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IMDbPro

The Man

  • 1972
  • G
  • 1h 33min
CALIFICACIÓN DE IMDb
6.9/10
455
TU CALIFICACIÓN
James Earl Jones, Martin Balsam, Barbara Rush, and William Windom in The Man (1972)
Drama

El senador Douglas Dillman es designado superviviente de un trágico accidente que mata al presidente de los Estados Unidos y se convierte en el primer presidente negro de los Estados Unidos,... Leer todoEl senador Douglas Dillman es designado superviviente de un trágico accidente que mata al presidente de los Estados Unidos y se convierte en el primer presidente negro de los Estados Unidos, intenta acabar con la intolerancia en su camino.El senador Douglas Dillman es designado superviviente de un trágico accidente que mata al presidente de los Estados Unidos y se convierte en el primer presidente negro de los Estados Unidos, intenta acabar con la intolerancia en su camino.

  • Dirección
    • Joseph Sargent
  • Guionistas
    • Irving Wallace
    • Rod Serling
  • Elenco
    • James Earl Jones
    • Martin Balsam
    • Burgess Meredith
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.9/10
    455
    TU CALIFICACIÓN
    • Dirección
      • Joseph Sargent
    • Guionistas
      • Irving Wallace
      • Rod Serling
    • Elenco
      • James Earl Jones
      • Martin Balsam
      • Burgess Meredith
    • 22Opiniones de los usuarios
    • 14Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 nominación en total

    Fotos19

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    + 12
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    Elenco principal31

    Editar
    James Earl Jones
    James Earl Jones
    • Douglass Dilman
    Martin Balsam
    Martin Balsam
    • Jim Talley
    Burgess Meredith
    Burgess Meredith
    • Senator Watson
    Lew Ayres
    Lew Ayres
    • Noah Calvin
    William Windom
    William Windom
    • Arthur Eaton
    Barbara Rush
    Barbara Rush
    • Kay Eaton
    Georg Stanford Brown
    Georg Stanford Brown
    • Robert Wheeler
    Janet MacLachlan
    Janet MacLachlan
    • Wanda
    Martin E. Brooks
    Martin E. Brooks
    • Wheeler's Lawyer
    • (as Martin Brooks)
    Simon Scott
    Simon Scott
    • Hugh Gaynor
    Patric Knowles
    Patric Knowles
    • South African Consul
    Robert DoQui
    Robert DoQui
    • Webson
    Anne Seymour
    Anne Seymour
    • Ma Blore
    Edward Faulkner
    Edward Faulkner
    • Secret Service Man
    Gilbert Green
    Gilbert Green
    • Congressman Hand
    Lew Brown
    Lew Brown
    • Gilbert
    Philip Bourneuf
    Philip Bourneuf
    • Chief Justice Williams
    Reginald Fenderson
    Reginald Fenderson
    • Reverend Otis Waldren
    • Dirección
      • Joseph Sargent
    • Guionistas
      • Irving Wallace
      • Rod Serling
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios22

    6.9455
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    Opiniones destacadas

    9preachingprince

    Rare Treat

    Although dated this is an excellent movie with Jones as commanding as usual. One of the most intriguing phenomena to watch is how his character grows into the bold and confident president one would expect of one who has tasted the power of the office. The ubiquitous theme of racism is dealt with adroitly. Moreover the Rod Serling screenplay makes one wish the old master would have left a greater body of work along these lines. The Movie is however much different from the book but this was for me a very enjoyable find, especially after a near 30 year search. I recently got a fair copy from videogrill on Ebay. As of this date 4-20-6 there is another copy being offer through the same online group.
    5PRHill100

    Irving Wallace's - THE MAN

    I was interested in reading the comments on the message boards at the base of the IMDb listing for THE MAN.

    This is only one of several novels written by Irving Wallace that has been transferred to "the big screen." Irving Wallace did NOT like the treatment that THE MAN received in the translation from his written words to the screen. In that I agree.

    I have read ALL of his books and found each one to be a "page turner" regardless of how many times I have read them over the years. He was a superb writer and I'm only one of a legion of his fans.

    I was very disappointed in the screen adaption of THE MAN. The novel was approximately 800 pages in length and the screen version covered about the first 150 pages. The other 650 pages were lost to Rod Serling's abilities. Very unusual for Serling and I find it very disappointing to say the least.

    I agree, this movie should be released on DVD. It's an excellent movie even taking into consideration the "adaption" to the screen. I also happen to be a great fan of James Earl Jones and for that reason alone I think it should be released.

    As a side point, every novel written by Wallace had been opted for screen or mini-series treatment. Unfortunately, he died in 1990 and I do recall him saying that as a result of ABC's treatment of THE MAN he would not allow any of his novels to be made into motion pictures unless he was in control of the process. He died - unfortunately. I was so looking forward to the CBS mini-series on his novel THE MIRACLE! If you can find any of his books I highly recommend that you buy and read them. Every one of them was a "page turner" and you won't be disappointed.
    celestr

    A Profound Film with a Profound Message

    As an African-American educator, I found this movie to be an extraordinary one. I hope to find a copy to show to my students who will participate in this year's Multicultural Career Institute, which is in its 13th year on our university campus. Situated in the Midwest, only 10 percent of the university's 22,000 students are students of color. The majority of the students come from small to large farming communities where few, and far too often, no persons of color live. One of the biggest fears that white America has always harbored is the insane notion that 1) only whites can lead this country and 2) if a person of color is elected to a high-ranking position, then white America will find itself the recipient of vengeance and payback for slavery, racism, etc. This film disputes these notions and allows the viewer to understand America in its truest form.
    F Gwynplaine MacIntyre

    Good intentions, weak results

    "The Man" is dominated by a screenplay written by Rod Serling in his oh-so-earnest mode. The movie benefits from Serling's sincere convictions towards racial progress, but the film is undercut by Serling's tin ear for dialogue.

    In the opening scene, a White House breakfast is in progress even though the President and the Speaker of the House are visiting a mediaeval cathedral in Europe. Suddenly news arrives that the cathedral has collapsed: the President and the Speaker are dead. White House aides inform Vice President Calvin (a good performance by Lew Ayres) that he's now the chief executive. But Calvin is old and frail, and he refuses the job. I found this contrived: if the Vice President isn't medically fit to replace the President at an instant's notice, then he isn't fit to be Vice President and shouldn't hold the office.

    By an obscure but apparently genuine constitutional fluke, the Presidential succession devolves to an obscure senator named Douglass Dilman (James Earl Jones) who happens to be Negro. Yes, a black man is now President!

    "The Man" raises some interesting issues. Jones gives an intelligent and dignified performance as the black President who refuses to see his job promotion as proof of racial progress. He knows he wasn't *elected* to the job, and he doesn't believe that America will elect a black President any time soon. (This was 1972.)

    William Windom, who usually played sympathetic roles, gives an excellent performance as a bigoted white politician who covets the Presidency. (The posters for this movie depicted Windom speaking a racial epithet.) Charles Lampkin is excellent in a small role as a black Congressman. And, of course, now that a black man is in the Oval Office, there's a plot to assassinate him...

    For some reason, comedian Jack Benny gets very large billing for a very brief scene in "The Man". He appears only in the opening teaser sequence: when the opening credits roll with Benny's name on the screen, we've already seen his entire performance and he won't show up again! Playing himself, Jack Benny performs a comedy monologue during the White House breakfast. But Benny's legendary timing is off, and he doesn't bother to conceal that he's reading his jokes off a legal pad. I'm a Jack Benny fan, but he disgraces himself here.

    There are some good scenes in "The Man" but there's a lot of sermonising too, and very little action. I recommend this film with reservations, and I'll give it 5 points out of 10. I sincerely believe that the U.S.A. will eventually elect a black President ... but, sad to say, I also believe that the first African-American President will almost certainly be assassinated. I hope I'm wrong.
    9ricboyd2

    Please get the story straight

    The premise of this film is about a man appointed to be President under unusual circumstance. The current President and Speaker of the House tour a building in Europe, which colapses and kills them both, the vice-president is ill and can't fullfill the office.

    The Presidency falls to a surprizing fourth in line.

    It's a great story and I don't understand why it isn't on video yet.

    The only small flaw is that it is time dated with the premise of Apartied in South Africa. Everyone write to the studio and get them to put it out on video. It has appeared on TV but they cut it to ribbons and destroy the continuity. -ARBY

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    • Trivia
      James Earl Jones was interviewed about portraying a fictional black U.S. president a few days before Barack Obama was sworn in as President. Jones said that he had misgivings about the film, mostly because they were blindsided when the project (which was planned and budgeted as a TV movie) was released in theaters, and he wished that they'd had more time and resources to make a stronger final film.
    • Citas

      Wanda: How are you, Dad?

      Douglass Dilman: Numb! Numbness being a, er, defence mechanism.

      Wanda: Against what?

      Douglass Dilman: Against... against breaking into small pieces. They flew you here? From Ohio?

      Wanda: On an Air Force jet, no less. Two Secret Servicemen came right into my dorm and got me.

      Douglass Dilman: What's known as the long arm of Government!... It's nice to have you in the nation's capital for something other than a protest march.

      Wanda: Well, I guess I'll have to cool that sort of thing for a while.

      Douglass Dilman: I think maybe so. You are now a member of the nation's First Family, small though it may be. So the next time you throw rocks at the Establishment, keep in mind that the father you hit may be your own.

      [beat]

      Douglass Dilman: Perhaps by tomorrow morning, I can get my hands to stop shaking. I'm the wrong one, Wanda.

      Wanda: Why?

      Douglass Dilman: They were expecting a black Messiah. You can tell them what they got, eh?

      Wanda: What they got is a black President. That's more than they've ever gotten.

      Douglass Dilman: May I remind you, not by election. And the rest of the country is going to want an Uncle Tom. Well, I can't be what everybody wants me to be. And I'm a little afraid that I'm going to cause this country more chaos then it really deserves.

      Wanda: Well, I don't give a damn about the rest of this country, their sensitivities, their racial hang-ups. Do me a favour, will you, please? Stop being the pedantic professor with an aversion to causes. Stop being "Senator Ineffectual". There are fifteen million people out there, tied to you by the colour of your skin. And if you go under, they drown with you. They don't want you humble. They don't want you apologetic. They just want you President.

    • Conexiones
      Featured in The Dick Cavett Show: Episode dated 19 July 1972 (1972)

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    Preguntas Frecuentes13

    • How long is The Man?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 19 de julio de 1972 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • ザ・マン~大統領の椅子~
    • Locaciones de filmación
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, California, Estados Unidos(Studio)
    • Productoras
      • ABC Circle Films
      • Lorimar Productions
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

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