De mala entraña

"Union Station" is a realistic 1950 film starring William Holden, Nancy Olson, Jan Sterling and Barry Fitzgerald. It was released after "Sunset Boulevard" so by the time it came out, Holden had actually moved up another level of stardom. Rudolph Mate directed the film in a quasi-documentary way, showing all levels of an attempt to rescue a kidnapped blind girl (Allene Roberts), the daughter of Olson's wealthy boss. Holden plays the detective in charge of Union Station, and he doesn't like the idea of anybody messing with his turf.

There are some very exciting scenes, particularly the one on the train, which as someone mentioned, very likely inspired "The French Connection." Holden gives a strong, macho performance, which makes the scene where he visits Olson in her home extra delightful, as he becomes embarrassed when her mother fusses over him. It's amazing that after Golden Boy, he toiled in so many films beneath his ability. Jan Sterling is the gangster's girlfriend with a heart - it's a small but showy and sympathetic role. Lyle Bettger is the villain, and he's slime all the way through. The only problem with the film is the kidnap victim herself, Lorna, who screams non-stop. I'm surprised her father wanted her back, but you know how it is with parents.

Really holds your interest. What a hunk Holden is. Highly recommended.

UNION STATION is a briskly paced thriller laced with enough suspense to keep the viewer intrigued until the final shootout in a tunnel below the station where badman (LYLE BETTGER) must be tracked down by hard-boiled detective (WILLIAM HOLDEN) so that a blind girl (ALLENE ROBERTS) can be returned safely to her father. Bettger has arranged a ransom for the girl to the tune of $100,000 and is determined to keep a grip on the suitcase containing the ransom money.

NANCY OLSON is the woman on the train who first notices that one of the men has come aboard with a gun and she immediately becomes suspicious enough to report this to the authorities. Lead detective Holden takes charge and he and Olson gradually develop a relationship of trust that leads to the finale where she's tending to his wounded shoulder, while LAPD man (BARRY FITZGERALD) looks on approvingly, sensing love in bloom.

It's directed in almost documentary style with a "Naked City" sort of realism. Holden and the police handle their suspects with realistically rough tactics which further heightens the tense realism of the story. JAN STERLING has a small role as a gun moll (what else?), who lets the police know that Bettger intends to kill the girl once he gets the ransom.

LYLE BETTGER is superb as the snarling villain, easily stealing many of the scenes with his brutally menacing tough guy role. No wonder he played this sort of man in so many films afterwards.

Well worth watching, nice work by Holden and Olson, with faint criticism for Barry Fitzgerald for mumbling much of his heavily accented dialog with that Irish brogue. The only other criticism is that the director allows ALLENE ROBERTS to scream too much, which becomes tiresome and makes Bettger come up with the crack, after slapping her: "For this, he's willing to put up $100,000."

For a mid range movie of 1950 this fast moving Railway Police/chase story packs a reasonable wallop. The cast is above average for what looks like a 'double feature' production and the script never wanders from its target for a moment. The police are shown realistically and situations are not compromised in their general graphic details. All characters are written and directed as you might expect them to be in a life challenging situation. Perhaps the somewhat tacked on ending could do with a little (very minor) editing to give it a harder edge but some may be happy with finishing it on a slightly lighter note.

Maybe Lyle Bettger could also have been reined in a tad with his full-on performance of the nasty kidnapper but he looks the part. Sydney Boehm's tight screenplay was based on Thomas Walsh's Edgar winning novel 'Nightmare in Manhattan' - William Holden and Nancy Olson were teamed again for Award winner, 'Sunset Boulevard' the same year and the image and sound on the DVD I viewed, was quite clean. Was good to discover another classic from the past.

This was a bit of a sleeper, better than I thought and not a well-known film to begin with, since it never came out on VHS. William Holden and Nancy Olson both worked on Sunset Boulevard this same year this was released and here are together again. Actually, I like the two a lot better in this film than the much better- known 'Boulevard.'

Yes, some of the scenes are a bit dumb but the story moves well and keeps your interest which is what a good crime story-drama should do. For some reason, I really enjoyed the train station, too. It looked awesome.

Hopefully, some day this movie will be part of a film-noir package on DVD.

I remember this film shown once on TV. Yes, the story plotline is good and the characters are entertaining, but the REAL star of the movie is the incredible historical Union Station itself. The movie moves throughout portions of the building never before seen by the general public and reveals the enormous scope of Union Station. As a little girl I and family traveled often by train. I remember the beauty of the place, the hustle and bustle of a station which was the base for the only comfortable way to travel by land at that time.Union Station itself compares in size and beauty to any other in the country.This movie was shot during the last hey-days of the railroad passenger trains and I earnestly wish it could be brought back to video.