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IMDbPro

Un reptil con piel de mujer

Título original: Una lucertola con la pelle di donna
  • 1971
  • Not Rated
  • 1h 44min
CALIFICACIÓN DE IMDb
6.8/10
6.2 k
TU CALIFICACIÓN
Florinda Bolkan in Un reptil con piel de mujer (1971)
Home Video Trailer from Media Blasters
Reproducir trailer0:48
2 videos
99+ fotos
DramaGialloMisterioThriller

La hija desquiciada de un político británico es acusada de matar a su vecino hedonista tras presenciar el asesinato en un sueño.La hija desquiciada de un político británico es acusada de matar a su vecino hedonista tras presenciar el asesinato en un sueño.La hija desquiciada de un político británico es acusada de matar a su vecino hedonista tras presenciar el asesinato en un sueño.

  • Dirección
    • Lucio Fulci
  • Guionistas
    • Lucio Fulci
    • Roberto Gianviti
    • José Luis Martínez Mollá
  • Elenco
    • Florinda Bolkan
    • Stanley Baker
    • Jean Sorel
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.8/10
    6.2 k
    TU CALIFICACIÓN
    • Dirección
      • Lucio Fulci
    • Guionistas
      • Lucio Fulci
      • Roberto Gianviti
      • José Luis Martínez Mollá
    • Elenco
      • Florinda Bolkan
      • Stanley Baker
      • Jean Sorel
    • 58Opiniones de los usuarios
    • 124Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos2

    A Lizard in a Woman's Skin
    Trailer 0:48
    A Lizard in a Woman's Skin
    A Lizard in a Woman's Skin
    Trailer 2:14
    A Lizard in a Woman's Skin
    A Lizard in a Woman's Skin
    Trailer 2:14
    A Lizard in a Woman's Skin

    Fotos136

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    Elenco principal28

    Editar
    Florinda Bolkan
    Florinda Bolkan
    • Carol Hammond
    Stanley Baker
    Stanley Baker
    • Inspector Corvin
    Jean Sorel
    Jean Sorel
    • Frank Hammond
    Silvia Monti
    Silvia Monti
    • Deborah
    Alberto de Mendoza
    Alberto de Mendoza
    • Sergeant Brandon
    Penny Brown
    Penny Brown
    • Jenny
    Mike Kennedy
    Mike Kennedy
    • Hubert
    Ely Galleani
    Ely Galleani
    • Joan Hammond
    • (as Edy Gall)
    Jorge Rigaud
    Jorge Rigaud
    • Dr. Kerr
    • (as George Rigaud)
    Ezio Marano
    • Lowell - Scientific Squad
    Franco Balducci
    • McKenna
    Erzsi Paál
    • Mrs. Gordon
    • (as Ersi Pond)
    Luigi Antonio Guerra
    • Policeman
    Gaetano Imbró
    • Policeman
    Leo Genn
    Leo Genn
    • Edmond Brighton
    Tony Adams
    • Policeman
    • (sin créditos)
    Jack Armstrong
    • Train Passenger
    • (sin créditos)
    John Clifford
    • Train Passenger
    • (sin créditos)
    • Dirección
      • Lucio Fulci
    • Guionistas
      • Lucio Fulci
      • Roberto Gianviti
      • José Luis Martínez Mollá
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios58

    6.86.2K
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    Opiniones destacadas

    lazarillo

    Fulci's Best Movie

    Although Lucio Fulci is most famous for the atmospheric and very gory series of zombie movies he made in the late 70's and early 80's, this early 70's giallo might very well be his best film. It has all the strengths of Fulci's best work--great cinematography, brilliant editing, and a powerful sense of atmosphere (although the decadent, garish portrait he creates here of "Swinging London" is quite distinct from oozing sense of dread he conjures up in the rural American settings of his zombie films). This movie, however, has two things his zombie films do not have: first, a script that is both genuinely suspenseful and that actually makes sense (rather than merely functioning as a means to tie various interesting scenes together), and, second, Florinda Balkan. It is hard to describe how good Balkan is here, but if you've seen her in "Flavia, the Heretic" or in the supporting role she plays in another excellent Fulci giallo "Don't Torture a Duckling" you'll know what I mean. There is some decent acting in many of the later Fulci movies, but nothing like Balkan's performance in this and in "Duckling".

    And if you're the typical Fulci fan seeking a heavy dosage of blood and gore, you won't be disappointed. This movie offers a bat attack similar to the one he later did in "House by the Cemetery" which is less bloody, but much more realistic as it accomplished through clever editing rather than phony prosthetics. Then there is the scene with a half-dissected (but still living)dog which actually landed Fulci in court for animal cruelty! (Don't worry--it wasn't a real dog). Hopefully, when this movie comes out on (legitimate) DVD that scene will be restored to its full power, and this excellent movie will be appreciated for what it truly is--Fulci's best movie.
    unoness

    Delirious murder mystery filled with bat attacks, drug trips and disemboweled barking dogs.

    This rarely seen Fulci offering brings to mind many comparisons with Dario Argento's earlier works.

    A woman (Monti) dreams in slow motion of murdering her somewhat libertine neighbor and relates it all back to her therapist; some time later, her neighbor indeed turns up dead, and the details all match those in the dream. The police are called in, many red herrings are thrown in, and as the false resolutions arise, the police procedural turns into an unbelievably convoluted and confusing spiral. Two hippies, whacked out of their minds on LSD, witness the murder but make unreliable witnesses due to their state at the time. The line between reality and hallucination becomes increasingly blurred throughout the whole film, as the mentally unbalanced Monti tries to reconcile her shifts in perception.

    The strength of the movie lies in the visuals, however; Fulci's wild camera work helps reinforce the sense of illusion throughout.

    Ennio Morricone's score complements the picture's strange mood perfectly.

    Fulci found himself in court over an unusually ugly scene of vivisected dogs (during a hallucination); his SFX man Carlo Rambaldi had to bring in the animatronic models of the dogs to get him off the hook.

    At times it's a bit slow, but at other times Lizard in a Woman's Skin is a very wild ride indeed.
    8chaosrampant

    An acid trip by a much maligned director

    Even though Lucio Fulci's name is usually uttered in the same breath as those of Mario Bava and Dario Argento in "who's the best Italian horror director?" discussions, he's just as likely to be dismissed as an incompetent hack that couldn't direct traffic. "A Lizard in a Woman's Skin", like the rest of his gialli efforts from the 70's is solid proof of the opposite. Unlike other genre efforts that leave the viewer baffled with ludicrous plot twists and impossible endings, "Lizard...", convoluted as it may be, ranks among the most solid crime mysteries the Italian scene produced.

    Of course that doesn't mean the final 20 minutes aren't bound to give you a headache as the plot unfolds its myriad twists and turns. Every character is a suspect. In turns Carrol, her husband, two hippies, Carrol's step daughter and her father. Yet all the loose ends are tied very neatly in the end. Beautifully staged gore, great cinematography and hot European babes shedding their clothes are other genre staples and "Lizard.." doesn't dissappoint, even though it's gore-lite. It certainly doesn't live up to Fulci's rep (a rep not entirely representative of his vast work, spanning many different genres from westerns to crime action and comedies), but I have no problem when the overall quality is so good. Coupled with a languid jazzy score by the maestro, Ennio Morricone, solid performances, intriguing set pieces and delirious dream sequences, Fulci here weaves a beautiful tappestry that will leave no fan of bizarre Italo-horror disappointed. And if anything, it just goes to prove that Fulci was a great director, even if his post New York Ripper catalogue may suggest the opposite.

    Apart from the final 20 minutes, where the labyrinthine plot unfolds through remarkable detective work, the first sequence is great. It's Carrol's dream. She's pushing her way through a narrow (train?) corridor full of people, in slo mo, with an anguished look on her face. Suddenly the corridor is full of naked people (also known as hippies). Then she's falling into the void with darkness surrounding her. She lands on a lavish velvet bed, dressed in a grey fur, and makes out with the gorgeous Annita Strindberg. I haven't been thrown off so much by an opening scene since Martino's "The Strange Vice of Mrs. Wardh" (another great sleazy psychedelic opening). The rest of the dream scenes, including the murder, are all dizzying and off-beat.

    Overall, this is a must see for giallo fans, Fulci fans that want to discover his other side and all the nay sayers. If possible, try and find the uncut Italian version. It might be full-screen but you get 5 minutes of additional gore and nudity.
    8HumanoidOfFlesh

    Trippy Italian giallo.

    A troubled rich woman Carol Hammond played by Florinda Bolkan is suffering from a series of bizarre sexual dreams where she indulges in lesbian activities with her neighbor Julia Durer(Anita Strindberg).Unfortunately one morning after another perverse sex dream culminating in a gory knifing of Julia,Carol is shocked to find that Julia was murdered in her apartment the stormy night before.When all evidence points to Carol being the culprit she must not only investigate the crime but determine what is dream and what is reality."Lizard in a Woman's Skin" is perhaps the most bizarre and puzzling Fulci's giallo.The cinematography by Luigi Kuvellier is splendid with some gorgeous visuals and the dream scenes are appropriately psychedelic.The eviscerated dogs sequence still shocks unprepared viewers drawn into the murder mystery aspect of the film.8 out of 10.
    10Red-Barracuda

    Premium early 70's giallo

    Yet another early 70's giallo with one of those cryptic zoophilic titles. A Lizard in a Woman's Skin is a very fine example of this most Italian of exploitation sub-genres and is possibly the best film that Lucio Fulci ever made.

    This is an atypical giallo in that it only has one on screen murder to speak of. However, this murder is, to say the least, a memorable affair. It takes place as part of a very trippy and psychedelic dream sequence that features a train populated entirely by naked people, a malevolent giant swan, and grotesque Francis Bacon style dead people in chairs with leaking guts. In the centre of the dream is a lesbian liaison between Florinda Bolkan and Anita Strindberg (who has never looked better than here). The lovers embrace on a king-size bed draped in sheets of a deep red colour. When suddenly Bolkan drives a knife into Strindberg's chest. Her death throws are caught in orgiastic operatic slow motion. This is all accompanied by a creepy Ennio Morricone soundtrack. To put it mildly, this is magnificent stuff. Aside from this opening murder there is a scene later in the film that is not recommended for dog lovers (although seeing that this is an Italian movie I feel I should point out that these aren't real dogs folks, thank God).

    Lizard – along with Don't Torture a Duckling - proves that given the right resources, Fulci was more than capable of producing stylish, suspenseful and highly polished films. Like a considerable number of gialli from the early 70's, Lizard benefits from the great pool of talent that was evidently working in the Italian film industry at the time; there seems to have been an abundance of great cinematographers, composers, set designers and wardrobe people, alongside some great directors and appealing actors (not too sure about the writers though!). This film displays a great deal of the aforementioned positives. There is great camera-work, including nice use of split-screen. Excellent photography of the interior shots of Alexandra Palace, that only serves to heighten the suspense of this sequence. The scene where Florinda Bolkan is trapped in a room full of bats by the killer and attempts escape via high window is replicated a few years later in Suspiria – I suspect Dario Argento has seen this movie. We have a standout score from Ennio Morricone. The main theme is a beautiful piece of orchestral music with a laid-back groove featuring breathy vocal accompaniment by the incomparable Edda Del'Orso. If anything, this main theme is criminally underused in the movie, although the rest of the soundtrack is great too, featuring, as it does, some wild psychedelic work outs too – Mondo Morricone! The interior décor and fashions are suitably, and agreeably, examples of early 70's Italian style that we know and love. Acting-wise Florinda Bolkan turns in a great central performance and she is ably supported by an ensemble that is a whose-who of Italian genre cinema of the time.

    This is essential stuff for giallo completists. This compares very favourably with the best the genre has to offer. Fulci is most commonly associated with his later zombie splatter flicks but this film alongside it's companion piece Don't Torture a Duckling prove that he was a master of the giallo.

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    Argumento

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    • Trivia
      The scene in which Carol encounters the disemboweled dogs in the clinic became quite controversial because of the startlingly realistic (and graphic) appearance of the fake prop dogs. Director Lucio Fulci was nearly sent to prison because it was believed that the dogs were real and Fulci had allowed animal cruelty on the film. However crew members were able to testify in court that the "dogs" were indeed fake and no animals had ever been harmed. Special effects artist Carlo Rambaldi even presented the dog props in court to convince the jury. This was the first time that an effects artist had to testify in court that their work was fake.
    • Errores
      When people are taking pictures of Julia Durer's body, her eyebrow moves.
    • Citas

      Hubert: What do you expect us to do with all that acid inside us, huh?

      Jenny: We were filled with acid from our heads to our toes. And you know something? Under the effect of acid, I look at you here and all I see is a red blob. Or a galloping horse.

      Inspector Corvin: You don't remember anything at all about that night?

      Hubert: Yeah, I remember. Yes, I remember, seeing that night, a lizard - in a woman's skin.

      Inspector Corvin: Shit!

      Hubert: No, beautiful. Just beautiful.

    • Versiones alternativas
      The American version released in 1973 (as Schizoid) was actually seven minutes longer than the current Italian print of that time. AIP restored some self-censored erotic footage (mostly in the orgy and dream sequences) and marketed the film to the swinging Euro/trash/nudity enthusiasts of the era.
    • Conexiones
      Edited into ¿Quién es Florinda Bolkan? (2010)

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    Detalles

    Editar
    • Fecha de lanzamiento
      • 29 de marzo de 1973 (México)
    • Países de origen
      • Italia
      • Francia
      • España
    • Idiomas
      • Italiano
      • Inglés
    • También se conoce como
      • A Lizard in a Woman's Skin
    • Locaciones de filmación
      • Alexandra Palace, Alexandra Palace Way, Muswell Hill, Londres, Inglaterra, Reino Unido(Carol arrives by taxi)
    • Productoras
      • International Apollo Films
      • Les Films Corona
      • Atlántida Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 44 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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