Ojos azules muñeca rota

Certain movies put you at ease and make you feel confident right from the first sequences. "Blue Eyes of the Broken Doll" opens with moody and enchanting yet remotely ominous musical tunes as Paul Naschy is drifting across a remote and desolate countryside. If you're into 70's and European-made exploitation movies, you know right away this is the ideal intro for a film like this. Naschy – the star and writer and director of numerous movies like this – plays an ex-convict arriving in a secluded house occupied by three eccentric and suspiciously behaving sisters. One is lustful and promptly shows a sexual interest in the new arrival, the second one is wheelchair bound and remains out of sight and the oldest sister (with an impressively mutilated arm) is the bossy and arrogant leader of the pack. With the arrival of yet another ravishing woman – a private nurse to look after the ill sister – Gilles is completely surrounded by lurid women that may not be as defenseless and innocent as they look. One of the more apt and enticing titles of this movie is "House of Psychotic Women"; which gives a slightly more accurate though sadly exaggerated indication of what to expect. Or at least what to expect during the first half! Parallel with the sexual escapades in the mansion, there's a sadistic killer on the loose in town, exclusively prowling for girls with blond hair and bright blue eyes that he/she cuts out and collects in a jar. The perverted killer sub plot, with its vile gore and misogynist violence, makes "Blue Eyes of the Broken Doll" also qualify as a bona fide Giallo next to being a sleazy early 70's Euro-sexploitation feature. It's not the greatest Giallo, since the relevance of the murders in connection with the events at the mansion remains too vague and develops quite late, but it does guarantee a suspenseful and blood-soaked third act. Like the case with so many movies in this genre, it's far more amusing if you don't even bother paying attention to the complete absence of logic and coherence. Enjoy the bloodshed, the fantastic score (courtesy of Juan Carlos Calderón), Naschy's testosterone-laden charisma, the sickening killings and – of course – the various offerings of gratuitous nudity!

Based upon a real life story that I'm not going to share here, in order to avoid obvious spoilers, "Blue Eyes of the Broken Doll" is perhaps one of the most unreasonably overlooked giallos ever made. I know this term is essentially meant to classify certain Italian horror and mystery movies, but whoever thinks other countries cannot produce decent giallos that can be equally entertaining and highly appreciated, is wrong. "Blue Eyes of the Broken Doll", is perhaps one of the best examples to demonstrate this, without actually emulating some of the most distinguished giallos that were released back then. As a matter of fact, it seems that director Carlos Aured, was clever enough to avoid the cliché of putting the name of an animal on the title. Many other directors were inclined to do so, during the giallo profusion that took place during the 1970s. No big deal, after all, but I just thought it would be fair to comment on this little detail as well.

In "Blue Eyes of the Broken Doll", an ex-convict named Gilles, tries to start a new life by taking refuge in a small town of the French border. Regardless of the people's aloofness, he stays around to find a job in this new place. Claude, on the other hand, is a beautiful woman with an orthopedic hand, who lives in a big gloomy house in the outskirts with her two eccentric sisters, Yvette and Nicole. Gilles starts working at Claude's house as a handyman and simultaneously, a mysterious nurse called Michelle arrives to take care of Yvette, who is crippled and has to be under constant surveillance. Concurrently, young girls begin to appear brutally murdered out of the blue and the police have no clue about what is going on. All the victims share certain parallels, like, having blue eyes and light-colored hair, but it seems like there's nothing else to tie them with each other. The only thing that matches perfectly with the sudden murders is the arrival of Gilles and Michelle to the old house. Everyone gossips about the former convict, but Claude remains loyal to her secret love towards him and continues to give him shelter and a job no matter what. Unfortunately, Gilles has strange visions of himself murdering young women for no reason and struggles with himself to avoid doing something that he might regret later. As the days go by, the relationship between Gilles, Michelle and the three psychotic women becomes more and more tense each day and meanwhile, the mysterious killer keeps slaughtering beautiful girls out there.

To be honest, I was actually looking forward to something satisfying but in a less serious way. I assumed this was going to be some kind of mindless exploitation flick with lots of gore and pointless sex, lesbianism and a mildly predictable ending. Unexpectedly, I got a genuinely good product with a truly unexpected ending and a decent and yet moderate share of gore that somehow doesn't make the movie fit in the exploitation category. Not that I have anything against exploitation films. As a matter of fact, I also enjoy these films very much, but my point is that "Blue Eyes of the Broken Dolls", didn't fall into this less-respected category and it ended up being a charming giallo that has nothing to envy to the Italian ones. Frankly, I still cannot believe that being a film with Paul Naschy, there's no nudity or sex whatsoever. Especially if we keep in mind that these is a movie that has four attractive female character and a lusty man with all the ladies for himself. Of course, Mr. Naschy didn't miss the opportunity to appear shirtless and showing off his body all sweaty. It's alright, a little bit of vanity doesn't hurt anyone, I suppose. So concluding, I think this film will be highly regarded by anyone who is in the mood for a nice little giallo with a twisted ending and repetitive dancy music here and there.

While many of the Italian gialli have been co-produced with Spanish money, this movie is maybe the only real "pure" Spanish giallo - with Paul Naschy playing the most impressive role of his career. His character is a ex-convict who comes to a small town. He gets a job in a big house inhabited by three women who all seem to suffer from severe psychological problems (they are not psychotic, however, even though the American title "House of Psychotic Women" suggests so). Worst of all, a killer stalks the young women in the neighborhood and steals their eyeballs (eyeballs again... films like "The Headless Eyes" and "Gatti Rossi in un Labirinto di Vetro" come in mind).

No wonder that Naschy's character becomes soon a main suspect, even though the policemen of the small town don't know that he's an ex-convict. Naschy's portrayal of the hapless man is more tragic and sympathetic than all his portrayals of wolfman Waldemar Daninsky, the role he repeated playing throughout most of his acting career.

The movie is very low-budget but nevertheless quite thrilling, and the revealing of the killer's identity at the end is at least as surprising as in your typical eerie Italian giallo. Highly recommended to all those who love this kind of stuff and European horror cinema in general.

Spanish Giallo in Italian style with Naschy as ex-convict and accused as psycho-killer and rapist . It's packed with fetishism killings on blue-eye women , claustrophobic sets , mysterious suspects , and rare characters . This thrilling film deals with Gilles (Paul Naschy or Jacinto Molina , here as Iberian sex-symbol) who seeks job and Claude (Diana Lorys) a beautiful woman with orthopedic hand offers him employment as handyman . Claude lives along with her two sisters , Nicole(Eva Leon) a gorgeous nymphomaniac and Ivette ( Maria Perschy) who is wheel-bound, . Gilles's arrival originates a terrible drama among them . The best friend of the family is the doctor (Eduardo Calvo) who cares of Ivette along with a nurse named Michelle (Ines Morales) . After that , on the Angers (France) county occurs various deaths who belong to blue-eyes and blonde hair girls , furthermore their eyes are pulled off. The gendarme named Pierre (Antonio Pica) to investigate the case of the killing series that have been committed by an ominous murderer and discovers Gillian actually is Alain Dupre a dangerous criminal , imprisoned for rape . The psycho-killer murders his victims cruelly by means of slashing , knife and axing . There are several suspicious , who's the killer ? .

This is a Spanish Gialli in low budget about 8.000 Euros and filmed in Navarra and Torrelodones (Madrid) . It contains suspense , tension , whodunit , plot twists and lots of blood and guts with abundant sensationalistic scenes and a Naif style. The movie has a bit of ridiculous gore with loads of blood similar to tomato . B-entertainment with a fairly suspenseful and horrifying story in which a killer series undergoes a criminal spree by means of slitting , decapitation and other brutal executions . Typical Spanish touches as the pig slaughter , the tractor and ordinary Spanish Bar , in spite of French setting is completely shot in Spain . This tale about a suspicious ex-con and a malevolent murderous begins well and grows more and more until the exciting and twisted finale in which we figure out the nasty guilty . There is another double version that packs nudism in charge of Eva Leon, Diana Lorys and other women , as there are gratuitous nudism and top-less . Lots of blood and gore and throat slitting in several images that impacted the viewers for that time . The film follows the Dario Argento wake from his early period when he made Gialli-classics as as ¨Four flies on grey velvet , The cat with nine tails and The bird with the crystal plumage ¨ . Nice cinematography in correct remastering by Francisco Sanchez and shot on location Pamplona and the mansion of Naschy's parents. Ample support cast , usual of Eurotrah as Maria Perschy ,Antonio Pica and Luis Ciges ,Eduardo Calvo , both of whom habitual of Jacinto Molina films . Anti-climatic and unappropiated musical score by Juan Carlos Calderon . The late Naschy was a good professional , writing, filmmaking and acting about hundred titles , mainly in terror genre. ¨House of doom or House of psychotic women¨ is written by Molina along with 21 screenplays as ¨Mark of Wolfman¨, ¨Night of Walpurgis¨, ¨Vengeance of the mummy¨, ¨Licantropo¨, among them . He directed 13 films as ¨The Cantabros¨, ¨Return of Wolfman¨, ¨The Beast and the magic sword¨ and many others. This slasher motion picture is professionally directed by Carlos Aured , a slick craftsman who directed all kind of genres, especially Erotic and Terror for Paul Naschy as ¨Horror rises from tomb¨¨¨Vengeance of the mummy¨ and , ¨Return of Walpurgis¨ . The picture will appeal to Paul Naschy fans and Giallo buffs .

This is an above average Spanish made giallo with odd characters and atmosphere. The plot begins when ex-convict Paul Naschy comes to a small town and finds work as the caretaker of a desolate house owned by three sisters. Soon after, the town is plagued by a series of killings, the victims of which are all girls with blonde hair and blue eyes. The mystery behind these murders then unwinds from there.

Los ojos azules de la muneca rota contains all the elements of a good giallo. It has strange characters, including Paul Naschy who experiences eerie flashbacks and the three sisters he works for, whom all suffer from some form of psychosis. This movie has some very suspenseful and brutal murder scenes as well, including a nasty killing with a small garden rake. The plot, too, is excellent and filled with countless twists. Just when it seems to not make any sense it suddenly does. This film also boasts a truly bizarre atmosphere that cannot really be described but stems partially from the fact that there are no typically normal characters anywhere in the film and, at times, things seem to be happening for no particular reason.

Overall, this is a fine giallo that has all the essential components of the genre and, with its strange atmosphere, manages to be slightly different.