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"The Flying Nun" was developed by Screen Gems writer Bernard Slade ("Bewitched", "The Partridge Family") from a book by Tere Ríos titled "The Fifteenth Pelican". Following the cancellation of "Gidget", ABC rushed to get Sally Field into her second starring sitcom- a role she was reluctant to accept and grew to hate. Field later stated that she was not treated with respect by some of her directors, and at times more like a prop. The hour-long pilot was filmed on location in San Juan, Puerto Rico with shots used as the series' opening and closing. The series hit the ground running as an instant hit but ratings dropped throughout the first season. The producers tried to compensate by changing the comedic format to broad slapstick in the second season before returning in the third and final season to its sweet, heart over laughs, light nature. During its run, co-star Marge Redmond, who also narrates each episode, was nominated for an Emmy Award for Outstanding Supporting Actress in a Comedy Series.

Reflecting upon the series after recently watching each episode, "The Flying Nun" was a ludicrous sitcom in an era of ludicrous sitcoms. Unfortunately, it was nowhere as sophisticated as "Bewitched", as endearing as "I Dream of Jeannie", as affable as "Mister Ed", or even matching the entertaining level of "Gilligan's Island". "The Flying Nun" was a series continually searching for its identity, reformatted each season. It struggled to find the balance between heart and laughs, but the rare times it did was very enjoyable. Plot lines were often dry and predictable, and at times completely misguided and lacking execution. Episodes excelled when it combined an engaging plot, clever dialogue, the warmness of the convent's heartfelt work, and well-placed comedy. Some of the best were feel-good offerings and those focused on being touchingly dramatic, especially "Antonio's Mother".

I felt it was easy to see that Sally Field was struggling to get into her role as Sister Bertrille early in Season One. But when she did embrace it audiences were rewarded with the warm, good-natured personality they came to admire in her similar character of "Gidget". Sister Bertrille serves as a great role model for everyone, hopefully inspiring them to be a better, more caring person. She had nice chemistry with Alejandro Rey, helping make Carlos' exasperated character relatable. Madeleine Sherwood played her sage, straight-laced superior very well as a figure who adhered to policies but made every effort to do the right thing. Emmy-nominated Marge Redmond sets up situations nicely through narration and as a sounding board for Sister Bertrille. Shelley Morrison's Sister Sixto was the most dependable source of comedy with her mispronoucation of the English language giving whole new meaning to situations. Vito Scotti's Police Captain Fomento was the focus of Season Two's new slapstick approach, but it was often too forceful and strained.

"The Flying Nun" would have perhaps been better served as an uplifting dramatic series in the vein of "Touched by an Angel".

I am a 1960's TV trivia buff and do appreciate shows like The Flying Nun. I sat up and watched it late at night on TV Land and enjoyed what most today would consider ludicrous; or was it? I'd like to think that inspite of its premise: a 90 lb nun, whose cornet on a windy day enabled her to fly, inspired the notion of today's hanggliding. Someone must have felt that flying on aerodynamics was in someway, somehow possible. Sister Bertrille makes it look real and appealing. An ancient songwriter once said,"Oh that I had the wings of a dove so that I could fly away and be at rest". This longing is literally portrayed in the acting of Sally Field. It gives me a sense of mental relaxation in an era when television has lost its innocency and decency. Alejandro Rey was par excellence in his portrayal of Carlos Romeros. He stands on an equal level with the stupendous acting of Desi Arnaz, Sr.. Both Hispanics were equally irritated at the sometimes crazy antics of American-born female co-stars. Both displayed this annoyance in such a realistic and believable manner it was easy for the audience to accept their ethnicity. It would be nice if shows like this were immortalized in Hollywood.

This show is quite simply an inspiration for the soul. It is always morally uplifting (forgive the pun, it was not intentional) to watch Sally Field as Sister Bertrille, the spunky, spirited, warm hearted nun who just happens to be able to fly, because of her light weight and because of the aerodynamics of the cornette that she wears. Of course, this is not in any way realistic; how could a little cornette generate over 90 lbs. of lift except in gale force winds? However, this is not what matters; in fact I think it only adds to the magic of the show. The point of the series is to show what humans are like at their best; Sister Bertrille is so upbeat that everyone is cheerfull when she is present (that is, except for Carlos when she wants him to do something for the convent, but even he gets over it). As I said above, Sally Field was perfect as Sister Bertrille (I wonder what it was like for her to constantly be a character who, for all intents and purposes, did not have much of a social life), but the central supporting actors were excellent as well. I feel that Alejandro Rey deserves special mention for his performance of Carlos Ramirez, the suave playboy who gets nervous whenever Sister Bertrille is even in the same room. In the first season, the guest stars were also excellent; for example, there was the well respected Celia Lovsky, who in Science Fiction circles is famous for her performance of T'Pau, in the classis episode "Amok Time" of Star Trek, and there was also Elinor Donahue, who among other things played Elie Walker in the first season of the Andy Griffith Show. Unfortunately, in later episodes, the guest stars were not of this high quality: it seems to me as if most of them overdid their parts, making them unrealistic and somewhat icky sweet. Despite this, The Flying Nun is a show that one can always get enjoyment and inspiration out of, if one watches it in the proper frame of mind. Unfortunately, nowadays most people with their pessimistic, jaded outlook on the world are unable to appreciate the magic of this show. Perhaps this is why TV Guide placed this series in their list of 50 worst shows of all time (when I saw Flying Nun and Hogan's Heroes on that list, I thought to myself, WHAT???, but now that I realise why they did that, I can only lament on the state that this world has come to). If only TV Land placed this wonderful show at a more accessible time, rather than the late night slot that they have it on now ! (I have heard that TV Land is going to take this show off the air as of September. I can only pray that this will not be the case.)

Based on the series of popular children's books by Tere Rios,the television series "The Flying Nun",ran for three seasons on ABC-TV from 1967 until 1970,producing 83 episodes all in color,which was part of the Screen Gems/Columbia Pictures Television entourage of family oriented/special effects shows that were under the supervision of executive producers Harry Ackerman,Bernard Slade,and William Sackheim, and created by Bernard Slade(one of the co-creators for another family oriented/special effects show,"Bewitched",which was on the same network but starred Elizabeth Montgomery). The series starred Sally Field,whom began this show after her debut television series "Gidget" was cancelled after one season.

"The Flying Nun" constituted the troika of sitcoms that truly represented the 1960's that used special effects and sometimes comedical humor. "Bewitched","I Dream Of Jeannie",were colorful and pushing the limits of its viewers. Other shows of that period included "My Favorite Martian","The Beverly Hillbillies","Gilligan's Island", "Batman","Get Smart",are examples of sitcoms that pushed the limits to the maximum potential for its viewers. "The Flying Nun" tells the story of Sister Bertille(Sally Field). Sister Bertille comes from the United States who after joining San Tanco Convent in Puerto Rico discovers that she can fly because of her lightweight and because of the aerodynamics that she wears on her cornette. She basically spends most of her time in the air but is always under the watchful eye of Mother Superior(Madeline Sherwood). Sometimes Sister Bertille's amazing abilities usually lends people who are in dire need of help or sometimes get into trouble,but is always there to lend a helping hand. Most of the time she always depends on a casino-playboy Carlos Ramirez (Alejandro Rey)to get her out of a tight situation,but still remain good friends. But sometimes Ramirez is always nervous every time Sister Bertille is around because you'll never know what she may do next. And that was just the case with the show. It may have been outlandishly childish with the special effects and all,but in heart it was a show with a inspiration for the soul and sometimes morally uplifting in some of the episodes.

The first season(the 1967-1968 season one)and second season(1968-1969 season two)constituted some excellent guest stars not to mention guest regulars that remain throughout the show's three year run. One episode featured the well respected Celia Lovsky,whom in Science Fiction circles is famous for performance of T'Pau in the classic episode of "Amok Time" from Star Trek. And then there was Elinor Donahue who was in two episodes,and this actress was a familiar face to television playing the oldest daughter Betty Anderson opposite Robert Young on the television series "Father Knows Best",and also was Elie Walker in the first season of "The Andy Griffith Show". Donahue portrayed Sister Bertille's older physician sister Janet in several episodes. Also to point out others including Paul Petersen of "The Donna Reed Show",and the other episode that featured Manuel Padilla,Jr. as one of Sister Bertille's helpers. Manuel Padilla,Jr. was also a familiar face on television as well playing Ron Ely's sidekick of the jungle Jai on the action-adventure series "Tarzan" and a child actor in several television shows of the period. Others included veteran actor Vito Scotti,and also familiar to television viewers Shelley Morrison(of "Will and Grace" fame later on).

The show itself does however depict a realistic portrayal of Latin America even though the show was filmed on the backlot of Columbia Pictures Studios in Hollywood,but uses Latin America locations as the backdrop scenery which was brilliantly photographed,since it was the ONLY show that did not stereotype Latinos in any way nor did it talk down to them neither. Its amazing that they spoke magnificent English and were living in good conditions. After "The Flying Nun" went off the air in the spring of 1970, Sally Field went on to bigger and better things in her career including becoming an Oscar winning actress!

Watching a show like "The Flying Nun" is like experiencing part of a 60's time capsule (in the best sense) because it's light years away from today's television fare. Starring the young Sally Field as a novice at the Convent San Tanco in Puerto Rico (who, incidentally, can fly) and co-starring such worthies as Madeleine Sherwood (as Mother Superior), Alejandro Rey (as playboy Carlos Ramirez) and Marge Redmond (as Sister Jacqueline), the makers of the show actually triumphed over its admittedly outrageous premise and crafted a series full of humor and heart. Field was ideally cast as Sister Bertrille (the former Elsie Etherington) who eventually wins over even the staid Mother Superior with her undeniable charm, high spirits and always good intentions. The gradual way in which she endears herself to The Reverand Mother (beautifully played by the gifted Sherwood) and the often exasperated Carlos, is unexpectedly moving. The show is beautifully photographed as well, and sports a truly lovely musical score. Marge Redmond (who served her convent apprenticeship as a Nun in "The Trouble With Angels" the year before), is a warm and wise sidekick for Sister Bertrille. There are several up-and-coming future stars as well. The first two seasons are now out on DVD and they have stood the test of time. It's easy to call the series just a throwback to a more innocent era, but there's more to it than that. Just watch the wonderfully touching episodes in the first season--the truly touching "Tonio's Mother", "The Dig-in" and "The Sister and the Old Salt". They tug at the heartstrings without being the least bit cloying. And for those who demand variety, there's "With Love From Irving" in which Sister Bertrille is stalked by a lovesick pelican! As a bonus, several episodes feature Field singing, something she did very well, and the songs are charming as a result. Vividly restored on DVD, "The Flying Nun" remains as enjoyable as ever--can't wait for season three!