CALIFICACIÓN DE IMDb
5.9/10
19 k
TU CALIFICACIÓN
Varias personas interconectadas luchan por sobrevivir cuando un terremoto de magnitudes inimaginables golpea Los Ángeles, California.Varias personas interconectadas luchan por sobrevivir cuando un terremoto de magnitudes inimaginables golpea Los Ángeles, California.Varias personas interconectadas luchan por sobrevivir cuando un terremoto de magnitudes inimaginables golpea Los Ángeles, California.
- Ganó 1 premio Óscar
- 3 premios ganados y 7 nominaciones en total
Geneviève Bujold
- Denise
- (as Genevieve Bujold)
Walter Matthau
- Drunk
- (as Walter Matuschanskayasky)
Pedro Armendáriz Jr.
- Chavez
- (as Pedro Armendariz Jr.)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I saw this movie on the big-screen when it was released and I actually found the Sensurround (R) to be annoying, but the film isn't as bad as critics made it out to be. I agree, the casting could have been better (the Ava Gardner/Loorne Green argument is a good one), but this is a special effects movie, and the special effects were pretty good by 1974 standards. Besides, how can a movie about the destruction of LA be so bad?
I really enjoyed the practical effects before CGI took over the film industry. This is the time when making disaster films was a huge challenge. This is decent film making at its best. The visual effects are incredible and is still good by today's standard. This must have been amazing at the time of release. Charlton Heston is a likable hero as usual. I enjoyed how the characters interacted with one another and how their characters developed during and after the disaster. The film did end rather abruptly, but it was an enjoyable action drama.
In 1974 I was 29 years old when I first saw this movie. At the time I didn't question the suitability of the lead stars as I had grown up with them appearing in other films. Considering all the various genre of films I had seen up to that time, I must confess that it didn't seem a bad effort at that point in time. I grew up with various westerns and others and one film in particular I remember well is the classic "King Kong".
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
Critics who knock this film must remember that 1974 was a transitional period where techniques were still being learned. Without the benefit of computers, I might add. When you have grown up with computer wizardry, that is, since the start of the seventies, it it far easier to find fault than to see the merit in what these people achieved.
However, with the passage of time, one realizes the major fault with this film was the poor casting. This should not detract from the efforts of the special effects people. They have led the way and shown the young people coming along what can be done with skill and imagination. 3/10 for casting, 6/10 for special effects.
About what you'd expect from an Irwin Allen disaster flick...except that Allen DIDN'T make this one.
In the 1970s, Irwin Allen made a niche for himself in Hollywood by producing some big budget disaster films, such as "The Poseidon Adventure", "The Towering Inferno" and "The Swarm". In addition to folks dying and being destroyed, the films all had HUGE star-studded casts as well as a lot of soap opera-like plots. Well, you see all this in "Earthquake", though Allen was not involved in the production...but clearly they copied his formula for success, as the film has the same style AND made a mint at the box office.
The first half of the movie introduces several plots, such as the brilliant architect (Charlton Heston) who is married to an incredibly screwed up and addicted woman (Ava Gardner), the disenchanted no-nonsense cop (George Kennedy), the accident at a local dam and much more. None of these plots are especially deep and are designed to get the audience to care for some of the folks who will be tossed into this epic disaster.
Halfway through the film the Earthquake hits the Los Angeles area and the remainder of the story follows folks trying to make their way to safety. I was actually surprised that the special effects for all this were done very well for 1974...and they actually hold up well today.
So is it any good? Well, it's reasonably well made but not deep in the least...so it would make a great film to watch if you aren't in the mood for something artsy or with an involved plot. Mostly it's just folks trying not to die...and some of them doing very poorly in this department. Overall, modestly entertaining but a film that must have been MUCH better on the big screen and in Sensurround, a sound system with a heavy bass that made theaters rumble.
The first half of the movie introduces several plots, such as the brilliant architect (Charlton Heston) who is married to an incredibly screwed up and addicted woman (Ava Gardner), the disenchanted no-nonsense cop (George Kennedy), the accident at a local dam and much more. None of these plots are especially deep and are designed to get the audience to care for some of the folks who will be tossed into this epic disaster.
Halfway through the film the Earthquake hits the Los Angeles area and the remainder of the story follows folks trying to make their way to safety. I was actually surprised that the special effects for all this were done very well for 1974...and they actually hold up well today.
So is it any good? Well, it's reasonably well made but not deep in the least...so it would make a great film to watch if you aren't in the mood for something artsy or with an involved plot. Mostly it's just folks trying not to die...and some of them doing very poorly in this department. Overall, modestly entertaining but a film that must have been MUCH better on the big screen and in Sensurround, a sound system with a heavy bass that made theaters rumble.
Earthquake almost realistically shows us the devastating effects of such "an event" on a large modern day city. Since movie studios didn't have the resources in 1974 to add expensive computerized effects, miniatures, camera trickery and a few large-scale destructions were used to simulate the quake. However even by today's standards, most (but not all) effects work pretty well. Many of the buildings we see crumbling to the ground are actual locals in Los Angeles and anyone who ever lived is this area (myself included) would still find watching this film chilling to say the least. The sets are very impressive - they made one helluva mess of Universal Studios making this film. The acting is so-so and the ending is disappointing and leaves us with a lot of unanswered questions: what ever happened to Miles and Rosa's brother anyway? And the scenes with Jody the weirdo are just plain uncomfortable. But as far as pure "end of the world" disaster entertainment goes, this film has it all.
¿Sabías que…?
- TriviaThe producer, Jennings Lang, offered a cameo role to his friend Walter Matthau. Matthau accepted, without compensation, on the condition that he be billed under the name "Walter Matuschanskayasky," the last name being a long-standing "inside joke" that he had used for decades. The role was originally scripted as "a drunk sits at the end of the bar", which was expanded by writer George Fox, giving the character lines of dialogue (involving toasts to celebrities). When the film was completed - as agreed to by Lang and Matthau - "The Drunk" was credited as "Walter Matuschanskayasky." This led to a long-standing (and false) rumor that "Matuschanskayasky" was Matthau's real last name.
- ErroresWhen Miles (Richard Roundtree) drives in and out of the loop on his motorcycle, the stuntman is a White stuntman wearing dark makeup.
- Versiones alternativasFor the initial network television showing broadcast on NBC in September 1976, additional footage was shot to lengthen the film in order to show it over two nights. The most extensive segment of new footage is a subplot of a newlywed couple (Debralee Scott and Sam Chew Jr.) on a flight to Los Angleles so the husband can interview for a job with Stewart Graff (Charlton Heston). The plane tries to land as the earthquake hits, but the pilots are able to regain control and fly away before the runway breaks up. Other significant segments are new scenes with Jody (Marjoe Gortner) and Rosa (Victoria Principal), which establish Jody's obsession with Rosa, as well as one short scene in a pawn shop with Buck (Jesse Vint) and Hank (Michael Richardson), who play Marjoe's roommates in the theatrical version. Contrary to popular belief, these additional scenes were *not* "leftover" footage from the original 1974 theatrical release. Rather, the footage was filmed almost two years later by NBC to expand the film. These additional scenes were shot without the original director Mark Robson, who opted out, (in fact, he loathed the additional scenes), but they were shot with Universal's approval. In addition, two deleted scenes originally shot for the theatrical release were re-inserted into the television version, including a narrative opening about the San Andreas Fault, as well as a scene of Rosa brushing off a guy (Reb Brown) trying to give her a ride on his motorcycle.
- ConexionesEdited from Cortina rasgada (1966)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Earthquake?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Earthquake
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 79,666,653
- Total a nivel mundial
- USD 79,666,653
- Tiempo de ejecución2 horas 2 minutos
- Color
- Relación de aspecto
- 2.39 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta