Hawai 5-0

This series was so popular that "Bookem Danno!" became a common phrase teenagers uttered around schools while this show ran. Once you see an episode, you understand why. CBS really went to great lengths to make this series run so well.

Leonard Freeman's top notch production shows & holds up well after all these years. Jack Lord is the ultimate Hawaii Supercop in charge of FIVE-O. James Macarthur is great as Dan-o, McGarrett subordinate. The use of Hawaian actors int he cast was UN precedented. The choice of shooting locations in Hawaii seems perfect.

The theme song blows you away & the sequence shown during the theme is priceless as well. The more I think about it, the only way it is not perfect is that with rare exceptions the show became a little too much predictable & formula at times. With the Hawaii locations & always something nice in a bikini around, the formula isn't so bad is it?

The longest-running cop show on American TV until "Law & Order"'s thirteenth season, "Hawaii Five-O" still has a long life in reruns and probably will continue in that vein long into the future.

Admittedly it did go downhill towards the end (the last season's episodes, ironically, seem even more dated than those from the '68 run) and no one can really claim that the acting was on a par with your Bochcos or your Levinsons, but it worked - yes, the scenery was a plus, along with Reza S. Badiyi's title sequence (still one of the all-time greats), but ultimately the glue that held it together was the late Jack Lord. He clearly thought the show revolved around him, and he was right - stiff, yes, but the man WAS Steve McGarrett; you never doubted for a second that he was in charge.

The show also had more than a few decent stories to go with the Hawaiian setting; that's the main reason this show was popular enough to run for more than 10 years (and more than twice that length in reruns). That and Morton Stevens's theme music, of course - all these years and that still hasn't worn thin yet either. I doubt "Miami Vice" will hold up so well.

The Stephen J. Cannell-backed pilot shot in '97 (and which brought back Chin Ho, killed off in "A Death In The Family") was judged so bad by CBS that to this day it hasn't aired, and probably never will. Like I'm weeping...

To me this is still one of the all time great cop shows. The thing I think made it so special was its irony. The fact that you it was set in probably the most beautiful of settings, yet it had all the crime of cities like Los Angeles and New York made it Honolulu seem just like any other major American city which is just what Honolulu is. Also, the fact that the native Hawaiians in the cast were not stereotyped made it a great show.

Jack Lord was perfectly cast as McGarrett and pretty much was the embodiment of the character with his tough and almost unemotional demeanor and James McCarthur was great as Danny. Of course, who could ever forget what Kam Fong brought to the show as Chin Ho. This definitely was a classic.

Hawaii Five-O's successful 12-year run proved one thing: A drama doesn't have to be perfect or overly complex to succeed.

Hawaii Five-O's plots were straightforward and self-contained. They rarely had big surprises or twists, and the plot of one episode rarely carried over into future episodes. However, the stories were (for the most part) well written, intelligent, and often unique. For example, in the sixth season's "Draw Me a Killer", a young man "in love" with a female comic book character murders people who resemble her fictional adversaries. This sort of creativity resulted in interesting plots that didn't have to depend upon shocks or gimmicks to be watchable.

Hawaii Five-O was authentic. It was shot entirely on location in Hawaii. Most took place in Honolulu, but the show saw some time on the other islands, as well. Local actors were used to fill nearly every minor part in almost all episodes. While many of these actors were clearly amateurs, you didn't care. This actually added to the show's charm and authenticity. Some of these locals had recurring parts, being seen in different roles in as many as 14 episodes. That also wasn't a big deal, provided you didn't take the show too seriously.

Hawaii Five-O was nice to look at. The show went out of its way to create scenes with beautiful backdrops, allowing the viewer to feel he's on a Hawaiian vacation while in his own living room.

Hawaii Five-O featured one of the best opening theme songs and title sequences. It still holds up well 37 years later. Even the end title sequence, showcasing about 20 native Hawaiians paddling a boat through the ocean off Hawaii, fit in with the show's Hawaiian authenticity. A bit of trivia regarding the opening sequence: The famous wave at the beginning was NOT filmed for Hawaii Five-O, and was instead taken from some 1962 stock footage. This footage was so unimportant at the time that it is now unknown exactly where that wave video originated. Also, the 10-year-old boy shown on the beach was randomly selected and given $5 for allowing himself to be filmed. He didn't know he was in the opening titles until kids at school teased him about it! The first 7 seasons of the show were by far superior to the final 5. The show especially deteriorated by season 11. This was simply a case of a show that had run its course, and it honestly should have been canceled two years earlier.

Jack Lord did a superb job as Five-O head Steve McGarrett. We never got to learn too much about the lives of the other characters, but it was always clear that they were there to support McGarrett. The unity and dedication amongst the characters of the show was comforting to watch. While many cop shows (such as NYPD Blue) introduce conflict between the main characters, this had no place in Hawaii Five-O. This was a show about Five-O versus the criminal element of Hawaii.

Despite the repeated showcasing of Honolulu's crime, Hawaii Five-O actually did a lot to boost Hawaii tourism. You would think that episodes showing tourists as murder victims would put people off. Perhaps everyone felt protected by McGarrett and Five-O, even if both were just a work of fiction.

Although the plots and stories trailed off a little in quality near the end of the series, 'Hawaii Five O' in its prime was a remarkable example of how to do a television show right. It had a lot a factors going for it : Spectacular opening and closing credit sequences, a grabber of a theme song, exotic locations, a charismatic lead actor who had great hair and knew how to work it, and a racially diverse and intriguing supporting cast.

The series creator took a chance and had Jack Lord play McGarrett as a hard-nosed, hard-driving tough guy instead of a "Teddy bear" type, but this worked because McGarrett was so obviously committed to his job and to "Law And Order" that his brilliance and energy won the audience over, and in fact made them like him even more than if he had been played as a "Basil Rathbone Sherlock Holmes" character.

But the thing that sets Five O apart in my mind, is that whoever was in charge of story and script quality really knew their stuff and were allowed to do their job. H50 episodes had remarkably tight and internally consistent plots and screenplays. The screenplays always played fair with the audience, and almost always featured extremely clever plot devices, gimmicks or MacGuffins that made you admire the deviousness and ingenuity of the characters who were trying to do bad things under Five-O's watchful eye. And McGarett and his staff would scramble against a deadline to understand the gimmick and solve the mystery or the heist or the caper before the 'bad guys' could get away with whatever they were planning. And each episode was directed and edited with crispness and energy that kept everything moving and wasted no screen time.

Many times things were so interesting that the hour long show seemed to be over almost as soon as it started. You can't give a police detective show a much higher compliment than that. To manage to pull this off for so many years was a remarkable achievement.

Three cheers for "Hawaii Five O" and the people behind it. It holds up as one of the high water achievements of television drama.