The River Niger

"The River Niger" is very much a time capsule of the mid-1970s. There's a lot of good acting, some bad acting, and some pretty much middle of the road direction. The director, Krishna Shah, is probably the main thing which keeps this good film from being great. He just doesn't have a real vision for this sort of thing. As you might expect from a stage adaptation, Joseph A. Walker's script is why this is worth watching. He writes excellent dialogue, characters, and best of all - poetry. Then again, there's a bit too much emphasis on the self-conscious black identity stuff, even for 1976.

James Earl Jones, who plays the poet, is the best thing about "The River Niger". He is very compelling, intense, and instantly likable. His performance, along with that of Louis Gossett Jr. (credited here as Lou Gossett), makes one wish there was a better made film to frame it. Definitely worth seeing, though.

I love James Earl Jones and Cicely Tyson as a couple. They live in the ghetto or slums of Los Angeles, California in the 1970s. The rest of the cast includes the under-used Hilda Haynes and Louis Gosset Jr. The story of Johnny Williams as a poet and his ill wife played by Tyson is not so bad and their surroundings are undesirable as they battle crime, gangs, violence, and living in a tough part of the city. Jones and Tyson are a formidable pair and strong together on screen and they are worth watching the film alone even if it's not that great on paper. JOnes's performance elevates the role into a complex character of JOhnny Williams and there are familiar actors and actresses also in this film. The River Niger might not be that great but it's not that bad and Tyson and Jones are so strong together that you can see them at odds as well. Johnny loves his wife, Mattie, and strives as a poet but the scene where he reads to Mattie is heartbreaking, emotional, and worth watching. I didn't care for the other scenes involving the gangs, violence, and crime. I just loved watching Tyson and JOnes as a couple.

This movie starred some heavy-hitter actors, Black or otherwise: James Earl Jones, Cicely Tyson, Louis Gossett Jr., Glynn Turman, and a couple of other familiar faces. There is a lot going on in the movie without there being a clear direction toward any one thing.

Johnny Williams (James Earl Jones) was a hopeless alcoholic whose sole source of pride was his military son, Jeff (Glynn Turman).

Jeff was like many young Black men in the 70's, he wanted more than what the world was willing to give him, but most of all he wanted to be his own man.

The movie had some erudite moments from both Johnny and Jeff, but at other times it seems to wander hoping to survive on poignant rhetoric. Unfortunately, I was watching a bad dub because the sound would drag and the picture quality was bad even for 1975--and this was an Amazon Prime video!

But, I'd never hold video or sound quality against a low budget drama. The overall product wasn't that great, but it had its moments and considering the budget was probably barely enough to cover bus fare to and from shoots, I'll give it a pass.

This film contains several well known actors in some different types of roles than the ones we are used to seeing them in. For instance, there's Roger E. Mosely (TC on Magnum PI) as Big Moe, an activist/leader & Glynn Turman (Cooley High & the TV show, A Different World) as Jeff, who has just come home from flight school and is trying to stay out of trouble, but yet at the same time help the cause and his friends. With this movie, we get to see James Earl Jones (Johnny) as a regular everyday working man, a house painter, who just happens to have a knack for some of the most beautiful poetry around. Though he has his own problems, he still tries the best way he knows how to support his family. He is very proud of his son Jeff's accomplishments in flight school and wants more than anything to see him in his uniform. Cicely Tyson plays the ever-supporting wife, Mattie, who loves her husband (despite his 'ways') and family more than anything in the world. She tries to keep herself together even though she and her family are facing some very trying times. The grandmother, Geneva Wilhemnia Brown, is played by the lovely Hilda Haynes. She adds a bit of comic flair at times to the film and interacts especially well with Johnny. The talented Lou Gossett is Johnny's best friend & confidante, who often has to bail him out. These are two buddies who really love each other, even though they rib on each other a lot. The role of Anne was brilliantly done by Jonelle Allen as Jeff's fiancé.

In this film, Johnny & his son, Jeff must ultimately choose between what is right & what is best for for the family. These two strong-willed, passionate men are more alike than they realize and Mattie often has to be the voice of reason & neutrality. I feel that the ending, should have been more complete and given more of an "ending", so that the viewer wouldn't be left with any questions.

A well made film, though it doesn't seem to be too well known. This is the film adaptation of an off-Broadway play that garnered a Tony! Enjoy this worthwhile family drama!

This is a must see film.This movie is poetry in itself. Thumbs up to this work!!! The unconditional love between Tyson's character and Jones' character exuded the power of 'Black Love'. The very fact that through out the entire movie, you were constantly reminded of God's power and creativity, was captivating, especially the poetry. Turman's character's awakening to the sleeping giant within, to fight the oppressive system that has held back the African American race for generations, decision to fight back with intelligence instead of violence was a move in the right direction to solid change. Violence is only a temporary solution to a life long problem. To not spoil the end, Jones' character, what can I say, selfless hero! This movie should be viewed by all young African American men and women. This will remain a classic!