Los colores de la obscuridad

A woman : Edwige Fenech , recovering from a car crash along with her boyfriend : Uruguay-born George Hilton, suffers hallucinations and strange dreams , being plagued by nightmares about a coven of devil bloodline worshippers . She lost her unborn child , being nowadays mercilessly pursued by an ominous killer with blue eyes : Ivan Rassimov and wielding a knife . A blood-drenched nightmare from which you awaken too late ! .Something is out there .. coming closer .. Don't be afraid to be afraid . They exist . They bear the Mark of the Devil inside them. They May be neighbors . They May be your wife , husband , sweetheart . They May even be your children . Their time has come . They cannot be exorcised from the World because their power has grown too strong.. their numbers too many !

Sergio Martino's Gialli getting certain success , being compellingly shot , including well staged crimes with plenty of startling visual content and adding Rosemary's Baby thematic . This is the usual Gialli where intrigue , tension , suspense , stabbing and chases show up lurking and threatening throughout parks , buildings , elevador, corridors and grim interiors . The film combines atmospheric blending of thrills , chills , nudism and suspenseful final . The rather perplexing tale weavers so many red herrings when ultimately the murderer is unmasked . Based on a story by prolific Santiago Moncada and whose scripts were created films as The Cauldron of Death , Bell from Hell , Corruption of Chris Miller and A Hatchet for Honeymoon by Mario Bava . Nice ambiance and setttings from Jose Luis Galicia and Raúl Pérez Cubero , enhanced by the well photographed London carried out by good cameraman Miguel Fernández Mila . As well as intriguing musical score by Bruno Nicolai, usual collaborator to Ennio Morricone . Being an Italian/Spanish co-production here appears Italian actors : Edwige Fenech , Ivan Rassimov , Marina Malfatti , Luciano Pigozzi or Alan Collins , Dominique Boschero and Spanish ones : Nieves Navarro or Susan Scott , Jorge Rigaud and Julián Ugarte , giving all of them acceptable interpretations .

The picture was decently directed by the Italian director Sergio Martino . Talented and versatile writer/director Sergio Martino has made unaffected products for mass consumption , realizing a vast array of often entertaining films through an uneven career . Brother of producer Luciano Martino, Sergio has frequently worked with actors George Hilton , Ivan Rassimov , Claudio Cassinelli and actress Edwige Fenech . Directing all kinds of genres as horror, gialli , sex comedy , Spaghetti Western as proved in Mannaja , Arizona returns . Sergio Martino was an expert on Giallos , such as : Torso, The suspicious death of a Minor , The Case of Scorpion's tale, Murder in an Etrusco cemetery, The strange vice of Mrs Ward and this Tutti i color del buio 1972 . Furthermore , he made other genres as Warlike : Casablanca Express , and Sci-Fi : Destroyer , 2019 After the fall of New York . Rating : 6.5/10, a notable slasher that will appeal to Giallo enthusiasts and Edwige Fenech fans.

All The Colors of the Dark is a combination of a giallo, an occult horror and a Roman Polanski style claustrophobic apartment-based thriller. It's possibly director Sergio Martino's most ambitious film from a period when he produced a series of excellent pictures. Unlike Martino's other gialli, this one is much more psychological in approach. It doesn't have a series of murders or anything like that but instead focuses on the troubled world of its female protagonist played by cult actress Edwige Fenech. She is recovering from a car crash which claimed the life of her unborn baby, shortly after this she is menaced by a mysterious man and is introduced to a black magic group by an enigmatic neighbour. The story isn't all that great to be perfectly honest it's the style in which it's presented that's its strength. It's consistently photographed in an interesting way, with unusual angles and good colour schemes. The disorienting camera angles do add to the overall theme of a psychologically troubled woman. The London settings are also used very well indeed – the apartment block and country manor are both very effectively shot. It would also be deeply remiss to not mention Bruno Nicolai's soundtrack. It's a really nice psychedelic piece that adds to the atmosphere very nicely, it comes into its own in the scenes of the cult indoctrinating Edwige Fenech's character into their circle; this scene is one of the best that Martino ever directed, it's pure 70's psychedelic delirium. It's only matched in this movie by the very creepy and bizarre opening dream sequence which includes things like a murdered pregnant woman and a hideous old crone dressed like a child's doll.

The movie is immeasurably helped by the presence of Edwige Fenech. She looks like the definitive giallo heroine here, with her gorgeous mane of long black hair, porcelain skin and big eyes. She is certainly a welcome character to base the movie around and does play the vulnerable victim very well it has to be said. Her co-star, the always excellent Susan Scott, who plays her sister, is sadly underused but at least she's there. The male stars don't particularly shine but Ivan Rassimov has a fairly memorable role as the blue-eyed psycho. Overall, Sergio Martino produced another fine Italian thriller with this movie. I'm not convinced it's his best necessarily, and perhaps it sometimes promises more than it actually delivers. Nevertheless, this one should most certainly please fans of this kind of thing.

Having recently watched and loved Sergio Martino's two other gialli "Strange Vice of Mrs Wardh" and "Your Vice is a Locked Room and only I have the key", I decided to rewatch this one, which I always thought to be a pretty average film, and I ended up loving it. It's probably the director's best tied with "Strange Vice". Highly atmospheric and suspenseful, the film opens with a bang and never lets go. It's nightmarish, dreamlike feel is about as good as anything done by David Lynch, and is enhanced by Bruno Nicolai's lovely soundtrack and Bava-style cinematography. Also, Edwige Fenech proves that she actually can act, giving a tremendous performance of a sexually frustrated housewife who may or may not be going insane.

The film is often criticized for being a rip-off on "Rosemary's Baby", and while I can see an influence of Polanski's classic, both films very different in style and substance, and if anything, "All the Colors of the Dark" plays much more like an acid version of "Repulsion" than anything else.

One thing that may put some people off is that the film has a very strong 70's feel, which makes it slightly campy at times, but still, I think it only adds to it's charm and 'grooviness'.

Overall, a highly entertaining and stylish giallo. A must-see for genre fans.

"Tutti i colori del buio" is worth a look if you are interested in the visuals of cinema. Sergio Martino's directing of the mostly dreamlike scenes is almost unbelievable. The use of wide-angle lenses, strange perspectives and slow-motion serves perfectly the weird atmosphere of this thriller.

Add to this a stylish 70s score by Bruno Nicolai and an unusually good script (well, for Italian giallo films) and you have another unknown classic.

9 out of 10

There's isn't any black-gloved killer butchering one fashion model after the other with an exceptional weapon here, yet that certainly doesn't make "All the Colors of the Dark" any less of a genuine Italian giallo! This solid thriller, directed by the almighty Sergio Martino ("Torso", "Blade of the Ripper") , benefits most from its extremely stylish cinematography and, of course, the mesmerizing looks of lead actress and reigning giallo-queen Edwige Fenech. With this natural beauty running around hysterically all the time – often scarcely dressed – you almost feel forced to forgive the story for being overly confusing and the violence for being too tame. Jane is a young woman, still recovering from a traumatizing accident in which she lost her unborn child, and suffers from re-occurring nightmares as well as hallucinations of being stalked by a blue-eyed creep. With her lover Richard out of town a lot, others try to help Jane with her mental problems. Her sister recommends seeing a psychiatrist and a befriended girl in the apartment even advises her to join a satanic cult. This last initiative obviously isn't a very good idea, as lovely Jane becomes involved in an occult mess of rape & murder, starring all the people of her unexplained hallucinations. Sergio Martino creates and sustains a powerful atmosphere of paranoia and morbidity, yet it's truly regretful that there isn't any more gore on display. Jane's nightmares are remotely bloody, but true fans of Italian horror cinema require a bit more sadism. There are several suspenseful scenes to make up for this, notably the one where Fenech awakes in a countryside cottage and painfully realizes she STILL isn't safe. The screenplay makes several intriguing twists & turns near the end, just in time to make it a great giallo after all. I have to admit that the first hour of "All the Colors of the Dark" nearly wasn't as compelling and involving as other contemporary gialli. The music is great as usual and, apart from Edwige, this movie also contains great performances by George Hilton, Ivan Rassimov and Nieves Navarro.