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Una nave espacial procedente de la Tierra se estrella en un planeta similar al nuestro en el que todo, incluidos los habitantes de tipo humano, es doce veces mayor que su equivalente en la T... Leer todoUna nave espacial procedente de la Tierra se estrella en un planeta similar al nuestro en el que todo, incluidos los habitantes de tipo humano, es doce veces mayor que su equivalente en la Tierra.Una nave espacial procedente de la Tierra se estrella en un planeta similar al nuestro en el que todo, incluidos los habitantes de tipo humano, es doce veces mayor que su equivalente en la Tierra.
- Nominado a 2 premios Primetime Emmy
- 3 nominaciones en total
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After "Voyage to the Bottom of the Sea," along with "Lost in Space" had made their four-year and three-year runs, respectively, Irwin Allen returned to television with this ambitious show about seven travelers (eight, if you count the dog) lost on a world wherein they are "six inch oddities" amongst giant EVERYTHING. The pilot episode, appropriately entitled "The Crash" was, by far, the best of the entire two-year life of the show. Featuring spectacular set pieces, a brilliant John Williams' score, and good (for the budget and the era) special optical effects, though the giant spider didn't work so well.
It's a shame, however, that the show didn't live up to the promise of weekly adventure as exhibited in the pilot. It's obvious that Allen was looking for another Will Robinson/Dr. Smith pairing with the characters of Barry and Commander Fitzhugh. Though actors Stefan Arngrim and Kurt Kaszner did their best, the scripts and the interplay between the two was not convincing.
As far as the other characters, they fit the typical stereotypes: the spoiled rich girl (Deanna Lund), the self-centered businessman (Don Matheson), the brave captain (Gary Conway), the dependable stewardess (Heather Young) and the "token" co-captain (Don Marshall). The latter has the distinction of being the sole African-American to star in an Irwin Allen television production; obviously, the producer was buckling, deservedly so, to have a better representation of the real look of America, as well as the world.
Of the four shows produced by Allen during the 60's, "Land of the Giants" possibly is the most difficult to categorize or even to recommend. It's not campy enough to be remembered as fondly as "Lost in Space"; it's not as adventurous as the underwater adventures of the submarine Seaview in "Voyage to the Bottom of the Sea"; and neither is it as innovative as the time travelers in the shorter-lived "The Time Tunnel" It's just a nice trip down memory lane for those of us that happened to have been around when Sunday nights meant "Lassie," "The Ed Sullivan Show," "Bonanza," and, of course, for two years, "Land of The Giants".
It's a shame, however, that the show didn't live up to the promise of weekly adventure as exhibited in the pilot. It's obvious that Allen was looking for another Will Robinson/Dr. Smith pairing with the characters of Barry and Commander Fitzhugh. Though actors Stefan Arngrim and Kurt Kaszner did their best, the scripts and the interplay between the two was not convincing.
As far as the other characters, they fit the typical stereotypes: the spoiled rich girl (Deanna Lund), the self-centered businessman (Don Matheson), the brave captain (Gary Conway), the dependable stewardess (Heather Young) and the "token" co-captain (Don Marshall). The latter has the distinction of being the sole African-American to star in an Irwin Allen television production; obviously, the producer was buckling, deservedly so, to have a better representation of the real look of America, as well as the world.
Of the four shows produced by Allen during the 60's, "Land of the Giants" possibly is the most difficult to categorize or even to recommend. It's not campy enough to be remembered as fondly as "Lost in Space"; it's not as adventurous as the underwater adventures of the submarine Seaview in "Voyage to the Bottom of the Sea"; and neither is it as innovative as the time travelers in the shorter-lived "The Time Tunnel" It's just a nice trip down memory lane for those of us that happened to have been around when Sunday nights meant "Lassie," "The Ed Sullivan Show," "Bonanza," and, of course, for two years, "Land of The Giants".
If there was a happy-ending episode to conclude the series, it may have been like this: The seven people on the Spindrift didn't travel through time or distant space but were shrunk like the movie "Fantastic Voyage" and landed on Earth in an English speaking place at the present time. That's a similar concept as the movie "Planet of the Apes". That's why we see the same cultures, fashions and technology as Earth of the late '60s. Some familiar products and objects appear but are just twelve times in larger scale except the audio level. The Captain insists he saw Earth in "On a Clear Night You Can See Earth" but it was his wishful thinking or mental distortion.
Let me tell you for all the people out there who think the props on LAND OF THE GIANTS was cheap, it coast IRWIN ALLEN 100,0000 an episode, AN EPISODE! So think about it,back then that was not cheap that was a lot of money and the props were pretty good for the 60s.I do however agree about the part about the hand,you can see how fake it was.Also,this was after all a kids television show.I know this for a fact because i met DEANNA LUND and we talked about that very same isue.So don't go selling this series so short,it was a fun and exciting series at the time, and a fun filled show you can watch even today.
As a child growing up in England in the late 60s, my favourite TV show was "Lost in Space", but "Land of the Giants", which replaced it from time to time in the schedules, was only slightly less intriguing. It didn't boast a character quite so camply magnificent as Dr Zachary Smith (my lifelong hero!), but its parallel-world scenario struck me as deeply haunting and thought-provoking. All of the reviewers who berate LIS and LOTG for their creaky plots and primitive special effects are missing the point; these shows relied on a willing suspension of disbelief, and the imaginative collaboration of their audience (for the most part, children). I pity rather than envy the present generation of children, whose dreams are delivered to them ready made.
Recently,I got a chance to see some of the episodes on a local cable channel,and this was my favorite Irwin Allen series of them all. Several people including the dog,have crash-landed on earth,but its not the same planet that their ship was from. The special effects here are unforgettable which involved the characters to find themselves in some odd situation after another (especially in one episode where they are in a little girl's room where they take refuge in a doll house,only to be stalked by a giant cat!) Basically everything went just right with this series which didn't last long when it ran on ABC from 1968-1970,but it was a classic worth seeing.
¿Sabías que…?
- TriviaAt the time of its debut, this was the most expensive show produced on television.
- ErroresIn the first several episodes of the series, during daylight hours at the spaceship campsite, the sound of tropical birds can be heard. This was an obvious mistake on the part of the sound editor - on seeing the abundant foliage around the campsite, he probably assumed that the ship had crashed in a jungle setting (as per the series it was established as a giant city park). This sound track was removed in later first season episodes.
- Versiones alternativasStarting in March 2008, the American Life TV Network has aired second season prints that use the first season's theme music in the main title sequence while retaining the second season title's visuals.
- ConexionesEdited into Lost in Space Forever (1998)
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- Land of the Giants
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- Tiempo de ejecución1 hora
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