Diagnóstico: asesinato

This movie is an excellent example how a good director can bring out absolutely outstanding performances by all involved. I think James Coburn was one of THE coolest guys ever. What I always liked about him was that his characters always had an amazing and engaging personality. Very charismatic and loads of charm. But, to me he always came across as genuine, never phony or 'put on' in any way. Decidedly, one of my very favourites.

The story is quite good too. I normally don't leave reviews for non-Genre films, for movies that are not usually Horror or Science Fiction, but this movie has always been one that I liked from the very first time I saw it. The performances are unusually and universally very good, which is one reason I feel that this movie really stands out for it's time. In addition to Coburn, each and every one of the other supporting actors were excellent! The girlfriend I really liked. I felt that she came across rather uniquely for women portrayed during that time. She had a perfect blend of femininity, intelligence, and humour that really worked and made her character very appealing, and thus the attraction between them very believable. And each and every one, even the very small bit players, played their parts to perfection. Even the film developer guy for his two minutes was great.

I could go on and on and on about each character and how well they were portrayed, but the main point here as I stated at the beginning, is that this movie shows how a very gifted director can draw out amazing performances from his actors. And, this he did extremely well, which along with the very engaging and well written story, in my lowly and wretched opinion, makes for a fun and very entertaining film! I just have to put in one last plug for Coburn... I mean, NOBODY could deliver lines the way he did.

I need to double check and I might very well be wrong here, but I THINK Blake Edwards was known for the Pink Panther films, right? But, this movie here shows truly what a master he was at brining a good Mystery/Thriller to life in a way I feel really shows his ability as an excellent director. An great example of this is the scene between the girls uncle who is a doctor and Coburn. To me, Drama is the most difficult to pull off in a movie without seeming either plastic or over the top. But, that scene between the two of them involves a whole spectrum of emotions, subtlety, humour, candor, and intensity that I feel was done masterfully.

Most HIGHLY recommended!

This little known medical thriller seems like a second cousin to "Coma" and fans of that film should enjoy this one as well. Coburn is a free-living pathologist hired on at a large Boston hospital who almost immediately finds himself trying to disprove a murder rap placed on one of his colleagues. A fellow doctor (Hong, in one of his more substantial roles) is accused of performing an illegal abortion on a fifteen-year-old girl, which led to her death. That the girl is the daughter of the Chief of Staff is no small complication! Coburn must put all the pieces together to find out what actually happened while fending off his protective and commandeering boss (O'Herlihy.) He still finds time, however, to play with O'Neill (whose thankless part only offers one or two decent moments.) Some of the situations and dialogue are inherently "70's", but it is still engrossing entertainment. Coburn has one scene with the great Allen. This effortlessly sophisticated and witty actress partakes in some snappy repartee with him and sparks fly in the well written scene. Coburn also has a memorable run-in with Dreier who nonchalantly simmers some sauce while discussing his niece's death. The subject matter of the film is a bit unsettling and gets increasingly so (and more violent) as it nears its pretty gory climax. Some will view this as a good thing, others may be put off. One scene involving a masseuse and client is quite tense. This leads to some bloodletting and then a nail-biting, if a bit far-fetched, finale. Aubrey is the daughter of Phyllis Thaxter and looks much like her. Blake Edwards' daughter Jennifer has a small, but featured role as the dead girl's roommate. TV fans will note the presence of Hillerman and Mandan as doctors on staff. One complaint: With all the dramatics and hysterics during the resolution, it can be hard to hear what actually happened! Keep the remote handy for a rewind.

Pathologist Peter Carey (James Coburn) moves to Boston for a job at a hospital there. He meets Dr. David Tao (James Hong) and they become friends. He also romances beautiful Georgia Hightower (Jennifer O'Neill). Also Tao does abortions on the side (they were illegal in 1972). Then a hospital administrators daughter dies of a botched abortion and Tao is arrested. He didn't do it and Carey sets out to find out who did.

OK thriller elevated by Coburn's great performance and beautiful Boston locations. The script has plot holes and moves kind of slowly but it's OK. O'Neill look incredible but is given nothing to do. Director Blake Edwards disowned this film in later years saying the studio interfered with it. It's not good but it's not that bad either.

MGM gave a very stylish treatment to Michael Crichton's novel The Carey Treatment and provided James Coburn with one of his career roles as a pathologist/sleuth.

Coburn has good reason to turn amateur detective in his new hospital in Boston. His friend and colleague James Hong has been accused of murder and of performing illegal abortions. In super Catholic Boston in 1972 that was the worst kind of charge you can make.

Not only that the deceased is Melissa Torme-March the 15 year old daughter of the hospital head Dan O'Herlihy. O'Herlihy is head of a family where everyone goes into or is expected to go into medicine. His daughter was thought to go to Hong for an illegal abortion which was botched. Remember this was before Roe vs. Wade and there were all kinds of back alley abortion providers. Hong tells us he's feeling that women should control their own bodies and charges only lab fees. Others make big money off it, including some of the deceased's own family members. All hush hush and quite hypocritical, but those were the times.

Coburn's training as a pathologist makes him suspect that the young woman wasn't even pregnant, but there were some thefts of narcotics at the hospital that the police are also interested in.

Director Blake Edwards did well by his ensemble cast. For a doctor Coburn is hip and groovy as the times and pretty ruthless in pursuit of justice for his friend. Getting a career performance was Michael Blodgett who normally played beautiful surfer types, here he's one murderess masseuse. Skye Aubrey does well as a drug addicted nurse.

After forty years The Carey Treatment holds up well and is a painful reminder that women need access to safe and legal abortions as well as a fine medical murder mystery.

I've seen Blake Edward's The Carey Treatment twice since its airing on CBS in the mid '70s. I don't remember a lot of the details, but I am fairly certain that it was a pleasant and engaging medical/crime drama, although it looked TVish even for TV. I watched it with my grandmother of all people--she didn't like anything suspenseful because it aggravated her angina--and Nana gave it the ultimate compliment, "This is a good shoot-em-up!"

To my grandmother, all movies, with or without firearms, that had suspense were "shoot-em-ups."

The film was based on a work by Michael Crichton, but I can't recall if TCT has some of Crichton's trademarks--an ensemble casts of flawed, believable characters and a technology-heavy story. Instead, there's someone killing people, with a hospital as background and James Coburn looking very cool (and a bit Crichton-like in demeanor).

See, I really don't remember much but for the fact that I enjoyed it.

It appears you can't get the film at Amazon (although I haven't checked Netflix). That's too bad, because a cheap copy or a quick rental of this small mystery movie would be fun and enjoyable.

Just remember to bring your little pills, okay?