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IMDbPro

La garra sangrienta

Título original: La morte accarezza a mezzanotte
  • 1972
  • Not Rated
  • 1h 42min
CALIFICACIÓN DE IMDb
6.3/10
2.3 k
TU CALIFICACIÓN
Nieves Navarro in La garra sangrienta (1972)
In the midst of a drug-fueled photo-shoot, a model witnesses a brutal murder in the apartment opposite hers. But when the authorities refuse to believe her, she is forced to assume the role of amateur sleuth to unravel the mystery.
Reproducir trailer2:48
2 videos
67 fotos
CrimenMisterioSlasher TerrorTerrorThriller

Agrega una trama en tu idiomaDuring a drug-fuelled photoshoot, a model witnesses a brutal murder in the apartment opposite hers, and is forced to become an amateur sleuth to unravel the mystery.During a drug-fuelled photoshoot, a model witnesses a brutal murder in the apartment opposite hers, and is forced to become an amateur sleuth to unravel the mystery.During a drug-fuelled photoshoot, a model witnesses a brutal murder in the apartment opposite hers, and is forced to become an amateur sleuth to unravel the mystery.

  • Dirección
    • Luciano Ercoli
  • Guionistas
    • Sergio Corbucci
    • Ernesto Gastaldi
    • Mahnahén Velasco
  • Elenco
    • Nieves Navarro
    • Simón Andreu
    • Peter Martell
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    2.3 k
    TU CALIFICACIÓN
    • Dirección
      • Luciano Ercoli
    • Guionistas
      • Sergio Corbucci
      • Ernesto Gastaldi
      • Mahnahén Velasco
    • Elenco
      • Nieves Navarro
      • Simón Andreu
      • Peter Martell
    • 44Opiniones de los usuarios
    • 49Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos2

    Trailer
    Trailer 2:48
    Trailer
    LA Morte Accarezza A Mezzanotte: Stefano! (Us)
    Clip 2:12
    LA Morte Accarezza A Mezzanotte: Stefano! (Us)
    LA Morte Accarezza A Mezzanotte: Stefano! (Us)
    Clip 2:12
    LA Morte Accarezza A Mezzanotte: Stefano! (Us)

    Fotos67

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    Elenco principal28

    Editar
    Nieves Navarro
    Nieves Navarro
    • Valentina
    • (as Susan Scott)
    Simón Andreu
    Simón Andreu
    • Gio Baldi
    Peter Martell
    Peter Martell
    • Stefano
    Carlo Gentili
    Carlo Gentili
    • Inspector Serino
    Ivano Staccioli
    • Prof. Otto Wuttenberg
    Claudio Pellegrini
    • Henri Velaq
    Fabrizio Moresco
    Fabrizio Moresco
    • Pepito
    Alessandro Perrella
    • Van Driver
    Elio Veller
    • Pino
    Luciano Rossi
    Luciano Rossi
    • Hans Krutzer
    Raúl Aparici
    • Juan Hernandez
    Giuliana Rivera
    • Vanessa
    Anna Recchimuzzi
    • Nun
    Manuel Muñiz
    • The Porter
    • (as Pajarito)
    Guido Spadea
    • Spadea - Policeman
    Franco Moraldi
    • L'ispettore Capo Toscano
    Giorgio White
      Giacomo Pergola
      • Giacomino - il Pazzo Ballerino
      • Dirección
        • Luciano Ercoli
      • Guionistas
        • Sergio Corbucci
        • Ernesto Gastaldi
        • Mahnahén Velasco
      • Todo el elenco y el equipo
      • Producción, taquilla y más en IMDbPro

      Opiniones de usuarios44

      6.32.3K
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      Opiniones destacadas

      6ferbs54

      You Might Need H.D.S. To Figure This One Out...

      Following such marvelous gialli as 1970's "Forbidden Photos of a Lady Above Suspicion" and 1971's "Death Walks on High Heels," director Luciano Ercoli, screenwriter Ernesto Gastaldi, and actors Susan Scott and Simon Andreu reunited one more time, and the result, 1972's "Death Walks at Midnight," although perhaps the least of the three films, is another winning entertainment, nevertheless. In this one, Scott plays a gorgeous redheaded model, Valentina, who becomes the willing test subject of a new hallucinogen, H.D.S. During her trip, she sees a spike-gloved killer mutilate a young girl across the way...a murder that, as it turns out, actually transpired six months earlier! Holy flashback! And from this bizarre setup, things get progressively stranger, as said killer starts to stalk Valentina all over the streets of Milan. Anyway, perhaps I'm a little slow on the ol' rebop, but I had to watch this picture almost three full times before it began to make a bit of sense to me. The plot is a bit convoluted, to say the least, and whereas in most gialli I make an attempt (usually a fruitless one) to spot the killer, here, I was hard pressed just to barely keep up. Still, brain twisting as the film is, it did, ultimately, kinda sorta make sense to me (just don't ask me to explain it out loud!). And the picture does have a lot going for it: stylish direction, beautiful photography of the city of Milan and its countryside, yet another supersexy performance from Susan Scott, a catchy score by Gianni Ferrio, several (not overly) gory homicides, and a furious rooftop dukeout to cap off the film. Drug dealers, a mental institution, a pot party, groovy discos, a couple of cute little Japanese kids, a murder attempt in a cemetery, and a bloody cat all, ultimately, get thrown into the mix. Yes, this IS one heady giallo. And the great-looking DVD from No Shame that I just watched does it justice indeed.
      7rundbauchdodo

      Another Giallo that rocks!

      This rare Giallo was Luciano Ercoli's follow-up to the rather tame but nonetheless enjoyable "Le Foto Proibite di una Signora Perbene" (Forbidden Photos of a Lady Above Suspicion in English; Frauen bis zum Wahnsinn gequält in German, which means "Women tortured to insanity"!!!).

      There are some similarities in the storyline, but overall, "La Morte Accarezza a Mezzanotte" is obviously superior. After a powerful start, when Susan Scott as Valentina has a murder vision during a drug trip she suffers for her journalist colleague (who makes a photo session out of the "experiment" to publish it in the junk paper he's working for - that she initially does NOT know!), the film becomes a little bit slow moving as Valentina is suddenly stalked by numerous strange persons. But the second half of the film delivers more than many other thrillers together - suddenly, the bodies are piling up and there's also enough time for action and fist fights that could easily find place in Your average police drama of its decade.

      The uncovering of the fiend is really surprising, more so if one considers that one thinks to know the face of the real killer after seeing the above mentioned drug trip sequence (to make things more clear here would give away too much).

      Last but not least, there is also an exceptional musical score by Gianni Ferrio, a typical yet unique Giallo score including, of course, a lush main theme song.

      To wrap it all up: This film is one of the many fine Italian thrillers of the 1970s that deserve to be rediscovered by an interested audience.
      6nightroses

      It was okay

      There is a lot of charm to early 70's European films that you don't find now. One of those charms is the music, and another is the way people used to dress, and their attitude. It was so quaint. The fact nobody relied on mobile phones back then and just ran to call boxes, and the turning dial phones was old fashioned and pleasant. Parts of the film here was just funny, the big smacks in the faces, the name calling insults, tantrums and the characters a bit goofy. Valentina, the main character has horrid visions of a scary man killing a woman after taking an experimental drug. Ever since then she's been followed and I always had suspicions. Pleasantly made gory crime film.
      5bensonmum2

      Something of a letdown

      During an experiment with a hallucinogenic drug, model Valentina (Nieves Navarro aka Susan Scott) sees a woman being brutally murdered by a man wearing a spiked iron glove. But when no body is found, she can't seem to get anyone to believe her story. She begins to see the killer everywhere she goes. She's sure her life is in danger and is unable to convince her friends or the police that she's being stalked by a vicious murderer.

      I had high hopes for Death Walks at Midnight having just seen and enjoyed Death Walks on High Heels. The two movies have so much in common that it seemed like a sure thing. While not being a sequel, the two movies share a director, a number of actors, and a convoluted plot. But while I found the twists and turns in Death Walks on High Heels a joy to watch unfold, Death Walks at Midnight is a little too convoluted for its own good. Story lines are introduced and almost dropped immediately with no resolution. These story tangents have nothing to do with the plot other than muddying the waters. Characters are introduced with no background information and almost immediately forgotten about. Too many of the characters never seem "real" or fleshed-out and are not effective red herrings. And, I almost get the feeling that much of the movie is weird for the sake of being weird. There's no real purpose for many of the unusual events, people, places, etc. in Death Walks at Midnight other than adding some bizarreness to the proceedings. For example, why even have the asylum scene? It adds nothing to the film. The problems with the plot are really disappointing because not only did I enjoy the first movie, but Death Walks at Midnight's screenplay was written by Sergio Corbucci. Corbucci directed some of my favorite Spaghetti Westerns. But here, he's written what I'll describe as a spastic script that tries too hard to be different.

      That's not to say the movie was a total waste of time. There are a number of things I really enjoyed about Death Walks at Midnight. First would have to be Nieves Navarro. As I said when writing about Death Walk on High Heels, Navarro is excellent in this kind of film. She's a natural playing the "Woman in Distress". Navarro has a real, undeniable screen presence. Second would have to be the spiked glove. It's as nasty a murder weapon as you'll see. Finally, I like the overall look of the film. Ercoli had a real eye for some interesting visuals.

      In the end, I can't wholeheartedly recommend Death Walks at Midnight to anyone other than a die hard Giallo fan. There are far better, more entertaining examples of the genre that might appeal more to the casual fan.
      6ma-cortes

      Spanish/Italian Giallo plenty of killings , thrills , twists and turns

      Italian/Spanish co-production dealing with a killing spree with several suspects . It concerns on Valentina (Nieves Navarro and Susan Scott) a gorgeous and spunky fashion model living in Milan . Valentina proofs an experimental hallucinogenic drug and while influenced by the doses , she has a vision of a woman being cruelly killed by an ominous murderous . Valentina finds herself pursued by the same murderer with a spiked glove . It begins with the mysterious death of a woman and continues spirals into the killing . Meanwhile a journalist (Simon Andreu) becomes companion and protector the cover-up who is being continuously stalked .

      This Giallo contains suspense , thrills, chills , intrigue and plot twists . Luciano Ercoli's great success is compellingly directed with well staged murders plenty of startling visual content , though was submitted to limited censorship in Spain . This is a customary slasher where the intrigue, tension, suspense appear threatening and lurking in every room , corridors and luxurious interior and exterior . The picture packs atmospheric blending of eerie thrills and creepy chills combined with a twisted finale . It displays lots of blood but it seems pretty mild compared to today's gore feasts . It's a solid movie , a thrilling story plenty of suspense and intrigue in which the victims seem to be continuous . The staged killings are the high points of the movie , they deliver the goods plenty of screams, shocks and tension . The intriguing moments are compactly made and fast moving ; as the film itself takes place from various points of sights . It packs tension, shocks , thrills , chills and lots of blood . There're brief moments of gore as the killing with the spiked glove and a number of scenes that are quite thrilling , resulting to be definitely the spotlight of the film the surprising ending situation . Written by the usuals , Ernesto Gastaldi and Sergio Corbucci , a good director of Spaghetti Western . Good ambiance design and acceptable production design by Eduardo De La Torre Fuente. Luciano Ercoli's so-so direction is well crafted, here he's less cynical and more inclined toward violence and lots of killings . It's a co-production Italian-Spanish filmed in Alfonso Balcazar studios (Barcelona)and De Paolis (Rome) , for that reason appears Spanish actors as Nieves Navarro , Simon Andreu and Italian players as Ivano Staccioli, Luciano Rossi and the recently deceased Peter Martellanza or Peter Martell , both of whom ordinary baddies in Spaghetti Western . Colorful cinematography by Fernando Arribas who photographed splendidly city of Milan where is developed the action . However , the photography is washed-out and for that reason is necessary an urgent remastering . Atmospheric and commercial musical score by Gianni Ferrio .

      The picture is regularly directed by producer/filmmaker Luciano Ercoli. Talented and versatile Ercoli has produced/directed a vast array of often solid and entertaining films in all kind of genres as horror, Giallo and Western, in a middling career . He produced a trilogy for Duccio Tessari formed by two Western as ¨A pistol for Ringo¨, ¨The return of Ringo¨ and ¨Kiss, Kiss , Bang , Bang¨ , the latter is set in modern times and deal with a heist . All of them are amusing and entertaining and starred by similar cast as Giuliano Gemma , Fernando Sancho , Lorella De Luca and Nieves Navarro who married the producer Luciano Ercoli . He also produced the Giallo trilogy starred by Simon Andreu and his wife Susan Scott formed by ¨Death walks on high heels¨ , ¨The forbidden photos of a lady above of suspicion¨, and ¨Death walks at midnight¨. Rating: Acceptable and passable , this is one imaginative slasher picture in which the camera stalks in sinister style throughout a story with acceptable visual skills though contains some flaws and gaps . This is a bewildering story , funny in some moment but falls flat and it will appeal to hardcore Gialli fans

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      Argumento

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      • Trivia
        The wooden sculptures Stefano creates throughout the movie were made by the Italian-based Japanese sculptor, Tomonori Toyofuku (credited as Toyo Fuku)
      • Errores
        When the nun conducting Valentina through the asylum stops to laugh in appreciation of a patient's tap dancing, her lips move, but only the sound of her laughter is heard.
      • Citas

        Pino: Mm, I've never felt this way before. Even the girls are looking good to me.

      • Conexiones
        Referenced in All the Colors of Giallo (2019)
      • Bandas sonoras
        Valentina (Controluce)
        Performed by Mina

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      • How long is Death Walks at Midnight?
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      Detalles

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      • Fecha de lanzamiento
        • 12 de septiembre de 1974 (México)
      • Países de origen
        • Italia
        • España
      • Idiomas
        • Inglés
        • Italiano
      • También se conoce como
        • Death Walks at Midnight
      • Locaciones de filmación
        • Estudios Balcázar, Barcelona, Cataluña, España
      • Productoras
        • Cinecompany
        • C.B. Films S.A.
      • Ver más créditos de la compañía en IMDbPro

      Especificaciones técnicas

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      • Tiempo de ejecución
        1 hora 42 minutos
      • Relación de aspecto
        • 2.35 : 1

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