Alvarez Kelly

See it - William Holden plays his trademark role as a smooth-talking womanizer caught in a war he doesn't want to be a part of. He's a rich cattle driver in the Civil War looking to sell his horses to the highest bidder. Richard Widmark plays the eyepatch-wearing Confederate villain. Some might say these two actors can't carry a movie by themselves, but together they are fantastic. The script in this movie is surprisingly sharp and smart. This is rare for a western. The dialogue is very witty and actually pretty funny at times. The movie has also aged very well, meaning that it is still relevant and doesn't have that "old" feel to it. For example, the things that are supposed to be funny are funny, etc. The only problem with this movie is that there's not much action until the end. This is easily forgivable because of the good story. After seeing the movie, I immediately compared it to Horse Soldiers, which Holden co-starred in with the Duke. Worth seeing once. 2 out of 5 action rating

Good surprise for a film by Edward Dmytryk. The scenario is rich and invites an interesting story with multiple twists on an original theme. Because it is about showing the confrontations between the northerners and the Confederates who are fighting over a herd of cows that will be used to feed a regiment on one side and a besieged city on the other. There is therefore a lot at stake in taking possession of the herd. Which is one thing, but then you have to know how to manage the cows and the herd.

That's where William Holden comes in, between the two sides, playing a Mexican, actually a Texan, who brings the herd, but finds himself kidnapped by one side, then the other. He is in the middle of everyone and is motivated by money, and women, because he will find his interest thanks to the female characters he will meet. First Victoria Shaw and then Janice Rule, Richard Widmark's fiancée, but who will leave him; elements of romantic comedy and love triangle are well integrated into the action.

The script contains multiple twists and turns. The film relies mainly on the relationship between Richard Widmark and William Holden, which is very mechanical, but works in the end, via their relationship to the female characters.

This ensemble works and is successful.

During the partial siege of Richmond-Petersburg in September 1864 a troop of Confederates mean to acquire 3000 cattle from Mexico meant for consumption by the Union Army. William Holden plays the livestock businessman while Richard Widmark and Patrick O'Neal play opposing Confederate/Union officers. Roger C. Carmel is on hand as the Captain of a blockade runner.

"Alvarez Kelly" (1966) is a Civil War Western based around the real-life Beefsteak Raid. It's similar to "The Horse Soldiers" (1959), also co-starring Holden, mixed with "Major Dundee" (1965). While it's the least of these, with "Horse Soldiers" easily being the best, it's still worth checking out for those interested, just don't expect a conventional Western or Civil War yarn.

Critics complain that it's too talky with not enough action, which I suppose is true, but I appreciated the settings and the authentic scruffiness of the Rebs, not to mention the wartime intrigue and a thrilling stampede in the last act.

My top qualm would be how easy it seemed the cattleman is secretly taken into Richmond. Yet this can be overlooked on the grounds that it wasn't a classic military siege wherein a city is fully surrounded and all supply lines cut off. You could still enter Richmond from the west.

The flick scores well on the feminine front with stunning Southern belles Janice Rule, Victoria Shaw and Stephanie Hill, plus peripherals.

The two stars became best buds during shooting. Widmark remarked how the four months of being constantly together during shooting was the equivalent of 10-15 years of friendship. Meanwhile Steve McQueen happened to be filming "Nevada Smith" in the same area and the three ran into each other one day wherein McQueen and Holden ended up drinking together for the rest of the evening.

The movie runs about 1 hour, 55 minutes, and was shot in Louisiana (the vicinity of Baton Rouge), with the opening sequence done in the Southwest.

GRADE: B-

Most reviews here range from mixed to egregious. Except for a few shocking holes in the script and underproduced scenes (e.g. the Confederate ambush at the apple cellar and Stedman's escape with Ruthie and her subsequent death), just like a kid at the movies I felt swept up in the film's patched-together, on-with-the-show spirit.

Given the production's reliance on a cattle herd as its main prop and the health problems of its aging stars, much credit goes to the film's editors. Plus one must bow to the astonishing gift of William Holden, reportedly a wreck throughout the making, but managing his horse like a pro and looking like a man you or any woman would keep giving another chance.

Overall this film probably represents a pathetic last gasp of the studio system whose problems are worthy of dismay, but once again that studio system produced a work that soldiers on to some kind of colorful, noisy, almost dignified end.

1864: during the American Civil War a herd of cattle owned by rancher Alvarez Kelly becomes the centre of attention. While Kelly is selling it to the Union Army, Colonel Rossiter of the Rebels is planning to steal it, and he needs an expert cattleman to do it.

Slow moving at times and even talky, Alvarez Kelly is a vastly underrated western that depicts the futility of war, but not in outward fashion. It's still a large scale western, unusual, well-mounted and hugely diverting largely due to the well-etched characters, particularly in William Holden and Richard Widmark; their confrontations is one of the highlights of this Edward Dymtryck directed film and compensates somewhat for the lack of action, though the finale features a vigorous stampede and blowing up of bridges (what's with William Holden and bridges). I have seen this film on BBC2 in my youth and I have found it a nice western. Love the title song.