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IMDbPro

Elvis on Tour

  • 1972
  • G
  • 1h 33min
CALIFICACIÓN DE IMDb
7.5/10
2 k
TU CALIFICACIÓN
Elvis Presley in Elvis on Tour (1972)
Concert footage and offstage documentary of singer Elvis Presley.
Reproducir trailer3:04
2 videos
58 fotos
DocumentaryMusic

Agrega una trama en tu idiomaConcert footage and offstage documentary of singer Elvis Presley.Concert footage and offstage documentary of singer Elvis Presley.Concert footage and offstage documentary of singer Elvis Presley.

  • Dirección
    • Robert Abel
    • Pierre Adidge
  • Guionistas
    • Robert Abel
    • Pierre Adidge
  • Elenco
    • Elvis Presley
    • Bill Baize
    • Estell Brown
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    7.5/10
    2 k
    TU CALIFICACIÓN
    • Dirección
      • Robert Abel
      • Pierre Adidge
    • Guionistas
      • Robert Abel
      • Pierre Adidge
    • Elenco
      • Elvis Presley
      • Bill Baize
      • Estell Brown
    • 36Opiniones de los usuarios
    • 20Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado en total

    Videos2

    Official Trailer
    Trailer 3:04
    Official Trailer
    Elvis On Tour
    Clip 0:58
    Elvis On Tour
    Elvis On Tour
    Clip 0:58
    Elvis On Tour

    Fotos58

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    + 50
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    Elenco principal39

    Editar
    Elvis Presley
    Elvis Presley
    • Self
    Bill Baize
    • Self - The Stamps
    Estell Brown
    • Self
    • (as Estelle Brown)
    James Burton
    James Burton
    • Self
    Ed Enoch
    • Self - The Stamps
    Joe Esposito
    • Self
    Lamar Fike
    • Self
    Joe Guercio
    • Self
    Glen D. Hardin
    • Self
    Charlie Hodge
    • Self
    Jackie Kahane
    • Self
    Carey Lindley
    • Carey Lindley…
    Jerry Osborne
    • Self
    Randall Peede
    • Self
    Vernon Presley
    Vernon Presley
    • Self
    Christopher Riordan
    • Self
    • (material de archivo)
    Jerry Scheff
    • Self
    Jerry Schilling
    Jerry Schilling
    • Self
    • Dirección
      • Robert Abel
      • Pierre Adidge
    • Guionistas
      • Robert Abel
      • Pierre Adidge
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios36

    7.51.9K
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    Opiniones destacadas

    8ferguson-6

    Glory, Glory, Hallelujah

    Greetings again from the darkness. Thanks to the one night showing through Fathom Events, I got to see this on the big screen again for the first time since it's initial release in 1972. For the 75th Anniversary, an introduction was added that included some clips and interviews. I found it most interesting to get a behind the scenes look at how the film was put together, and the roles of Robert Abel, Pierre Adidge and Martin Scorcese.

    The film itself won a Golden Globe for best documentary and it's easy to see why. It provides a look at Elvis on the road ... and a peek at what he was like as a man. In the new intro, Priscilla says "Elvis didn't just sing a song". She is so right. Sure, he had an amazing voice. And yes, he was an incredibly charismatic stage performer. Obviously, he was a handsome man and sex symbol of the times. But what the film reminds us is that he was a musician ... a man who felt and loved the music.

    For anyone who doesn't "get" Elvis or thinks he was just some old guy in a sequined jumpsuit, this is the film to watch. Upon its original release, Rolling Stone magazine's headline read "Finally, the first Elvis movie". The montage of his early years and crowd shots of his later years, show just what an impact he had on his fans. There was, and still is, a connection to those who were captivated by the man and his songs. He truly was a musical and social phenomenon.

    Seeing him carry the burden of being ELVIS is very interesting. While the songs and performances are fun to watch, the real value here is in the backstage portions. That's where we see that he lived for the music. How else can you explain the voluminous recording library he left behind in less than 20 years. Despite the military service, pressures of fandom, and his personal issues, he continued recording songs that we can enjoy today. Compare this to the Rolling Stones, whose careers have lasted more than twice as long as Elvis! While he was not at his physical peak on this tour, he was 37 years old and in decent condition. What is obvious is that the VOICE is still there when he wants it. The two best moments are when he records "Separate Ways" and then when he performs "Trilogy". That is the proof that the special gift never left him.

    It's difficult to watch this and realize that Elvis was dead 5 short years later. It really affects how you view his father, Vernon, who we see backstage and watching his son perform. It is also painful to see guys like Joe Esposito and Sonny and Red West kissing up to Elvis, now that we know they would go on to publish trash stories about him their golden goose was dead.

    The film truly captures a part of history and a glimpse at a fascinating man, who really was the first mega-superstar who became bigger than life.
    6Bunuel1976

    ELVIS ON TOUR (Pierre Adidge and Robert Abel, 1972) **1/2

    As indicated by the title, the film is a documentary – edited by Martin Scorsese! – showing highlights of Elvis Presley touring the USA (with much use of the then-trendy split-screen technique); interesting in itself, this also served as the iconic singer’s cinematic swan-song. Of course, his inflated appearance by this time – a far cry from his lean early years, seen intermittently throughout via stock footage – is rather sad to witness but, at least, he seemed to be in good spirits.

    We’re shown Elvis performing in front of several different hysterical audiences – at one point, even admitting to still getting stage fright before going on – but also get to see him relax with his backing musicians (generally by singing gospel songs). The musical numbers include very few of his hits (“Love Me Tender” and “Can’t Help Falling In Love”, while others like “That’s All Right”, “Mystery Train” and “Suspicious Minds” are only heard via original recordings) but there are two outstanding cover versions by The King of then-vintage rock classics – Creedence Clearwater Revival’s “Proud Mary” and Simon & Garfunkel’s “Bridge Over Troubled Water”!

    The great final line of the film – “Elvis has left the building” – spoken by the compere (and which I suppose was uttered during most of his shows from this era) clearly attests to Presley’s legendary status even when he was still alive; this is followed by an inspired last shot of Elvis in pensive but evidently happy mood. Incidentally, the film won the Golden Globe Award as the year’s Best Documentary Feature – but, then, didn’t even make the list of nominees at the Oscars!
    Wizard-8

    Okay, but more for die hard fans of Elvis

    I've never been a big fan of Elvis Presley, though I will admit he could certainly belt out a great song, and he also knew how to put on a good show in front of an audience. "Elvis on Tour" is without doubt a valuable rock and roll concert documentary, capturing what Elvis was like in a key part of his career. It shows that he still had considerable singing chops and magnetism.

    But at the same time, something often seems to missing as he's singing, almost like he is just going through the motions. It may be because he was older, it may be because of the narcotics he was taking - I'm not sure why he isn't as energetic as he was just a few years earlier. The only portions of the documentary where he performs with genuine enthusiasm and energy is with a couple of gospel songs.

    The behind-the-scenes portions of the documentary are also a bit of a letdown. We learn very little about Elvis, like what he's thinking about this entire tour, what he thinks about where he is in his career, and a number of other unanswered questions.

    I will say, however, that the musical numbers in the movie are very well directed and edited; the split screen techniques bombard the viewer with a lot of information, giving the feeling of actually being at an Elvis concert. This does make up for Elvis' somewhat lack of the energy he had in the past, and push the movie up to being an okay viewing experience, though more for real Elvis fans than more casual appreciators like myself.
    7highclark

    It's an either/Or situation

    I should stay on the fence for this one.

    I mean, it's always an either/or situation when it comes to Elvis Presley: either you subscribe to a fanatical worship of him, going so far as to calling him the King, or you attack him with a generous portion of cynicism, remarking more about his capes, kung fu and his weight than about his music. Well, for me, it's always about the music. His music is what lives on. And the music is what works best in this film. Being able to watch him rehearse with band mates while backstage was an amazing 'fly on the wall' experience. Elvis had a love for music that was inspiring, and as you can see on the film, even his band members shared in the love for music and were very much in awe of him and his musical abilities. I guess that's what I take away from the film most, his love for music, whether it's country, blues, gospel or rock and roll, Elvis loved music. It was also a great thrill to see his band working out through their first live rendition of 'Burning Love' or to hear his dramatic rendition of 'Bridge Over Troubled Water'. These moments are definitive proof of Elvis' ability to captivate an audience, just stunning.

    However, I could have done without the cheesy '2001' intro, but you must remember, it was the 70's and who knows, you may get a perverse chuckle from hearing it. The 'Love Me Tender' film montage left me feeling sad in a number of ways. 1) In the clips we see Elvis as a young man, fit and charismatic, brimming over with so much promise. Then to cut back to see the current Elvis on stage in his capes. Just depressing.

    2) The film images for the montage were taken from all of those films he made when he should have been concentrating on his music. Ironicly, the films kept him from making great music for a long period of time. Given the choice, I would rather he made music instead of 'Girls Girls Girls' or 'Viva Las Vegas' or any movie. It almost gives credence to something that is said in the film, in a totally non related way, when a loud speaker declares, "The Elvis Presley Show is a complete sell out".

    All in all.....fans will loooooove the movie. People who can take or leave Elvis will deal with the movie and appreciate his talents, or at least they should. Those who are not fans will laugh at his costumes, his posse and his sides....hairy and otherwise. And you know, that's just not a good enough reason.

    Me? I guess I lean more towards the 'either'.7/10.

    Clark Richards
    Jerry Ables

    Portrait of the King as a star shining bright

    If you're a fan of Elvis Presley like I am, then what's not to love about this thoroughly awesome documentary? It offers an excellent look at the King of Rock of Roll on tour exciting audiences as only he knew how. It's always very refreshing to see Elvis using his extraordinary talent and this film is no exception. A definite recommendation on my part.

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    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      Martin Scorsese was the montage supervisor for this documentary.
    • Citas

      Elvis Presley: [introducing band members to audience] "... and the guy that gives me my water and my scarves and so forth, his name is Charlie Hodge."

    • Versiones alternativas
      Due to music licensing issues, substitutions were made for the 2010 DVD/Blu-Ray release. The opening song, Johnny B. Goode is replaced with Don't be Cruel, while the Also Sprach Zarathustra (Theme from 2001. Odisea del espacio (1968)) opening bars have been replaced with a generic piece of music.
    • Conexiones
      Edited from Primos queridos (1964)
    • Bandas sonoras
      See See Rider
      Traditional, also credited to Ma Rainey

      Arranged by Elvis Presley

      Performed by Elvis Presley

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    Preguntas Frecuentes

    • How long is Elvis on Tour?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 1 de noviembre de 1972 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Elvis on Tour in Multiple-Screen
    • Locaciones de filmación
      • Little Rock, Arkansas, Estados Unidos
    • Productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Cinema Associates (III)
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 600,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 587,818
    • Total a nivel mundial
      • USD 587,818
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 33 minutos
    • Relación de aspecto
      • 2.35 : 1

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