min
CALIFICACIÓN DE IMDb
7.0/10
5.7 k
TU CALIFICACIÓN
Robert Duvall, Joe Don Baker, Karen Black, and Robert Ryan in En contra de la organización (1973)
Released from prison In Illinois after serving 2 years and 3 months for carrying a concealed weapon, professional thief and bank robber Earl Macklin (Robert Duvall) is told by his girlfriend Bett (Karen Black) of his brother's execution by the Outfit. Macklin teams up with old partner Cody (Joe Don Baker) and starts to hit the Outfit to accrue $250,000 compensation he feels he's due for his brother's murder.
Reproducir trailer1:58
1 video
79 fotos
HeistCrimeDramaThriller

Earl Macklin roba un banco de la mafia, cumple su condena en prisión y es liberado, sólo para iniciar una guerra privada contra la banda criminal propietaria del banco.Earl Macklin roba un banco de la mafia, cumple su condena en prisión y es liberado, sólo para iniciar una guerra privada contra la banda criminal propietaria del banco.Earl Macklin roba un banco de la mafia, cumple su condena en prisión y es liberado, sólo para iniciar una guerra privada contra la banda criminal propietaria del banco.

  • Dirección
    • John Flynn
  • Guionistas
    • Donald E. Westlake
    • John Flynn
  • Elenco
    • Robert Duvall
    • Karen Black
    • Joe Don Baker
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.0/10
    5.7 k
    TU CALIFICACIÓN
    • Dirección
      • John Flynn
    • Guionistas
      • Donald E. Westlake
      • John Flynn
    • Elenco
      • Robert Duvall
      • Karen Black
      • Joe Don Baker
    • 77Opiniones de los usuarios
    • 44Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Trailer
    Trailer 1:58
    Trailer

    Fotos79

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    Elenco principal42

    Editar
    Robert Duvall
    Robert Duvall
    • Earl Macklin
    Karen Black
    Karen Black
    • Bett Harrow
    Joe Don Baker
    Joe Don Baker
    • Jack Cody
    Robert Ryan
    Robert Ryan
    • Mailer
    Timothy Carey
    Timothy Carey
    • Jake Menner
    Richard Jaeckel
    Richard Jaeckel
    • Kimmie Cherney
    Sheree North
    Sheree North
    • Buck's Wife
    Felice Orlandi
    Felice Orlandi
    • Frank Orlandi
    Marie Windsor
    Marie Windsor
    • Madge Coyle
    Jane Greer
    Jane Greer
    • Alma Macklin
    Henry Jones
    Henry Jones
    • Doctor
    Joanna Cassidy
    Joanna Cassidy
    • Rita Mailer
    Tom Reese
    Tom Reese
    • Hit Man
    Elisha Cook Jr.
    Elisha Cook Jr.
    • Carl
    • (as Elisha Cook)
    Bill McKinney
    Bill McKinney
    • Buck Cherney
    Anita O'Day
    Anita O'Day
    • Anita O'Day
    Archie Moore
    Archie Moore
    • Packard
    Tony Young
    Tony Young
    • Accountant
    • Dirección
      • John Flynn
    • Guionistas
      • Donald E. Westlake
      • John Flynn
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios77

    7.05.7K
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    Opiniones destacadas

    7Ghostshadow187

    Interesting take on the revenge flick

    I was surprised at how much I enjoyed The outfit. Robert Duvall is great in his role as the not so likable ex con Earl Maclin, on a revenge mission against the outfit(sort of a non Italian mafia) for killing his brother. The film does this in a very different way, in that Maclin, doesn't go about the clichéd "Kill everyone" approach. Instead he demands monetary compensation and warns the outfit that he'll bleed them dry until he gets it. I really enjoyed the first two thirds of the film that deal with Maclin and his accomplice Cody(Joe Don Baker(who was also great in his role)) and how they go about robbing the outfits operations. The finale goes a bit too exploitation and OTT for my liking, which is something of a disappointments. The other problem I had was Maclins relationship with his moll(who only seems to make about 2 major appearances in the film) which i felt was underdeveloped. Overall, The Outfit is a nice little film, that deserves a bit more attention than it got.
    8SteveSkafte

    "Can we deal?"

    Jerry Fielding was a great composer. The edgy sense that follows "The Outfit" from scene to scene is helped immeasurably by his soundtrack. The music builds up, adding a lot to the tension factor. The music is economical, not flashy at all. It has a very close to the bone quality to it. So why do I start by talking about the music? Because it's just so rare that a soundtrack adds so much, it actually makes a better film.

    Robert Duvall and Joe Don Baker have a very natural interplay, a sort of grimy half-drunk friendship that feels immediately true to life. Karen Black is very good as well. The plot itself is basic, with shades of "Point Blank" and various other revenge-oriented films. John Flynn is not the most imaginative director, so it's a little low on the style end of things visually. Somehow, it all comes together. Good acting, really great soundtrack, and a fast pace. You'll get into this one.
    9raegan_butcher

    Tidy crime thriller with good characterizations

    A nicely drawn revenge piece starring Robert Duvall and Joe Don Baker. The script is by the renowned Donald E. Westlake adapting one of his own "Richard Stark" novels. If you've ever read a Richard Stark novel featuring the character "Parker" then The Outfit, even though i do not think its an actual "Parker" story will seem familiar: Cool Professional thief gets the shaft from old associates and then sets about rectifying the problem. The books are intriguing for being very consistent: Westlake's protagonists aren't kill crazy revenge machines; they always want the money owed to them and in todays world of millions, billions and more, their demands often seem very reasonable; here Robert Duvall demands only $250,000. But schmucks and wise-guys are always trying to play it cheap in these novels and the films that they often become, leading to much enjoyable mayhem.

    I'm also of the opinion that John Flynn had an effective no-frills directorial style. This film, along with Rolling Thunder and Best Seller, showcases his quiet formalism and knack for using simple set-ups and long takes to achieve a realistic, down to earth grit and everyday realism that works well for sleazy crime thrillers and revenge melodramas. I suppose now that he has recently passed away, his critical standing will only improve. Cheers to him. RIP John Flynn
    7ma-cortes

    Action packed, thrills, tension and outstanding acting by large cast

    Years later his imprisonment, ex-con (Robert Duvall)named Macklin is released from jail. He aware his brother has been justly murdered by two inquisitive hit men under orders of crime syndicate, but they robbed a bank was owned by the mobsters. The outsider ex-con reluctantly gets involved and seeks revenge and battles corrupts killers. Then, he visits to mobster Mailer(Robert Ryan), responsible for his brother's death. Macklin is only helped by a tough thief(Joe Don Baker )and his fiancée(Karen Black), thirsting for vengeance.

    This is a tough , action filled, suspenseful, and violent thriller. It's a tense and engagingly movie , ignored in 1974, but now regarded as a top film of the decade of the 70s. Solid main cast, Robert Duval, Karen Black and Joe Don Baker; furthermore veteran supporting cast helps with several known secondaries, such as Elisha Cook, Timothy Carey, Marie Windsor, Shree North, Henry Jones, Jane Greer, among others . This well directed motion picture is based upon a novel by Donald E Westlake, writing credits as Richard Stark. Atmospheric cinematography by Bruce Surtees, son of Robert Surtees, and usual cameraman of Clint Eastwood. Stirring musical score by Jerry Fielding, Sam Peckinpah's habitual. Director John Flynn who gave magnificent performances to Tommy Lee Jones (Rolling Thunder), Jan Michael Vincent , James Woods (Bestseller), here gave immense credibility to Robert Duvall . Rating : Good, the result is a strong outing of action thriller.
    bob the moo

    Tough thriller

    Earl Macklin is released from prison to find that his brother has been killed and he is a target of a hitman. Having dealt with the killer he discovers that a bank job he did had been owned by the mob. Macklin joins with partner Cody to continually hit the organisation until they pay him $250,000 to make amends. However can two men take on the whole mob?

    I approached this as someone who has seen plenty of tough 70's mob movies – both good and bad. However my wariness soon vanished as this turned out to be genuinely hard boiled stuff. From a great script the plot follows the two men as they repeatedly hit the mob. The dialogue is hard but also informative – not just tough for the sake of being tough. The action is also quite shocking – women being beaten etc, even for this type of movie it was quite pretty harsh.

    Duvall is excellent – many actors may have played it a bit softer to try and keep the audience but he goes all the way as a cruel violent man. Baker is more affable but is less effective for just that reason. Black has a small role but makes the most of it. The mob support cast is good but really Duvall takes this and makes it his own.

    Overall if you like the 70's hard boiled thriller genre then this is for you. Even if you don't then there is still much to appreciate here – not the best film in the world (plot is a little linear) but still a good tough thriller.

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    Argumento

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    • Trivia
      Brian Garfield, in an introduction to a reprint of the novel on which this film is based, notes that it originally was written by director John Flynn as a period piece, intending to be set in the postwar 1940s. That's why such "film noir" veterans as Elisha Cook Jr., Richard Jaeckel, Marie Windsor, and Jane Greer appeared in it. The studio, however, decided it would be too expensive to shoot a period picture, so the script was superficially updated --- the World War II vets became Vietnam vets, and actors and actresses like Robert Ryan, Karen Black, and Sheree North joined the cast. The result was that the story was restored to its original concept. (The series on which this book was based was written and set in the then contemporary 1960s and 1970s). Had the period piece idea gone through, this would have represented a rare case of backdating a character.
    • Errores
      A killer fires a revolver with a silencer on the barrel. The gun would still make a loud sound due to the gap between the cylinder and the barrel.
    • Citas

      Buck's Wife: [alone with Jack Cody, who's sitting on the porch of the 'hideout', while she's just out of the shower dressed in nothing but a see-through bathrobe] Wanna come on inside 'n have a drink?

      Jack Cody: No, thank you.

      Buck's Wife: You sure? We got time...

      Jack Cody: No, thank you, *ma'am*.

      Buck's Wife: You got a problem?

      Jack Cody: [smirking] Lady, after a while, a fella learns things. Some women are trouble.

      Buck's Wife: Suit yourself.

      [goes into the house, pissed]

      Jack Cody: I always do.

    • Versiones alternativas
      SPOILER: The TV version plays out as a true noir with En contra de la organización (1973) ending as Earl and Cody are trapped within Mailer's burning house while the police and fire department surround the building.
    • Conexiones
      Featured in TCM Guest Programmer: George Pelecanos (2014)
    • Bandas sonoras
      Your Guess Is Just As Good As Mine
      Written by Steve Gillette and Jeremy Joe Kronsberg

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    Preguntas Frecuentes14

    • How long is The Outfit?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de febrero de 1974 (Japón)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • The Outfit
    • Locaciones de filmación
      • Biltmore Hotel - 506 S. Grand Avenue, Downtown, Los Ángeles, California, Estados Unidos
    • Productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Aurora Enterprises
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 43 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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