La vieille fille

Likeable main characters played by amazing actors of the time, easy to follow and digest story and pleasant location are forming quality package for this amazingly low-profile French comedy from the seventies. Noire and Girardot are actually aged only one year apart and forming a beautiful leading couple, while supporting characters are also surprisingly interesting, although not very deep.

A look back into a time gone by, quaint, quiet, fun in a subtle way, unrushed and relaxing. Many enjoyable details and references to that particular age in time which may not appeal to a younger audience (who may well be offended) but nevertheless has quite an authentic air to it.

I enjoyed the many scenes around the table in the dining room where people day after day are joined in communal dining which was common back around those days, jere I think more of 60s than 70s.

The most interesting aspects are not what is being said in words but in gestures and facial expressions.

Watching this movie is like time travelling, like enjoying the bouquet from a bottle of 1972 Cornas that is but a shadow of its youth but nevertheless charming and interesting.

Jean Pierre Blanc is not a very famous name for most viewers who have seen French films.However,after watching "La Vieille Fille"/The Old Maid it is hoped that audiences interested in serious cinema would be tempted to discover not only Jean Piere Blanc and his films but also many other unknown directors who have made meaningful,entertaining films.The theme of lonely people depicted in "The Old Maid" remains relevant even for contemporary audiences.However,the major difference is that the films about lonely people of the past relied more on imagination whereas the same films set in present times tend to be based on gimmicks and hype.By giving roles to Annie Girardot and Philippe Noiret,two of French cinema's most talented as well as known faces,a tender look at male/female relationships has been cast.Although the film is about some secondary characters with weak qualities,there is absolutely no hint of any mocking tone.Lastly,some sensitive observations about various facets of life especially in the context of human relations and love have been honestly presented in this film.This is a film to be watched if one is patient enough to let human sentiments rule over human reason.

Annie Girardot was THE French actress of the seventies .An outspoken nice personality ,she's cast against type as an old maid.But she's so good a thespian that she pulls it off with gusto,abetted by an excellent Philippe Noiret ,himself cast as a bachelor.Both are having a vacation at the seaside in a hotel .The man tries to make friend with her but it's a hard task because Mademoiselle Bouchon (=Miss Cork!!!)is an inhibited prudish woman .The dialog between them is intentionally down-to earth,dealing with "Oh What a lovely pebble!" "These are souvenirs for my family" .Only once they broach sexuality and not for a long time.Noiret and Girardot were such a wonderful couple that Philippe De Broca used them again in two of his late seventies movies .

But there 's a big flaw:the supporting characters are caricatures ,and although they are played by talented actors (Michel Lonsdale,Edith Scob,Marthe Keller) ,they really get in the way.That's why "la vieille fille" is only a good movie whereas it could have been a truly great one.

a love story. or only drawing of deep solitude. few portraits. meetings. and the salt air of a holiday.a film about common events, old words, not surprising choices. minimalist and honest. nothing strange, nothing unknown. almost a documentary.but it is different not only for dialogs or performance of lead actors, for mixture of characters silhouettes or for few scenes but for force of measure, for the isle of silences, for the skin of existences, fragile, strange, gauzy. collection of faces, gestures and search to escape from yourself, useful art lesson, demonstration of great importance of small things, bitter, nice, cold, it is, like each good movie, only a mirror.