Loco por las muchachas

"Boats! Boats! Boats!" might have been a more appropriate title for this rather lackluster Elvis feature, one of those formula films that were a dime a dozen. He plays a fisherman who loves being out on the ocean and begins to despair when he learns that his adoptive parents are selling their boats because they must move to a dry climate for health reasons. Nothing very interesting occurs throughout, and Presley is involved in at least three rather embarrassing songs: most notorious is perhaps the silly "Song of the Shrimp", along with a cringe-worthy tango in an apartment called "The Walls Have Ears", and a ridiculous singalong called "Earth Boy" which Elvis sings along with with two little Asian girls (their sister would later star with Elvis in the much better "IT Happened AT THE WORLD'S FAIR"). But at least there is also the decent rocker "I Don't Wanna Be Tied" and especially Elvis' big hit "Return to Sender" to enjoy. It's s a rare opportunity to see him perform the latter classic in a movie, and I'd say it's the best two minutes of the entire film. ** out of ****

In Hawaii, a fishing guide (Presley) tries to find a way to buy the Westwind, a boat that he & his father built, after his employer decides to retire to Arizona. Meanwhile he's caught between two women: An insensitive club singer (Stella Stevens) and a sweet rich girl who pretends to be working class (Laurel Goodwin).

"Girls! Girls! Girls!" (1962) was Elvis' 11th movie of the 31 in his acting filmography. It was the second of his three flicks shot in Hawaii, the other two being "Blue Hawaii" (1961) and "Paradise, Hawaiian Style" (1966). While it's a serviceable Presley flick and has its points of interest, it's the least of the three IMHO with "Blue Hawaii" being easily the best.

The serious drama is situated amongst the Hawaiian boating/fishing industry wherein Presley performs a song every 7-12 minutes with "Return to Sender" being a highlight.

Stevens' role is rather small so the focus is on the protagonist's romance with the secretly rich girl. Speaking of whom, two years later Goodwin played Yeoman Colt on the original (rejected) pilot episode of Star Trek, which was reworked into the two-part episode "The Menagerie," premiering in November, 1966. While Stevens and Goodwin are a'right, the female cast in "Paradise, Hawaiian Style" is superior.

There's an interesting scene near the end where Elvis's character is rescuing the girl and a sailboat runs into their smaller craft. The (presumable) stunt people in the motorboat get hit by the sailboat and somewhat pushed under.

The movie runs 1 hour, 36 minutes, and was shot in Hawaii.

GRADE: B-/C+

Certainly not one of Elvis Presley's best movies, OR soundtracks. 'Return to Sender','I Don't Wanna Be Tied' and a finish of 'Because of Love' are the only half decent songs in this rather boring tale that always fails to keep even me - an ardent Elvis fan - engaged for it's 95 minutes. Even the leading ladies Stella Stevens and Laurel Goodwin aren't particularly glamorous unlike those in other Elvis films. The leading ladies in Elvis films were on a par with the infamous 'Bond Girls' in my opinion, but not in 'Girls! Girls! Girls!'. Indeed, Stevens didn't take to Elvis at all, tried to pull out of filming and claims to have never watched the film... Elvis plays Ross Carpenter - a fisherman harbouring desires to run his own fishing business instead of working for his uptight, arrogant new boss. It's not much of a plot, and as stated, doesn't stand up as a memorable Elvis Movie.

Girls! Girls! Girls! is one of Elvis' best. From Storyline to soundtrack, you will be entertained.

Elvis (Ross Carpenter), Plays a fishing guide. He works for a kind old couple,(Papa Stavros) played by Frank Puglia and (Mama Stavros) played by Lili Valenty. They own the (Westwind) a boat that was built by Ross Carpenter's father. When the old couple breaks the news that they are retiring and moving to Arizona, Ross must find a way to buy the boat.

The lovely Stella Stevens (Robin Gantner) plays a singer in a night club that Ross frequents. He also sings at the club from time to time. The two become personally involved.

At the same time Ross has feeling for (Laurel Dodge), played by Laurel Goodwin. Who will he choose? I'm not going to spill the beans. I'll let you find the answer on your own. I can tell you that this picture is well worth your time. Both Stella Stevens and Laurel Goodwin give strong performances. Presely was very strong throughout this picture as well. He looked like he enjoyed working with the cast.

The two little girls in the movie, Ginny Tiu and Mai Ling were very charming. The inner play between Elvis and the children was remarkable. It gave this film a sweet touch.

(Interesting Facts) Girls! Girls! Girls! was released on November 21st 1962. It was nominated for a Golden Globe Award for best picture. Elvis won the 2nd place trophy for best actor at the Laurel Awards. The sound track was one of Elvis' best. It included the #1 smash, "Return To Sender"

A bit odd, but generally pleasing, colorful Elvis Presley vehicle casts the singing star as a tuna fisherman who longs to buy his own sailboat; he takes a job as a nightclub entertainer (nearly usurping former-girlfriend Stella Stevens) and balks at women who want to buy him things in exchange for his affection (another poor guy with principles!). Stevens is a tough broad who looks like she's been around a bit, though she's still a better fit for Elvis over newcomer Laurel Goodwin, who twinkles like a bobby-soxer. Elvis actually shows great passion for Goodwin (kissing her in the rain, even speaking of marriage), but she just doesn't seem his type. Musically, Elvis goes International: singing Chinese, dancing a Spanish Tango, crooning Calypso. In the rock 'n roll opener, he sings, "I'm just a red-blooded boy and I can't stop thinking about girls" (if he didn't like girls, what color would his blood be then?). The prettiest song, "Mama", is sung not by Presley but rather The Four Amigos, while Stevens seems to do her cabaret act in between various arguments. Goodwin (secretly rich) takes a job in a hat-shop, but why--to prove she has principles too? The script makes no sense, and the hot-headed character conflicts are contrived, but Jeremy Slate is a convincingly wormy adversary for Elvis, and E.P.'s performance is blithe and easy-to-take. **1/2 from ****