La cola del escorpión

While she makes love to someone else, Lisa's husband dies in a jet crash. She stands to inherit all of his money, despite them being basically separated. An ex-lover has a confrontation with her, threatening her with blackmail. She pays up — some money now, then some when she gets the letter where she wished that her husband was dead. But a gloved hand finds the letter and kills the ex-lover!

Lisa has to go to Athens to collect the money, but runs into one of her husband's ex-lovers, Lara Florakis (Janine Reynaud, Succubus) and a knife wielding maniac. Peter Lynch (George Hilton from All the Colors of the Dark) saves her and takes her to the hotel. She asks for all of the money in cash, despite warnings to how dangerous that is.

That same maniac tries to kill Peter, then comes back to kill Lisa, sharp jazz wails staccato punctuating each stab of the knife, each rip across her body. Jump cuts and flashes and the room is covered by the police, who question him.

An INTERPOL agent, Inspector Stavros (Luigi Pistilli, The Good, the Bad and The Ugly, Your Vice is a Locked Door and Only I Have the Key), offers to help Peter with the case and the moment he goes to talk to Lara, he's attacked by the gloved man.

That brings in Cléo Dupont(Anita Strindberg, Who Saw Her Die?), a journalist who pretty much instantly falls in love with our hero. They go up to his room, but it's been turned over by the police, with even the bed sliced open looking for the million dollars that went missing when Lisa was killed.

Turns out the gloved man wasn't on Lara's side — he or she slits her throat, then runs up a spiral staircase as a guard gives chase. This reveals a room full of one eyed baby dolls and a strange oil painting. Between the woman's face against the glass with blood spraying everywhere and these reveals, this film is really tipping its hat toward Argento.

The bodyguard chases after the killer, but is knocked off the roof. One slash across the fingers and we have another dead body. It's 45 minutes in…and most of the IMDb cast is already dead!

That said — there's a stewardess that gets the gift of scorpion earrings from an unseen lover. So there's that.

Meanwhile, Peter and Cléo make love on an orange shag couch while a peeping tom watches from the window. You know how Bruce Banner always has on purple slacks and you wonder, "Who wears purple slacks?" Peter does.

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When a plane explodes in the air with no survivors, the unfaithful Lisa Baumer (Evelyn Stewart) is informed that her husband, businessman Baumer, left a one-million-dollar insurance police and she is the beneficiary. She travels from London to Athens to receive the payment in cash and then to travel to Greece to meet her lover. Meanwhile, the insurance company suspects that a bomb might be planted in the plane and assigns their investigator Peter Lynch (George Hilton) to investigate the widow in Greece. Soon she is threatened by Baumer's lover Lara Florakis (Janine Reynaud) and her bodyguard Sharif (Luis Barboo), but Peter protects and rescues her from the attackers. When the front desk calls Lisa to take the taxi to the airport, they discover that she was murdered, and the money has vanished. Soon local Police Inspector Stavros (Luigi Pistilli), Interpol Agent John Stanley (Alberto de Mendoza) and the French Investigative Reporter Cléo Dupont (Anita Strindberg), who is having an affair with Peter, investigate the case where Peter is the prime suspect.

"La coda dello scorpione", a.k.a. "The Case of the Scorpion's Tail", is an enjoyable and attractive Italian Spanish UK thriller (or giallo). The plot follows the usual formula, with a mystery, twists, sexy and beautiful actresses, a handsome male character and many crimes. The locations are wonderful, but there are also silly moments and dialogs. The special effects, specially the gore, are not good but acceptable considering it is a 1971 movie. The conclusion is weak, but the film is worthwhile watching. My vote is seven.

Title (Brazil): "A Cauda do Escorpião" ("The Scorpion's Tail")

Lisa Baumer (Ida Galli) collects on her husband's life insurance—a cool $1m—after he is blown to smithereens in an air disaster. Several people suspect Lisa of foul play, including a junkie ex-lover who resorts to blackmail, her husband's mistress Lara (Janine Reynaud), who also feels entitled to some of the money, and insurance investigator Peter Lynch (George Hilton). But when Lisa is murdered after cashing her check, and the money goes missing, the case becomes much more complicated…

Sergio Martino's The Case of the Scorpion's Tail might not be the most innovative of giallos, but it does meet many fans' expectations of the genre, making it a very enjoyable way to waste some time.

An animal in the title: the insect of the title refers to the Scorpion-shaped cuff-link discovered at the scene of an attempted murder.

A convoluted plot: this one's got twists and turns aplenty, making it a thoroughly engrossing mystery from start to finish A character struggling to recall a vital clue: Peter Linch is convinced that he knows something that will help to solve the case.

Red herrings: there are lots of these, but to tell you about them would be to spoil the film.

Exotic locations: the film opens in London, but the action soon moves to sun-kissed Athens.

Stylish cinematography and lighting: Martino employs some crazy camera angles to help spice up proceedings, and lights certain scenes with vivid colour.

Sexy women in peril: there are several Euro-babes in this giallo, a couple of whom meet very nasty fates. Anita Strindberg as French photojournalist Cléo Dupont, Peter's love interest, provides the obligatory T&A, happily showing off her '70s silicone implants.

Creepy dolls/freaky paintings: it has absolutely nothing at all to do with the story, but there is a scene featuring several dolls with missing eyes and limbs, and a portrait of a man with bug-eyes.

Gruesome murders: Martino ensures that gore-hounds are kept happy with two bloody throat slashings, a nasty knife in the abdomen, an even nastier broken bottle in the eye, and a victim having the back of their hands slashed with a switchblade before falling from a height to their death.

A leather-gloved killer: goes without saying.

Blatant product placement: fancy a glass of J&B Scotch? You might do after watching this film.

Cops who figure out the truth in the nick of time: the law waits till the very last moment before arriving on the scene to save the heroine.

In fact, all that's missing is a haunting lullaby/nursery rhyme.

7.5/10, happily rounded up to 8 for IMDb.

Just watched The Case of the Scorpion's Tail for the first time, very impressed. Incredibly stylish, good looking cast, great locations (London and Athens), a terrific musical score by Bruno Nicolai, a few interesting plot twists and some decent murder scenes. The latter reminded me very much of Dario Argento's giallo movies, the blood does look more like red paint to be honest but the kills are pretty brutal (despite the BBFC 15 rating). I liked one scene in which the camera is angled at 90 degrees and swings between 2 people having a conversation. This movie ticks all the right giallo boxes, right down to bottles of J&B whisky everywhere, and the quote I have used for my title is one of the best lines ever! Better than director Segio Martino's later film "Torso", this is essential viewing for fans of the Giallo genre. Superb.

Director Sergio Martino was a regular Itailan Giallo director, who brought us "They're Coming To Get You/ All The Colors Of Darkness/ Day Of The Maniac", "Next!/ The Strange Vice Of Madam Wardh", and "Torso/ The Corpses Show Evidence Of Rape (though I'm not sure why this title is relevent, because I don't remember any moments of rape from the killer?)" and a slew of other nasty little numbers. But I found "The Case Of The Scorpion's Tail" to be his most accomplished work (outside of the silly model Airplane explosion in the beginning!). The rather perplexing story weaves so many red herrings, that when the killer finally does become unmasked, you are a little surprised! Keep in mind that not all that you see, is what you may have really seen. Keeping with Giallo tradition, this film has a little nod to Michelangelo Antonioni's "Blow Up" (Dario Argento's "The Bird With The Crystal Plumage" would be the first of "Blow Up" immitators, which loved to have "I thought I saw something...if only I could recall what it was!" moments in it.) with even a moment where the investigators "blow up" a photo to find a clue in the picture. This film contains (can you believe?) actual tense moments in it. The scene where Anita Strindberg is assaulted even had me biting at my finger nails. There are two parts to this film, the first is centered on Ida Galli (Evelyn Stewart) and then a third of the way switching to Cleo Dupont (Anita Strindberg) in a "Psycho" style switch of heroines.

Both leads (genre female regulars) are interesting to follow (and sensually alluring to look at) and the film moves at an even and fast pace, keeping the viewer inticed. I have to say that after watching this film though, it was really George Hilton who won me over, and made me an instant fan. Though like the female leads, he's a genre regular, I found this to be his best role. Always smarmy and shifty, George Hilton personifies the Giallo male to perfection! I won't describe the story in any great detail, because I think it should be viewed with a virgin state of mind (also I'm too lazy to describe this convoluted story), but it does contain the usual block gloved assassin (always super human in ability) and the gratuitous killing of female characters. I can't honestly say that it's healthy to enjoy such misogynistic dementia or condone objectification of women, but Giallo Cinema is more interesting then the predictable Hollywood road that bulldozes us with the same exact car everytime. My girlfriend would accuse Giallo Cinema of a one make car as well... but for some of us...it's a Jaguar! Highly recommended (for some)!!!!